A Beginner’s Guide to Adobe Illustrator Patterns

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What You’ll Be Creating

Have you ever wondered how to make a pattern in Illustrator? The process of creating a good Illustrator pattern design can sometimes prove to be a real challenge, especially if it’s your first time doing so.

Since I know a lot of people struggle when they want to create a pattern in Illustrator, I decided to put together this in-depth article.

If you don’t have the time to learn how to make a pattern in Illustrator, you can always try Envato Elements, the place where you can find a massive collection of cool Illustrator patterns. This collection of seamless Illustrator patterns is a good example. Give it a try!

bold patterns illustratorbold patterns illustratorbold patterns illustrator

Whether you’re building an Illustrator halftone pattern, an Illustrator dot pattern, an Illustrator vintage pattern, or maybe even an Illustrator watercolor pattern, there are a couple of key aspects that you need to be aware of, as we will see in the following moments.

From how to use Adobe Illustrator pattern swatches to how to make a repeating pattern in Illustrator, we will gradually learn how to design patterns in Illustrator and adjust them if we need to.

What You’ll Learn in This Illustrator Tutorial

  • How to use the default Illustrator background patterns
  • How to make a pattern in Adobe Illustrator
  • How to apply Adobe Illustrator patterns
  • How to use the Pattern Tool in Illustrator
  • How to adjust an Illustrator pattern fill

Follow along with us over on our Envato Tuts+ YouTube channel:

1. What Are Patterns?

Before we start diving any deeper into the actual article, let’s take a couple of moments and see exactly what a pattern is.

According to Google, the noun is believed to originate from the Middle English patron used within the period of 1325-1375, which described “a person who gives financial or other support to another person, organization, or cause”. That “patron” was thought of as being a distinguished figure giving an example to be copied.

The change in the second syllable occurred in the 16th century, when pattern became its own word, carrying the meaning of a “repeated decorative design”, thus separating itself from the earlier meaning.

Today, we think of a pattern as being:

“any regularly repeated arrangement, especially a design made from repeated lines, shapes, or colors on a surface”

From a design standpoint, a pattern is composed of multiple repeating artwork tiles, which overlap in order to create a seamless composition.

That being said, patterns have taken over multiple industries, becoming an intricate part of our daily lives, which has raised the amount of interest around the process of creating them.

2. What Makes a Good Illustrator Pattern?

For a pattern to “work”, there are a couple of key requirements that one needs to take into consideration when developing the actual design.

Make It Seamless

The key trick to a good pattern design is making it look seamless, which translates into a smooth overall transition within its entire surface, without any visible interruptions between its repeating tiles.

pattern Illustratorpattern Illustratorpattern Illustrator

This is usually achieved through the correct positioning of your repeating elements, which need to be evenly distributed onto the different edges of the tile. If you’re using a background color, you’ll need to make sure that the tiles themselves are “glued” to one another, so that you don’t have any white gaps between them.

repeat pattern Illustratorrepeat pattern Illustratorrepeat pattern Illustrator

If you’re designing a simple pattern, this usually won’t pose a serious problem, but if you’re creating something a bit more complex, you might find yourself in need of rethinking the position of some of your composing shapes or elements.

incorrect positioning of a repeating pattern elementincorrect positioning of a repeating pattern elementincorrect positioning of a repeating pattern element

Another aspect that you need to keep track of is the overlapping between the artwork’s composing shapes or elements, so that there won’t be any design anomalies caused by improper shape overlapping, which will become even clearer when the tiles are positioned next to one another.

If you’re using the Pattern Options panel to do all the heavy work, this shouldn’t pose a problem, but if you’re going the manual way, make sure that when you position a certain element on one edge, you add an identical copy onto the opposite one, making sure to maintain the same distance and trajectory from your reference surface’s edges and the original shape itself.

example of improper pattern elements positioningexample of improper pattern elements positioningexample of improper pattern elements positioning

Color is another thing that you need to consider when striving for a seamless composition, since you don’t want to end up with a shape that uses a specific color on one end and a completely different value on the opposite half.

example of wrong color applied to the half of a repeating elementexample of wrong color applied to the half of a repeating elementexample of wrong color applied to the half of a repeating element

This probably won’t happen if you’re using the Pattern Options panel to do the tile offsetting, but if you take the more manual road, where you have to position each repeating element on the edges of a clipping mask, you might want to double-check your pattern design before moving forward.

example of manually positioning the elements of a patternexample of manually positioning the elements of a patternexample of manually positioning the elements of a pattern

That being said, there will be situations when the Pattern Options tool won’t be able to produce that exact pattern design that you’ve envisioned, so when that happens, make sure you keep a close eye on any anomalies that may occur.

Strive for Balance

Once you’ve made sure your Illustrator pattern meets the first requirement, you need to take a step back and take a deep look at your composition’s balance to figure out whether your design needs adjusting.

