Create a Mysterious Smokey Logo Reveal

Twice a month we revisit some of our reader’s favorite posts from back in the archives of Aetuts+. Today we’ll look at a my first tutorial for Aetuts+. This tutorial was originally published in March 2009… Enjoy!


In this fun tutorial, Adam walks us through the write-on effect as well as a new way to implement Trapcode Particular to create the popular simulation of an appearing wisp of smoke. He shows us some options to this effect as well how to customize any logo apply these principles in any way you wish.

Tutorial

Download Tutorial .mp4

File size 83MB

Addendum

Download Addendum .mp4

File size 15.8MB


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AE RAM preview: not necessarily WYSWYG

RAM previews are not necessarily WYSWYG, even apart from OpenGL settings and usage, and this can appear be a difficult problem to unknot because of the number of settings and Preferences involved — some of which are new in CS5.

As Todd Kopriva pointed out on the AE-List, guidance can be found in Preview modes and Viewer Quality preferences in AE Help:

“In the Previews preferences category, you can choose the quality and speed of color management and zoom [Magnification, display resolution, PAR] operations used in previews. From the Zoom Quality or Color Management Quality menu, choose Faster, More Accurate, or More Accurate Except For RAM Previews.

The More Accurate Except For RAM Previews option uses the more accurate operations for manual previews and standard previews, but uses the faster operations for RAM previews [emphasis added]

As usual Creating Motion Graphics is also helpful. Chris and Trish Meyer recommend keeping Preferences > Previews to More Accurate (unless you have an older computer). For more on OpenGL, which might be best turned off for the most part, see OpenGL basics in After Effects at AE Portal, which riffs off an AEtuts+ video, An Inside Look At OpenGL Within After Effects by Stefan Surmabojov.


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Pro Presets 2 For Optical Flares

Video Copilot has released Pro Presets 2 for Optical Flares, which includes 50 new presets, 10 After Effect template projects, 7 professional fonts, and 3 new video tutorials. As you’d expect there’s a nice video product tour and other demos.

For more on the Optical Flares plug-in and other lens flare news notes and tutorials, see Video Copilot Optical Flares in review and posts tagged Lens Flare at AE Portal. And right here on AEtuts+, tutorials that feature Optical Flares include How To Make Blinding Paparazzi Flashes by Matt Clegg and Switch On This Casino Style Text Effect Tonight by Tibor Miklos.


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Creating Hero Versus Villain Character Archetypes – Vector Premium Tutorial


Today, we have another Vector Premium tutorial exclusively available to Premium members. If you want to learn how to create great heros and devious villains, then we have an awesome tutorial for you. In order to create a character we need to grasp character theory, how it applies to the characters we are creating, and then learn to put this theory into practice.

Continue reading “Creating Hero Versus Villain Character Archetypes – Vector Premium Tutorial”

How to Create Amazing Bass Patterns for Electronic Music

Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in September 2008.

Following my tutorial on creating a house drum track we received requests for information on creating bass lines, lead sounds, FX and arrangements. So, over the coming weeks I will be supplying step-by-step tutorials, demonstrating possible techniques for completing an electronic house track. I will build on the track in each tutorial so you can see things develop and make the Logic project available at each stage.

Even though these tutorials are completed in Logic Pro 8 and in a one particular style of house, the techniques are very much generic and can be applied to any software and genre of dance music.

Note: this tutorial contains embedded audio that will not display in a feed reader. Click back to the site to read the tutorial with audio or download the Play Pack at the end of the tut.


1. Choose your weapon

Once you are happy with your drum sound, the next logical step is adding a bass line and before you can do this you need to choose an instrument or sound source. Choosing the right synth to create bass sounds is a subject that’s often debated and although it is true that some synths specialise in producing basses, the truth is that the best synth to use is one that you are familiar and confident with.

Of course if you are proficient in the world of synthesis you should be able to coax a usable bass patch out of most instruments but if you feel less confident opt for a simple synth with a good set of presets and a clear interface.

In this instance I have used a slightly tweaked pre-set from Logic’s ES2 synth. This is a very capable instrument with a pretty complex interface. If you are a Logic user and wish to try something a little simpler head for the ES1. Both synths have a really good set of presets you can use as a starting point.

The main sound I have opted for here has a pretty fast decay and a bright timbre so it cuts through the mix while I’m putting down initial ideas. Of course, this sound can be changed at any time throughout the process. If you having trouble hearing your bass notes at any point you can even temporarily raise the sound by an octave, this way all your notes will be much clearer.


2. Sequence a basic pattern

Now you have your basic sound in place, you are ready to start putting down some ideas that will form the foundation of your bass line. There are a few different approaches here, some people like to use purely step based sequencing, inputting notes manually one at a time. This technique can create similar results to using classic synths and drum machines such as the TR909 and legendary TB303. Although this is a perfectly valid technique the results can often sound mechanical and uniform.

An alternative method that offers results that are more or less the complete opposite of step sequencing is actually playing your bass lines on a keyboard or other midi controller. This approach will give you a much more human sound and impart real feeling to your parts.

I find a healthy mix of the two works well. Try this by playing in a simple bass part, outlining the basic progression you want. Don’t worry too much about the timing and energy of the sequence at this point as we can resolve these issues later using some step sequencing techniques.

My sequence isn’t the greatest in the world but it should demonstrate my point well enough!

First pass bass


3. Getting in time with quantization

If some of your playing was a little sloppy and you feel this lets the pattern down, then it’s time to reach for the quantize button. Of course you don’t have to quantize everything you play to a grid and you can even create grooves from audio parts and templates if you want to add some swing into your bass part.

For this example I have quantized everything to 16th notes. This will keep things nice and clear and tends to work in this style of house music.

Quantized bass


4. Perfecting the groove

Once you have applied the required amount of quantisation to your pattern you can start to perfect the overall groove. It is likely at this point that you start to hear a specific groove and feel evolving and some notes may fall outside of this groove.

Simply move the notes around until the part feels more complete, after some playing about everything should fall into place. If things still aren’t working it may be time to replay the original pattern.

Basic mix


5. Adding energy to your pattern

At this point things should feel pretty solid but the part maybe lacking energy. There are few ways to remedy this problem. The first is to add some extra notes to your pattern. By carefully inserting notes into the gaps in your groove, you can create a feeling of pace and energy.

The additions that tend to work here are shorter notes, in between the on and off beats. Also try experimenting with notes an octave up or down of the root note and change values such as velocity and aftertouch. These small differences can make a really large impact on the final product.

Extra notes and glide


6. Tweak or change your sound

With your pattern nailed, this is a good point to make sure the main bass sound is doing all the right things. In this case I was pretty happy with it and only altered the amp and filter envelopes slightly and some extra parameters such as Glide and analog emulation, for some extra warmth and interest.

Of course there is nothing stopping you spending a lot of time at this stage getting things right and creating a completely fresh bass patch, you can even replace the instrument. Once you have the MIDI in place you have total freedom.


7. Layering up

If you feel your part still lacks a certain something you can layer extra instruments playing the same midi part. This is a great way of adding movement and dimension to the pattern.

Try layering sounds that you wouldn’t normally associate with bass parts for some diverse and original results. In this example I have used a tempo synced synth part to create extra notes in the pattern. I have also treated it with some distortion, filters, delay and limiting. I have then added a deeper bass part which I have forced to play in mono using Logic’s directional mixer plug-in.

When mixed, the different parts really compliment each other, making the overall sound richer and more involving.

Bass layers


8. Grouping and final treatment

When the parts you are using are complete and you are happy with the way everything is working, you can start to add some final processing to make sure the sounds marry with the existing elements of your mix.

The first thing to do is route all your sounds to a group or buss. This way you have absolute control over all the sounds you are using and altering their overall level becomes an easy job. Once this group is in place you can add any processing needed to gel the parts further and apply overall dynamics and EQ treatment to correct any problem areas.

In this case I added some side-chain compression, with the kick drum from our drum track acting as the key input. This allows the kick to be audible above the bass parts, which is hugely important in any music destined for club play. I have also brightened things up with a simple EQ and added some light limiting at the end of the chain to keep any wayward dynamics reigned in.

Once all this is in place you should have an effective and well mixed bass pattern. In part three, we’ll look at adding a pad or string part and then move onto leads and arpeggios, FX and fills, and finally we’ll take a look at the different stages of arrangement. Stay tuned.


Final mix

Before you go, listen to the final mix:

Bass mixed

Download the Play Pack for this tutorial (15.25MB)

Contents

  • Logic Pro 8 Source Files
  • Example audio


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Workshop #14: 17 Degrees by Bananovitch

At Audiotuts+ we regularly put up a reader track for workshopping and critique (find out how to submit a track). This is how it works: you upload your song, and every week or so we’ll publish one here and step away from the podium. The floor is yours to talk about the track and how the artist can fix problems in and improve upon the mix and the song.