To achieve balance, you need to consider three different aspects:

1. Size

Each composing shape or element should be created in relation to its neighbors, so that in the end they will coexist harmoniously, without giving the feeling that they’re competing for attention with one another. In other words, don’t make one element tiny and then stack it next to a huge one, since the viewer’s eyes might jump straight to the latter, ignoring the smaller one.

seamless pattern Illustratorseamless pattern Illustratorseamless pattern Illustrator

Also, make sure that if you have different-sized elements, they’re spaced out in a way that looks natural, so that when the tile is repeated, you’ll develop a clear, readable pattern.

2. Color

When working on your main repeating tile, always make sure that your colors work well with one another. Also, make sure that you space your colors out evenly, since you don’t want to end up having two or multiple repeating colors in close proximity to one another.

example of using bad color combinations within a patternexample of using bad color combinations within a patternexample of using bad color combinations within a pattern

3. Layout

When positioning your different decorative shapes/elements, go through a couple of different variations to make sure that you’ve figured out the right spot for each one. This is really important since, as with colors, you don’t want to have the same shapes/elements stacked very close to one another, which might develop a weird-looking pattern.

example of poor shape positioning within a patternexample of poor shape positioning within a patternexample of poor shape positioning within a pattern

3. How to Access the Default Adobe Illustrator Patterns

Now that we’ve covered some of the more general aspects when it comes to patterns, let’s dive in a little deeper by looking at the available pattern designs found in Illustrator, and see how we can actually go about using them.

The software itself comes with some interesting patterns, which can be found by opening up the Swatches panel and then clicking on its Swatch Libraries menu.

example of using the swatch libraries menuexample of using the swatch libraries menuexample of using the swatch libraries menu

A new dropdown menu will appear, towards the bottom of which you’ll find a category called Patterns, which itself is divided into three subcategories.

example of available pattern categoriesexample of available pattern categoriesexample of available pattern categories

As soon as you pick a subcategory, a new swatch library window will appear, giving you a preview of all the available Illustrator pattern swatches.

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4. How to Use the Default Adobe Illustrator Patterns

To use any of the included Adobe Illustrator background patterns, first select the desired pattern design by clicking on it, which will immediately add it to your Fill, and then simply grab the Rectangle Tool (M) and create a new shape using either the click-and-drag method or the more precise window prompt one.

As you can see, every time you use a pattern, Illustrator will add it to the current document’s Swatches panel, where it will remain so that you can quickly use it later on if you need to.

dot pattern illustratordot pattern illustratordot pattern illustrator

Quick tip: depending on what you’re trying to achieve, you can use any of the available geometric shapes, or you can create a completely new one from scratch using the Pen Tool (P), and then apply the pattern design to those.

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5. How to Apply Illustrator Patterns to an Existing Shape

At this point, we’ve seen how easy it is to use the shape tools in order to create a patterned shape, but how about using it on an existing shape that you’ve previously created?

Well, the process itself is actually identical, since the pattern acts like any other swatch, which means that you can apply it to any existing shape, by simply selecting it and then setting the desired pattern as its Fill.

example of using a pattern on an existing shapeexample of using a pattern on an existing shapeexample of using a pattern on an existing shape

6. How to Apply Illustrator Patterns to Text

Want to use a pattern on a piece of text? Well, guess what, you actually can, and it’s really easy to do so.

First, create the text segment using the Type Tool (T), and then simply set the desired pattern as its Fill.

example of using a pattern on a textexample of using a pattern on a textexample of using a pattern on a text

7. How to Use the Pattern Options Panel

Up to this point, we’ve talked about the different patterns available in Illustrator and seen how to use them, but what if we wanted to begin creating a repeat Illustrator pattern of our own?

Well, before we start doing that, we need to take a couple of moments and get familiar with Illustrator’s pattern tool.

Compared to other pieces of software, Illustrator comes with a dedicated pattern-building tool in the form of the Pattern Options panel, which can be accessed by heading over to Window > Pattern Options.

By default, the panel is inactive, which means that in order to use its different functions, we first have to select the artwork that we want to turn into a pattern. Let’s continue and learn how to use this pattern tool in Illustrator.

how to design patterns in Illustratorhow to design patterns in Illustratorhow to design patterns in Illustrator

With the artwork selected, all we have to do is open the panel’s advanced menu and click on Make Pattern.

make pattern Illustratormake pattern Illustratormake pattern Illustrator

As soon as we click on the option, the software will immediately bring us into Editing Mode, enabling the panel’s different options.

Once we’ve entered this mode, the original artwork tile will retain its full Opacity, while the surrounding copies will be dimmed to the default value of 40%.

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Quick tip: if you don’t want to keep the Pattern Options panel visible all the time, you can achieve the same result by simply selecting the shape and then heading over to Object > Pattern and hitting Make, which will bring you into the pattern Editing Mode.