This track has been submitted for your friendly, constructive criticism. They have put their track (and their heart and soul) in your hands to learn and get useful feedback.

  • Do you enjoy the song or track itself? Does it have potential?
  • Can the arrangement be improved?
  • How did you find the mix? What would you do differently?
  • What do you enjoy about the rhythm track? What can be done to improve it?
  • Is the choice of instruments relevant and effective for the style/song?
  • Are the lyrics (if any) effective? Does the style, arrangement and genre of the song suit them?
  • Can you suggest any specific techniques that might improve the track?
  • Do you have any other constructive feedback?

17 Degrees by Bananovitch

Artist’s website: myspace.com/bananovitch

Description of the track:

I wanted to make an electronic, club oriented tune with some kind of dark feeling to it. I programmed all the synth patches used here. Drums were created from free samples available at freesound.org. I appreciate all constructive feedback. check out my Myspace for more!

Download audio file (17degrees.mp3)

Terms of Use: This track is available for download.

Have a listen to the track and offer your constructive criticism for this Workshop in the comments section.


Submit Your Tracks for Workshopping

Need constructive criticism on your own tracks? Submit them using this form.


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Create an Exploding Moon Orbiting a Gas Giant in Photoshop – Psd Premium Tutorial

Exploding planets are a staple of just about every popular science fiction television show or movie, but did you know that you don’t need your own special effects department to create these types of effects on your own? In fact, all you need is Photoshop. In this Psd Premium tutorial, author Ed Lopez will demonstrate several techniques including how to break apart a planetary object, create a star field, dust and clouds, and even how to create a gas giant from scratch. This is a written tutorial but it also includes over 800 MB of video instruction. This tutorial is available exclusively to Premium Members. If you are looking for some "out of the world" instruction and would like to learn how to create your own planets and then blow them up, Log in or Join Now to get started!


Detailed Video Instruction

This tutorial includes 16 videos that demonstrate the process of creating this project in detail so that you can better understand the techniques that were used in each step. Below is a clip from one of those videos. To view more clips you can Log in or Join Now!


Professional and Detailed Instructions Inside

This tutorial also includes full text and screenshots of each step. Premium members can Log in and Download! Otherwise, Join Now! Below are some sample images from this tutorial.


Psd Premium Membership

As you know, we run a premium membership system here that costs $9 a month (or $22 for 3 months!) which gives members access to the Source files for tutorials as well as periodic extra tutorials, like this one! You’ll also get access to Net Premium and Vector Premium, too. If you’re a Premium member, you can Log in and Download the Tutorial. If you’re not a member, you can of course Join Today!

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Swatch: A Sleek, Stylish Mac Colour Picker

Are you a designer, developer, photographer, or just a colour lover in general? Have you ever wished there was an easy way to save any colour of your screen, and then copy that colours hex or rgb colour code? If you answered yes to any of those questions, then you’re in luck, because that’s exactly what Swatch does.

Swatch is a lightweight colour picker that sits as a paint-brush icon in your Mac’s menu-bar. So what makes Swatch better than all the other colour pickers? Read on to discover how Swatch can work for you, and also find out about a few similar utilities available for OS X!

Getting Started

To get started with Fuel Collective’s Swatch, head on over the the app’s Swatch website. You can either download the 14 day free trial, or purchase the app for just $9.95 (about £6).

Once downloaded, open the DMG file, and drag the application into your application’s folder (Swatch isn’t available in the Mac App Store just yet). Now you can open the application, and you will see it in your menu bar. So now, let’s begin using this app!

Design & Interface

As you can see from looking at the screenshot, Swatch’s interface is very sleek and sexy. On the top left, we see a colour’s hex code, and on the top right, we see a colour’s RGB code. Underneath that, we have our colour picker, our choice of a colour wheel, CMYK slider, Grayscale, HSB slider and RGB slider, and then Swatch’s preferences button.

The Swatch Interface

The Swatch Interface

In the middle of the interface, we have the colour wheel and the slider to make the colour darker or lighter, and toward the bottom we have the current colour selected.

Using Swatch

Using Swatch is really easy. When you come across a colour on your screen that you would like to save, just click on the paint brush icon, or press a hot key, and it will open up Swatch’s main interface. To choose a colour, click on the icon on the top left, and it will now show a magnifying glass.