7.1. Tile Type

The first option that you’ll see when creating a new pattern is Tile Type, which controls the way your pattern’s composing tiles are laid out, and this is directly influenced by the tile’s shape. You can think of a tile as being the main surface on which you’re going to position your artwork.

Depending on your pattern design, you can choose between five different tile layouts:

Grid

The grid layout ensures that the center of each tile is both horizontally and vertically aligned to the center of the adjacent tiles, taking on a rectangular shape for the artwork tile.

grid tile type examplegrid tile type examplegrid tile type example

Brick by Row

The tiles are treated as being rectangular in shape and are arranged in rows, the center of those that are in rows being horizontally aligned, while those that are in alternate columns are vertically aligned.

brick by row tile type examplebrick by row tile type examplebrick by row tile type example

Brick by Column

The tiles are treated as being rectangular in shape and are arranged in columns, the center of those that are in columns being vertically aligned, while those that are in alternate columns are horizontally aligned.

brick by column tile type examplebrick by column tile type examplebrick by column tile type example

Hex by Column

The tiles are treated as being hexagonal in shape and are arranged in columns, the center of those that are in columns being vertically aligned, while those that are in alternate columns are horizontally aligned.

hex by column tile type examplehex by column tile type examplehex by column tile type example

Hex by Row

The tiles are treated as being hexagonal in shape and are arranged in rows, the center of those that are in rows being horizontally aligned, while those that are in alternate rows are vertically aligned.

hex by row tile type examplehex by row tile type examplehex by row tile type example

The Pattern Tile Tool

If you need to adjust the shape of the default Tile Types, you can do so by clicking on the Pattern Tile Tool, found within the upper-left corner of the panel, which will bring up a bounding box surrounding the actual tile’s shape.

You can then make modifications to its form and size by simply clicking and dragging its composing bounding points in any given direction.

example of using the pattern tile toolexample of using the pattern tile toolexample of using the pattern tile tool

Quick tip: if you strive to keep your shapes as pixel-perfect as possible, you might want to stay away from this option, since as you can see it will always result in decimal numeric values.

7.2. Brick Offset

If you’ve quickly played around with the different Tile Type options, you might have noticed that for some of them, more exactly the “Brick by” ones, you get another subsetting called Brick Offset, which as the name suggests, lets you offset your tiles.

According to Adobe, if you’re using the Brick by Row tile type, you can control how much tile width the centers of tiles in adjacent rows are out of vertical alignment.

The default value is 1/2, but you can choose between eight different alternative values, which will produce different results.

example of using brick offsetexample of using brick offsetexample of using brick offset

The Brick by Column option determines by how much tile height the centers of tiles in adjacent columns are out of horizontal alignment.

using brick by columnusing brick by columnusing brick by column

7.3. Width and Height

Next, we have Width and/or Height, which lets us control the overall dimensions of our tile. If we increase the size of our tile beyond that of our artwork, the software will end up adding an empty space between the two, thus increasing the distance found between the tiles, while if we go the opposite way and decrease the values, the adjacent tiles will end up overlapping.

In the case of seamless repeating patterns, especially those that use a background, this would actually end up breaking the pattern, since neither the background nor the cropped decorative elements will connect correctly afterwards.

If we were to use the options on the current feather example, we could increase the spacing between the artwork by increasing the size of the actual tiles, but there’s a better method of doing so, as we will see in the following moments.

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7.4. Size Tile to Art

Every time you embark on the process of creating a repeat pattern in Illustrator, you’ll quickly notice that if you resize one of your tile’s composing artwork, the software will start overlapping the adjacent tiles, which happens due to the fact that the tile itself has retained the same Width and Height values.

example of tile overlapping after resizingexample of tile overlapping after resizingexample of tile overlapping after resizing

To fix this, all you have to do is enable the Size Tile to Art option, which will immediately remove any unwanted overlapping.

Quick tip: I’ve noticed that the option doesn’t always work for some unknown reason, so you might have to move your artwork around and then try again to get it working properly.

example of using the size tile to art optionexample of using the size tile to art optionexample of using the size tile to art option

With the option enabled, you can resize any of your artwork’s composing shapes, or the entire design itself, and the pattern will update itself accordingly each time.

7.5. Move Tile with Art

The Move Tile with Art option does exactly what it says, since if you adjust the position of the artwork during the pattern creation process, the tile will follow along, without you having to use the Size Tile to Art function afterwards to get it back into place.

example of using move tile with art optionexample of using move tile with art optionexample of using move tile with art option

7.6. H Spacing and V Spacing

A few moments ago, we talked about adding space between our pattern’s artwork, which I said should be done using a different method than that of increasing the Width and/or Height of the tile itself.

This is where H Spacing and V Spacing come into play, since they allow you to increase or decrease the spacing found between adjacent tiles.

You can think of it as adding a padding zone, which lets you space out your artwork in order to achieve a more balanced pattern design.

By default, the options are grayed out, so you’ll have to enable the Size Tile to Art function in order for them to become active.

In the case of the feather example used to illustrate the available Tile Type options, adjusting the H and/or V Spacing of the tile could create a more balanced design, as you can see below.

example of adjusting the h spacing valueexample of adjusting the h spacing valueexample of adjusting the h spacing value

The reason this method is better than that of adjusting the Width and/or Height of the tile is due to the non-clipping nature of the process, since you can use any value over 0 without having to worry that you’ve accidentally made it overlap your artwork.

The Width and/or Height method requires you to add the padding value to the current value(s) of the tile, and if you get it wrong, it might end up overlapping your artwork.

adjusting the tile spacing using the tile width methodadjusting the tile spacing using the tile width methodadjusting the tile spacing using the tile width method

7.7. Overlap

The next option has to do with tile overlapping, and it lets us determine which tiles appear in front when adjacent tiles overlap, thus allowing us to change the orientation of any given pattern.

Personally, I’ve never found myself needing to make any changes to the default values since I don’t do a lot of overlapping tile designs, but if you do, the Pattern Options panel provides an easy way of doing so.

You can control horizontal overlapping by first entering a negative H Spacing value to make your tiles overlap, and then simply changing the Overlap from Left in Front to Right in Front.

example of adjusting the horizontal overlappingexample of adjusting the horizontal overlappingexample of adjusting the horizontal overlapping

You can do the same thing with the vertical overlapping of your tiles by entering a negative value within the V Spacing input field and then changing the Overlap from Top in Front to Bottom in Front.

example of adjusting the vertical overlappingexample of adjusting the vertical overlappingexample of adjusting the vertical overlapping

7.8. Copies

Moving on down, we have Copies, which acts as a sort of pattern preview mode and lets you control the number of horizontal and vertical tiles visible during the pattern creation / pattern refinement process.

Increasing or decreasing the values will have no effect on the actual pattern, so depending on the complexity of your design, you might end up using a higher or lower tile count.

As you can see, the values used are all odd numbers, so that your original tile design will always remain front and center to your copies.

example of adjusting the number of tile copiesexample of adjusting the number of tile copiesexample of adjusting the number of tile copies

7.9. Dim Copies To

You can adjust the Opacity level of the copies using the Dim Copies to input field, where you can either choose from one of the predefined values or enter a custom one of your own, which depending on the intensity, will allow you to have a better view of your original artwork tile during the pattern creation / pattern refinement process.

Of course, if you need to, you can always completely turn it off by unchecking it.

Again, this will only affect the pattern preview, so go ahead and use any value that fits your needs since it won’t end up altering the final design.

example of adjusting the opacity settingsexample of adjusting the opacity settingsexample of adjusting the opacity settings

7.10. Show Tile Edge

The Show Tile Edge option, used in combination with the unchecked Dim Copies to one, allows you to get a clear non-invasive preview of what your pattern will actually look like, by turning off the box surrounding your artwork tile.

Instead of constantly having to go in and out of the pattern Editing Mode, you could rely on this feature in order to save some precious time.

example of disabling the show tile edge optionexample of disabling the show tile edge optionexample of disabling the show tile edge option

7.11. Show Swatch Bounds

Finally, we have the Show Swatch Bounds option which, as the name suggests will display a unit portion of the artwork that is repeated in order to create the actual pattern design.

If you’re new to creating patterns, this option might help you get a better understanding of how the repeating process works, allowing you to see exactly where your shapes need to be in order for the tile transition to appear seamless.

example of using the show swatch bounds optionexample of using the show swatch bounds optionexample of using the show swatch bounds option

8. How to Make a Pattern in Adobe Illustrator

While the included Illustrator patterns are not all that bad, sooner or later you’ll probably find yourself in the situation where you’ll need to create a pattern in Illustrator, so if that’s you right now, let’s learn how to design patterns in Illustrator.

I’m going to assume that you already went ahead and created your repeating tile artwork, which means that we’ll be using that to create the actual pattern swatch.

For this example, I’ll be using a wave pattern that I created some time ago, which as you can see is perfectly aligned to the outer edges of my Artboard, so that the transition will be seamless in any direction.

how to create a repeating pattern in Illustratorhow to create a repeating pattern in Illustratorhow to create a repeating pattern in Illustrator

Step 1

Start by selecting your tile, and then head over to Object > Pattern and hit Make, which should bring up the Pattern Options panel.

example of using the pattern options panelexample of using the pattern options panelexample of using the pattern options panel

Step 2

As you can see, Illustrator will give us a preview of the repeating pattern tile copies, but since we haven’t specified their Width and Height, it spaces them out, which makes the entire design feel a little bit chaotic. To quickly fix this, first we’re going to align our original tile to the center of the Artboard using the Align panel, and then check the Size Tile to Art option, which should immediately make things better.

example of using the size tile to art optionexample of using the size tile to art optionexample of using the size tile to art option

Step 3

Now that we have a cleaner preview, we can start fine-tuning our pattern, and we will do so by first giving it a custom name.

giving the pattern a custom namegiving the pattern a custom namegiving the pattern a custom name

Step 4

Next, we’re going to need to select a Tile Type for our pattern.