Using the magnifying glass, just click on any colour on your screen, and it’ll open in Swatch and show you the colour’s hex and rgb code, as well as allowing you to save this colour.

The Colour Picker

The Colour Picker

If you see a colour that you’d like to use in Photoshop, or any other application or document, you can click on the colour’s hex code or rgb code to copy the colour’s code to your clipboard.

Since Swatch is a lightweight menu-bar application, it doesn’t use too much RAM or CPU, and it almost goes unnoticed until you need to use it. Picking colours is snappy, and the process works smoothly.

Preferences

If you click on the little gear icon, it will open up the preferences menu. This allows you to tweak various settings, and customise the application to your own needs. You can record a keyboard shortcut to launch Swatch, choose the type of colour picker you’d like to use, select how colours are copied, and decide whether or not to use lowercase letters:

Preferences

Preferences

This is the perfect level of customisation. Enough that you can change those few settings that need to be adjusted, but not so many options that you become overwhelmed.

Colour Picking Alternatives

Although Swatch is certainly one of my favourite colour-picking applications for the Mac, a handful of alternatives are available. You may also like to take a look at:

  • Hex Colour Picker – Hex Colour Picker puts an extra tab in the system-wide colour panel. Instantly see the hex colour code for any colour, and edit it just the same with a number of shorthands.
  • ColoaColour – CocoaColour is a colour finder for Mac and CSS web development. It integrates with the colour picker on Macs, but provides a much more robust interface for colour picking.
  • ColourSchemer Studio 2 – ColourSchemer Studio 2 is a professional colour-matching application for your Mac that will help you build beautiful colour schemes quickly and easily. It’s a pricy option at $49.99, but definitely the most powerful app available in this genre.

Also worth noting is that OS X has a completely free colour picker built-in. There are various ways to access this piece of software, but this handy tip is particularly useful if you’d like to turn the colour picker into a standalone application.

Conclusion

Fuel Collective has done an amazing job with Swatch. It’s sleek, fast, easy to use and very affordable. I love being able to save colours for later use, and the ability to copy CSS3 rgba colour codes is awesome. The app is perfect in my opinion, and there’s not much to improve; everything is already great. So if you’re someone who works with colours on a daily basis, I’d really recommend checking out Swatch.

A Swatch license will set you back $9.95, but like I stated earlier, there is a 14 day free trial available so you can see if you like Swatch before purchasing it. I definitely think you will love Swatch, and it’s definitely worth the $9.95 price tag.

Ask the Mac.AppStorm Editor #6

It’s time for another “Ask the Editor” post today. A big thank you to everyone who sent in their questions – it’s great to have the chance to help you out with your Mac-related queries and quibbles.

Some of the topics covered this week include speeding up Safari, how to create and edit PDFs using OS X, replacing your MacBook hard drive, and tracking down pesky startup items.

Read on for plenty of handy Mac knowledge, and I hope you’ll find most of it useful for your own situation as well!

My hard drive is not working, and my MacBook is out of warranty. Every time I put a CD in, it pops it back out. I know that a new hard drive is very expensive, so what should I do?

– Luke White

First up, the obvious question to ask would be whether you’re inserting an official OS X install CD? If so, be sure to hold down the “C” key when booting, as this should launch you into the OS X setup program and allow you to Verify your hard drive using Disk Utility.

If this doesn’t work, and you can’t boot from the CD, maybe there’s something wrong with the disk. You could either try to borrow an install disk from a friend, or take your machine into an Apple Store Genius Bar.

They should be happy to take a look at your computer and diagnose the problem. As you’re out of warranty, they’ll charge you parts and labour to install a new hard drive for you (which is always considerably more expensive than replacing the part yourself).

Installing a new hard drive in a MacBook is far less complicated and expensive than you’d think. Take a look at this guide for more information about the type of hard drive required, although it’s likely to be a 2.5″ SATA.

These aren’t particularly expensive, and you can pick up decent sized drives from upwards of $40. Fitting it is just a case of removing your battery, pulling out the old hard drive, and pushing the new one in.

Also worth considering is whether you’re able to recover the data from your old hard drive. This works more often than you’d think, and a fantastic utility for data recovery is DiskWarrior. This has worked splendidly for me in the past, and it’s worth every cent if the data on your old hard drive is particularly important.

With several tabs open, Safari starts showing the spinning beach ball. Is there any way can make my Safari to work smoother, or an alternative browser I could use?