In my case, since my wave pattern design is a perfect square and uses a background, I’m going to go with Grid, since I want the software to repeat it both horizontally and vertically in order to get that seamless transition.

example of choosing the tile typeexample of choosing the tile typeexample of choosing the tile type

Step 5

Since I’m using a square design for my artwork’s tile, I’ll be leaving the H Spacing and V Spacing options alone, so that my tiles will align themselves perfectly to each other’s edges.

That being said, all I have to do now is click on Done, and my seamless Illustrator pattern should now be added to the Swatches panel as its own pattern swatch.

example of newly created pattern swatchexample of newly created pattern swatchexample of newly created pattern swatch

9. How to Edit an Existing Illustrator Pattern

Whether it’s a pattern included in Illustrator or one that’s been custom created, the process of editing a pattern design is actually fairly simple.

Step 1

Start by opening up the Swatches panel and then double-clicking on the desired pattern swatch, which will bring up the Pattern Options panel.

example of entering pattern editing modeexample of entering pattern editing modeexample of entering pattern editing mode

Step 2

As you can see, this acts as a sort of Isolation / Pattern Editing mode, where you can carry out any change to your design, whether it’s setting different colors for some of your composing shapes, adjusting their size, or maybe even adding new shapes and elements, which will immediately show up within the repeating tile copies.

Once you’re ready, simply hit Done, and any changes you’ve made should now be applied to your Illustrator pattern.

example of adjusting an existing patternexample of adjusting an existing patternexample of adjusting an existing pattern

10. How to Scale an Illustrator Pattern Fill

So we’ve seen what it takes to design a good pattern, and we’ve quickly learned how to make a repeating pattern in Illustrator, but what if we needed to resize a pattern that we’ve already applied to a shape? 

Well, the process of scaling an applied pattern can prove to be a real challenge, since if you try to resize the shape using the click-and-drag method, you’ll quickly notice that the pattern’s composing elements will retain the same dimensions.

So, how do we go about scaling an existing Illustrator pattern fill?

First, select the shape that you’ve applied the pattern to, and then simply right-click and then go to Transform > Scale, which will bring up the Scale panel.

example of using the scale toolexample of using the scale toolexample of using the scale tool

Once the panel is visible, all you have to do is make sure that the Transform Patterns option is checked, and then you can go ahead and scale your shape using either the Uniform or Non-Uniform methods by giving it a custom percentage.

As soon as you hit OK, your pattern should resize itself proportionally with the actual shape to which it was applied.

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11. How to Rotate a Pattern in Illustrator

A few moments ago, we saw how to scale an Adobe Illustrator pattern, but what about those situations where we need to rotate it?

Well, the process is actually pretty simple, since all you have to do is select the shape to which you’ve applied the pattern, and then right-click and go to Transform > Rotate. Here, you’ll want to enter a custom value within the Angle input field, making sure to turn on the Transform Patterns option.

As soon as you hit OK, your pattern will be subjected to the rotation process along with the shape it was applied to.

rotate pattern Illustratorrotate pattern Illustratorrotate pattern Illustrator

That’s It!

As we’ve seen, the process of creating a good pattern design isn’t all that difficult to master as long as you get familiar with the different aspects required to do so.

I hope this article helped you learn how to draw patterns in Illustrator, and that being said, all that’s left for you to do is start the work on your own set of Adobe Illustrator background patterns.

Illustrator patternsIllustrator patternsIllustrator patterns

Cool Illustrator Patterns from Envato Elements

Envato Elements is an excellent resource for Illustrator background patterns. Here’s a short list of some of the most popular Illustrator background patterns that you can find.

Set of 10 Illustrator Seamless Patterns (Ai)

If you don’t have the time to learn how to make a pattern in Illustrator, you can always try this set of Illustrator seamless patterns. Give it a try, and you’ll be able to decorate your design with just a few clicks.

seamless pattern illustratorseamless pattern illustratorseamless pattern illustrator

Geometric Pattern Collection (AI, EPS)

Cut the hassle of learning how to draw patterns in Illustrator and use this sleek collection of geometric patterns to make your design stand out.

cool illustrator pattenscool illustrator pattenscool illustrator pattens

Geometric Patterns Islamic Ed. (AI, EPS, PSD, JPG, PNG)

If you’re in a hurry or you simply can’t be bothered to learn how to design patterns in Illustrator, this small pack of patterns might be the solution. Try any of these cool Illustrator patterns to give your design that final touch.

islamic geometric patternsislamic geometric patternsislamic geometric patterns

Outdoor Adventure Patterns (AI, PSD)

Save the time that you would spend learning how to make a repeating pattern in Illustrator and use this colorful pack of Illustrator patterns.

colorful geometric patternscolorful geometric patternscolorful geometric patterns

100 Geometric Patterns (AI, EPS, JPG, PNG, PSD)

Don’t have the time to learn how to make a pattern in Adobe Illustrator? Don’t worry, using patterns in Illustrator can’t be easier with this massive pack of 100 seamless Illustrator patterns.

geometric seamless patternsgeometric seamless patternsgeometric seamless patterns

Further Develop Your Pattern-Building Skills

Just finished going through this in-depth article, and feel like learning more? Well, if that’s the case, you’re in luck, since I took the time to put together this little list that should keep you going for the following days!

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Weekly Short Story: Familiar

On Monday mornings, I send out a story via email: ultra-brief tales of 1,000 words or more, usually in genres including science fiction, horror, and the supernatural. Those stories collectively are called Once Upon A Time. I’ve also published four ebooks and one paperback anthology of those stories so far.

I’d love to have you as a subscriber to the weekly free story. You can subscribe via email here, or use the form below. Unsubscribe any time, from the link in every issue.

Continue reading “Weekly Short Story: Familiar”

Cartoon Fundamentals: How to Draw a Cartoon Face Correctly

In this easy cartoon drawing tutorial, you’ll learn how to draw cartoon characters. A good cartoonist is one who can extract the main details of an object or a human being and represent them with simple shapes. The goal is that a child can recognize the drawing and be attracted to what they’re looking at.

Children are the main audience for cartoons. Masters like Walt Disney, Hanna & Barbera, Chuck Jones, Jim Henson, Walter Lantz and many others have enchanted the world with their magical and eternal characters.

Learn how to draw a cartoon person in this cartoon drawing tutorial.Learn how to draw a cartoon person in this cartoon drawing tutorial.Learn how to draw a cartoon person in this cartoon drawing tutorial.
Learn how to draw a cartoon person and practice different facial expressions.

My role here is to help you understand the proper way to assemble this puzzle. I’ll teach you how to draw characters from the techniques presented. I guarantee you’ll be shocked at how easy it is to create a cartoon expression that children (and adults) will adore!

To get some inspiration, have a look at the hundreds of character designs on Envato Elements. Or for a shortcut, try a character creation kit!

Cartoon character creation kitCartoon character creation kitCartoon character creation kit
Cartoon character creation kit

What You Will Learn in This Cartoon Drawing Tutorial

  • Basics of human perception 
  • How to draw cartoon characters
  • How to draw a cartoon face
  • How to draw cartoon hair
  • How to draw characters with different facial expressions 
  • How to draw characters with different ethnicities 
  • Easy cartoon drawing exercises 

Understanding Human Perception

Before jumping into cartoon face drawing, we’ll talk about the basics of human perception. Human beings have a very interesting feature: we can synthesize the details that make up a structure or an object in very complex ways into very basic and simple ones. In this way, we can represent any type of thing through a few curves and geometric shapes.

Can you tell me if the two images below represent the same object?

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial

Weird as it may seem, you can look at the two pictures and say “it’s a car”.

What happens is that, unlike artists, most people can’t tell from memory all the details that make up a car, a dog, or even a child. So they start to associate very basic and primitive shapes to the specific characteristics of each object. How many children of 4, 5, or 6 years old came from school with a drawing of two circles and some toothpicks on a piece of paper and said: “That’s mommy and daddy!”?

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial
You don’t want to keep drawing like that, do you? So let’s get our hands dirty and make some cartoon faces!

1. How to Draw a Cartoon Face

Let’s start with cartoon face drawing. The basic cartoon shape is a circle. Circle Is All You Need (besides Love, of course). It’s from the circle that you define the basic proportions of your character’s head.

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial

Once the circle is ready, it’s time to trace the face axis. Draw a vertical and horizontal line intersecting at the center, like in the image below:

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial

How to Draw Cartoon Eyes: Step 1

Let’s learn how to draw cartoon eyes. To make the eyes, draw an oval shape with a slight tilt to the side at the top. Repeat on the opposite side. It is important to leave a gap between them of approximately the same size as an eye. As we are in the drafting phase, you can draw another eye in the center to serve as a measure.

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial

Step 2

At the top of the circle, slightly thicken the trait that will be the eyelashes of our character. Place the eyebrows a bit above the eyelashes to create a sort of a surprised expression. The eyebrow form is free, and with practice you will adjust to your own style.

Draw both pupils directed to the center (this is a very effective tactic used by major cartoonists whose sole purpose is to make our characters look cuter).

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Tip: To give more life and “realism” to our eyes, you can draw a small line below them to simulate a kind of wrinkle. This is another very interesting tactic that adds a special touch to our facial expressions.

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Step 3

We’ve arrived at the most creative freedom of the whole course. Think of it this way: in cartoon style designs, the main structure of a face is the skull and the eyes of the character. It is at that stage where you define the identification with the external world, i.e. it’s already clear to people that you’re drawing a character.