– Girish Kolari

Safari can be a frustrating beast at times, and performance is definitely a problem experienced by many users. It often seems to improve with new releases, but can still slow to a crawl if you have a series of processor-intensive tabs open.

First up, you should clear our all your caches, history, cached favicons, and preview images. You can do this from the Safari > Reset Safari menu item.

Reset Safari

Reset Safari

Next, you should disable any add-ons or plugins you have installed that could be causing performance to suffer. These are less prevalent since Apple introduced official support for Safari Extensions, but they might be lingering around in your system.

Finally, I’d recommend installing ClickToFlash, which will disable Flash unless you explicitly load a particular animation by clicking on it. This is a nice alternative to uninstalling Flash completely, but can give you a huge performance boost on Flash-heavy websites.

Hopefully, performing all these steps will lead to a much snappier Safari experience. If not, you could always give Google Chrome a try, another popular browser for the Mac that’s based on the same underlying engine as Safari.

ClickToFlash is a great way to speed up Safari

ClickToFlash is a great way to speed up Safari

I have a new iMac and am looking for a good piece of software for creating PDFs (commercial software is fine).

– Johan Bos

First up, it’s worth noting that OS X has great in-built support for handling PDFs. From any document, you can press File > Print, and select “Print to PDF”. This will create a PDF from any document, and it allows you to use popular software such as Microsoft Word and Pages for creating great looking documents.

Save to PDF

Save to PDF

There’s even a way to make this process easier if you do it regularly, by creating a keyboard shortcut to automatically export your current document as a PDF. It works system-wide, and saves me lots of time every day.

For editing existing PDF files and merging documents together, you can use Preview. Just open a PDF document, and drag another file into the Preview sidebar. You can re-arrange pages, and then export it as a new document in a few clicks.

A few other piece of software you may like to take a look at include PDFLab, Jaws PDF, and Adobe Acrobat.

Certain applications launch upon startup, even though they don’t show up in the Login Items in System Preferences. How do I stop these programs from running every time I turn my computer on?

– Matthew Butler

As you mentioned, the first place to look when you encounter an unwanted startup item is in System Preferences > Accounts > Login Items. This is great for disabling many applications, but a few always manage to get under the radar (such as CleanMyMac and Adobe Updater).

Login Items

Login Items

So how can you track down and disable these other login items? Well, there are a couple of places you can look. Here are a few different directories that you can scout through to try and find the file that might be launching the program you’d like to avoid:

  • /Library/StartupItems
  • /Library/LaunchDaemons
  • /System/Library/LaunchDaemons
  • /System/Library/LaunchAgents

If you spot the offending application in any of these folders, move the file in question to your Desktop, and then reboot your computer to test it out (don’t delete the file, as it might turn out to be something crucially important that you need to put back!)

It might take a little experimenting to find and delete the right file for a particular app, and be careful – you don’t want to delete something that was required for your computer to boot correctly.

Didn’t See Your Question?

If you asked a question but didn’t have it answered today, don’t worry! I’ll do my best to get to it in a future week. I love a challenge, so feel free to ask some weird and wonderful questions…

If you’d like to submit your query, you can do so here:Online Form – AppStorm > Ask The Editor

Thanks for reading, and let me know if you agree or disagree with anything I mentioned today!

Exploring the Advanced Features of QuickTime X

QuickTime has been the standard media player of the Mac operating system for many years. It has gone through various iterations over the past two decades, beginning with the release of Version 1 in 1991.

QuickTime X originally shipped with Mac OS X 10.6 (Snow Leopard). Apple used to have two versions of the media player, a free, very basic version and a paid, more robust version. I’ll be honest – I’ve never used the Pro version of QuickTime, so my usage up until this release was just basic media playback.

Many of us have been standard (free) users forever. But we couldn’t justify the cost to purchase the “Pro” version, offering functionality that was done better by other applications. Things have changed with QuickTime X. The Pro version is gone, and some great new features have been added to the standard version that are available for everyone. Let’s take a look at some of them!

Share to YouTube

Sharing your movies to YouTube directly from the QuickTime interface is now possible, and QuickTime X makes this process dead simple.

This probably goes without saying, but I’ll say it anyway, you will need a YouTube account for this to actually work.

With the video you wish to upload to YouTube loaded, select the Share option from the menu bar and pick the YouTube option (you’ll also see an iTunes and MobileMe Gallery as well). The first time you use this feature, you’ll be asked to enter in your YouTube credentials. Check the option to store in the system keychain and you won’t have to do that again.