Now that we come to the jaw, we will decide if we want a fat character or a thin one. They could be old, young, and so on. My character will be a young one. So let’s design a proper jaw for him.

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Step 4

When designing a nose being seen from the front, it’s common not to use many details. If you draw only its tip, it is likely that already achieves a convincing effect. It is also very common to draw only one side of the nose, from the idea that this is the opposite side of the light.

Let’s put the correct nose on our character.

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Step 5

As our character is a child, we will make a cartoon mouth: something simple just to represent an expression of innocence.

Notice that when drawing a little child’s mouth, the lips shouldn’t be drawn! In cartoon style, children, regardless of gender, have quite simple mouths. A good and expressive trace already does the job.

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Step 6

The ears are seen from the front side view (because our character is facing the camera), so that the internal cavities will not appear. Then we will do just a simple shape using some basic perspective (more on that later).

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Step 7

The shape of our skull is already defined by the circle we did at the beginning, right? So we just need a very simple and childish haircut to give life to our boy. Let’s do it now.

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How to Draw Cartoon Hair! Help!

Easy, easy… there’s nothing to fear. You don’t need to be a stylist or fashion designer to make perfect hair. There isn’t a right way to draw hair, so you’ll need to try until you create the ideal haircut you want. Just remember that the hair is responsible for defining the personality of our characters. Oddly enough, the hair can express age, rebellion, conservatism… incredible, isn’t it? Speaking of which… what is your hairstyle?! Oh, never mind…

An accurate and fast way of drawing cartoon hair is to seek photo references on the web! I do this all the time: grab a fashion magazine or try a Google search. After finding the ideal style, put the image as a reference next to your drawing board (or tablet) and start making a simplified cartoon version of it.

Well, it seems we’ve completed our character successfully! Congratulations!

Now let’s play with cartoon drawing ideas and create a completely different character with the same template we used for little Tommy (yes, I created a name for him).


2. How to Draw an Older Character

Step 1

Here are some more cool cartoon characters to draw. Older characters can be easy cartoon drawings. As usual, let’s start with the eyes. This time we will draw faster, adding wrinkles, eyebrows, and the eye pupils.

Notice that we haven’t changed a lot; we just expanded the eyebrow a bit. Older men have thicker eyebrows, occupying more space on the forehead. Eyelashes make no difference in men; they are always drawn in the same way.

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Step 2

We will increase our chin a bit this time. Try something like this. Our character already has a different “look”! This is very good. We will proceed by choosing the ideal nose for him.

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial

Step 3

Following what we did before, let’s create the nose. This time, I will make a completely different nose from before.

Notice that the ends of the nose are positioned very close to the bottom of the eyes. This is an effective technique to use when designing larger and wider noses. The idea is always to exaggerate to get a good result!

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Speaking of overkill, let’s eliminate the mouth of our character in favor of another artifact…

Step 4

I decided to use another technique now: instead of drawing the mouth, we’ll simply draw a big mustache to create a better persona for our character.

Done! A big and exaggerated mustache for our old friend!

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial

Step 5

Remember what I said about the hair helping to represent age and personality? Check it out.

We’ve just added some side hair and left him bald on top. Amazing how it creates a totally different look, isn’t it? Also notice that I took the same ear from Tommy, our beloved boy. That’s the advantage of working on templates. That’s the magic of cartoon!

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I think our friend is a mad scientist!

3. How to Draw a Female Character

Let’s try some more easy cartoon drawings. I don’t know… I think Tommy needs a sister! He’s been very lonely out there. Let’s create a sister for him now, as if by magic:

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial

Hey!!! How did you do that so fast? Very simple… Women tend to have more delicate facial structures. Here’s a female cartoon face drawing step-by-step guide:

  • Thin eyebrows
  • Larger and expressive eyelashes
  • Thinner chin
  • Small nose with fewer details
  • Long hair (use a real reference and choose any style you want)

That’s it. These are all the changes you need to make. Besides that, I took everything I could from Tommy, her brother. After all, they are siblings, right?

When you start to feel more comfortable, you can slowly create some more “realistic” details for your characters. Such as larger pupils…

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4. How to Draw Characters With Different Facial Expressions

When thinking about cartoon characters to draw, emotions and facial expressions should come to mind. We’re now ready to add more emotions to our dear Lucy (yes, that’s her name). Let’s draw her after receiving the news that the school holidays have come to an end…

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Again, we achieve something totally different just by adding two things: the tears and the new shape of her mouth! Isn’t it amazing?!

Now let’s get back to Tommy and ask him what he thinks about it:

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Hmm… I’ve got a feeling that Tommy is planning something!

Notice that I’ve totally changed his expression just by following the steps below:

  • Making one eyebrow lower than the other
  • Cutting the eyes in half with the eyelashes
  • Adding a smile (one side is higher, following the eyebrow)
  • Moving up the eye pupils to stay under the eyelashes

And that’s it! We got the expected result with just these few changes. The hair, ears, nose, chin, and the circular shape of the eyes are the same! Simple as that!


5. How to Draw a Profile View

Looking for more easy cartoon characters to draw? Here are some more cartoon drawing ideas. Draw the template below again. Now we’ll learn how to make Tommy and Lucy from the profile view:

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial

We will fit the face of both now:

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Notice that, in profile, is the ear that stays in the center of the circle.

Be aware of the main differences in structure when comparing them side by side. Pay attention to these details when drawing male and female characters:

  • Tommy’s eyebrow is thicker.
  • Lucy’s chin is slightly projected in front of the face.
  • Lucy’s nose is thinner and pointed.
  • Lucy has big, feminine eyelashes.

6. Play With Angles in Cartoon Face Drawing

Eyes, nose, mouth, ears… all the details that make up the face change their shape when viewed from different angles. It’s very common to see cartoon characters looking in every possible direction with different camera angles, because they will need to react to situations and objects around them. This helps bring them more to life!

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Notice how the eye format is simplified when converted to cartoon style. See in red the oval shape in contrast to the circular shape of the real eye.
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A real nose is composed of several cartilages. Notice how its shape is drastically simplified in the cartoon.
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Understanding how the mouth behaves at different angles is essential. Remove the excess detail and try to keep only the basic shape of the lips. The ears are also dramatically simplified.

Easy Cartoon Drawing Exercises 

Now we will put into practice everything we have learned so far… Below you’ll find a basic cartoon face drawing template (only circles and directional guides) where we can practice our drawing skills in different positions:

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial

Let’s mark the eyes in different directions for each one of the circles…

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Now, let’s add some random jaws, with different sizes and shapes…

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It’s up to you now. There are so many easy cartoon characters to draw. I guess you can walk alone and explore the techniques I gave to you to complete the drawings. Remember that cartoon face drawing has two premises:

  • Simplify the face details in rounded shapes.
  • Exaggerate the facial expressions.

Once you’ve managed to sketch the direction of the eyes and have chosen the proper chins, try to use your creativity to build however many faces you want. You can be sure that, if you practice at least ten minutes per day with the techniques presented here, drawing cartoon faces will be as natural to you as breathing.

Let’s summarize! To reinforce what I said throughout the tutorial, let’s remember the proper steps for how to draw a cartoon face:

  1. Make a circle that will represent the skull of our character.
  2. Set the direction in which your character will be looking and draw the guidelines.
  3. Make the outline of the eyes in an oval shape.
  4. Draw the eye pupils (make them point to the nose, if you want a cute character). Don’t forget the eyelashes.
  5. Choose the correct eyebrow, depending on the age and gender of your character.
  6. Draw an appropriate jaw.
  7. Draw simplified ears.
  8. Search haircut styles in Google (or a magazine) and use them as a reference for your sketch.
  9. Celebrate!

Below is my version:

draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial
draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial
Example of how to use the same template to build distinct emotions. Notice that only the eyelashes and eyebrows were changed. Nothing more!!!

7. How to Draw characters With Different Ethnicities

We are nearing the end of our cartoon face drawing tutorial. As a last tip, I would encourage you to continue experimenting with facial expressions and, whenever possible, to invest more in studies of the face. Learn how the eyes and mouth behave in different situations. Take a look at different ethnicities and the key features.

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For example, those of an African ethnic origin tend to have a slightly flattened nose and more rounded cheekbones.

Whenever possible, try to give a little more realism to your characters. Observe the behavior of people in real life. Look at photos, study the style of your favorite artist, or search for inspiration on the Internet. It’s when we look to real life that we can extract quality information for our drawings. But remember: observing the real world does not mean copying! You want your character to be unique and not a copy of reality, right?


You’ve Learned How to Draw a Cartoon Face!

Now you know the basic techniques used by the best cartoon artists around the world. There is plenty more to come, and this is just a small fraction of the cartoon drawing tutorials I’ll be presenting to you. Up next, we’re going to dig deeper into cartoon expressions.

Take what you learn here and work on your first characters. You can earn a nice side income selling your character designs on GraphicRiver as you ramp up your skills. Continue to grow your artistic skills, and you can earn a full-time income as a cartoonist.

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draw a cartoon face tutorialdraw a cartoon face tutorialdraw a cartoon face tutorial
Explore different styles and skull formats! The sky’s the limit!

Discover More Cartoon Drawing Ideas and Tutorials

Now you know how to draw cartoon characters. I hope you liked this tutorial. Do you want to find more easy cartoon characters to draw? Would you like to learn more about drawing? Here are some cool tutorials and resources:

Remember to visit our complete guide: Learn How To Draw.

Editorial Note: This post has been updated with contributions from Maria Villanueva. Maria is a staff writer with Envato Tuts+.

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