YouTube Share

YouTube Share Dialog

Fill in the necessary information in the dialog box and click next to start the process to upload the movie to YouTube. You’ll see a message box displaying the progress of the upload. That’s it. You’re done. There’s no need to do any converting or anything like that. QuickTime takes care of the whole process for you.

This integration is very helpful for those (like me) that have great intentions of sharing a video to YouTube and end up not feeling like taking the time to go through the extra few steps. I know it’s not difficult, but with this built directly into QuickTime, it’s much more likely that I’ll upload a video to YouTube right after I save it to my Mac.

Video and Audio Recording

QuickTime X has the ability to record audio and video. This was previously only a Pro capability, but is now included as a basic feature in Version X. It is very easy to complete a surprisingly professional audio or video recording.

Audio

From the File menu, select New Audio Recording and off you go. The audio recording controls will load. To kick off your audio recording just click the record button. Whatever mic you have set as your default system mic will be used to record the audio. You’ll know you’re recording when you see the time start ticking away along with jumping audio level indicators.

I actually used this recently to record a Google Voice call and it worked beautifully. The simplicity of the audio recording is where this really becomes useful. From loading QuickTime to starting an audio recording takes all of 10 seconds, and about three clicks.

Some very minor editing is possible with QuickTime as well. From the Edit menu you’ll see a Trim option. This will allow you to trim from the beginning or end of your recording. It’s not much, but if you’re just doing a basic recording (which you more than likely are) it may be all you’re looking to be able to do. Again, the simplicity of this process makes this a really nice little feature.

Audio Trim

Audio Trim

Sharing an audio recording is, unfortunately, not possible through the QuickTime interface. I could see it handy to be able to at least share to iTunes or MobleMe, but that option isn’t available with an audio only recording. If you’re a podcaster, more than likely you’ll be using some other more audio specific software to edit and produce your audio so it probably isn’t a big deal.

Like I mentioned, I think the audio recording will see it’s best use for those instances when you need a quick, simple recording.

Video

A video recording takes the exact same process as does an audio recording with the obvious exception of selecting the New Movie Recording option from the File menu. Your iSight/FaceTime camera will turn on, and you’ll see live video with controls on the screen. Again, whatever camera is set to your system default will be shown right away.

There’s a small drop-down arrow that will allow you to select any other installed cameras to use as the video source along with option change to other available microphones, change quality settings for the video (medium, high or max) and also an option to choose save to location.

Movie Recording

Movie Recording

As with the audio recording, simply click the record button to begin the recording. You’ll see the time begin to tick and the audio indicators will begin bouncing as well. Click the stop button when you’re finished. Save it and/or share it.

It is also easy to trim a video. It’s basically the same process as trimming an audio recording. Select Trim from the Edit menu. You’ll see a timeline at the bottom of the video and you’ll be able to trim from either the beginning or end. As with the audio trimming, if you’re looking to do some more in depth editing, you’ll be looking to other software (something like iMovie), but it is certainly a handy tool for a quick trim.

Movie Trim

Movie Trim

Screen Recording

This is probably the most interesting and I think least-known use for QuickTime X. This will essentially allow you to do a video recording of what you’re doing on your screen. Whatever windows you open. Wherever you click. Whatever you do will be recorded.

To start a screen recording select New Screen Recording from the File menu. The screen recording control will appear. You’ll see a small drop down arrow once again that will allow you to change some settings. You’ll be able to change the quality of the recording, the save to location and you’re also able to pick a microphone if you’d like to add audio into your screen recording. Click the record button to begin recording.

Screen Recording Stop

Screen Recording Stop on the menu bar

The recording controls disappear and you’ll then just see a small stop control on the menu bar. That does just what it says, stops the recording and your recording will open up for your review (Command-Control-Esc will stop the recording as well). Trim, save, or share as you’d like.

Conclusion

The common theme of this post is really that the new features of QuickTime X are an excellent way to accomplish a few simple media tasks very well. For former Pro users, these features don’t seem like that big of a deal, but for those of us basic users, these are fantastic.

QuickTime has been around for a long time, and I think it has been easy to cruise by the updates and just take for granted that it is going to be another update to a standard media player (for the non-Pros).

This update changed a lot, and made QuickTime a tool that can be useful to just about everyone. The functionality is so simple and quick to use while still producing fantastic results it’s really a difficult application to overlook.