Textbooks for iPad progress with Inkling

As we said last year, long before the iPad became public, whichever ebook manufacturer nails the textbook market will have a distinct and serious advantage. Inkling (free) represents a huge step forward. It’s a “textbook platform” for the iPad that uses social connectivity and the features of the iOS in a unique and interesting way.

Once you’ve created a profile,* the app will load The Elements of Style by William Strunk, Jr. as demo content. Inkling calls pages “Cards,” and you can jump to any one easily, either by swiping, entering a number or dragging across the digital “spine.”

A unique feature lets you highlight text and create notes which can be shared over the air with fellow students or teachers. Once a note is displayed on another person’s iPad, s/he can respond to the note’s author.

There are a number of books available and we assume there are more to come. Check it out for yourself and explore the demo content. We’ll have a full exploration of this interesting app soon.

[Via Daring Fireball]

*You must tell Inkling which college or university you attend. If you’re not in school, leave that field blank to receive only the demo content (no Inkling store).

TUAWTextbooks for iPad progress with Inkling originally appeared on The Unofficial Apple Weblog (TUAW) on Mon, 23 Aug 2010 09:00:00 EST. Please see our terms for use of feeds.

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TUAW’s Daily App: Plates!

A while back, we featured a game in this space called White Lines, a sort of Simon Says-style gesture drawing game. The game’s creator, Kyle Webster, recently released his second app on the App Store, and this one is a little different — much more frantic, and much more colorful. It’s called Plates!, and you can pick it up right now for an “introductory price” of US$0.99.

The idea is simple — you have three conveyor belts on screen, and each one funnels plates of food past you. There are four different sauces on the four different corners of the iPhone, and your goal is to tap a certain sauce, then tap the appropriate plate, squirting the correct sauce on each dish as it goes past. Hitting combos will get you a bonus score, and eventually there are even non-food items sprinkled in among the mix that you have to avoid to keep going.

The game gets pretty fast quickly, and when combo plates show up, you’ll have to squirt fast to keep the food moving (“squirt” is an appropriate word — the game isn’t all that appetizing, despite the colorful graphics). Add in OpenFeint functionality, and you’ve got a pretty addictive little reflex tester. Plates! is good, simple fun for just a buck.

TUAWTUAW’s Daily App: Plates! originally appeared on The Unofficial Apple Weblog (TUAW) on Mon, 23 Aug 2010 08:00:00 EST. Please see our terms for use of feeds.

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Google Mobile App Now Features Push Notifications

Google has pushed an update for its Google Mobile App for the iPhone, iPad and iPod Touch which brings push notifications for Gmail and Google Calendar. The updated app also features suggestions for search.
google mobile app
New In Version 0.6.0.4416

  • Push notifications for Gmail and Calendar.

With the updated app, an icon badge displaying a message appears on your home screen as soon as you receive a new mail along with calendar event reminders.

You can download Google Mobile App for iPhone from the App Store for Free! [iTunes Link]

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The Magic Formula For Getting Your App Featured By Apple

It’s the dream of pretty much everyone who has worked on an app to get an app featured by Apple.  By now I’m sure we’ve all heard the stories of ridiculous profits that can be earned within a few days.

Now the problem is, how does Apple choose which apps are featured?  I’ve seen absolute junk get featured in the Canadian app store while some brilliant apps seem to get glanced over.  So unfortunately,  no matter what luck definitely seems to be the biggest factor in the formula for getting your apps featured in the magic formula.

All that being said I read an interesting article from one developer who was able to get their app featured by Apple, a game known as Alienz which was able to reach the top 100 strategy and arcade game categories of the app store earning them nearly $2k in a week.

Here’s a quick summary of the formula they came up with:

  1. Presentation – Definitely looks are the most important factor that you can actually control.
  2. Uniqueness – The author emphasizes this, and it seems to be a factor, but I have seen a lot of rehashed stuff get featured so I’m not too sure about this one.
  3. Time of release – Interesting stuff here.. definitely seems like on some days Apple has slimmer pickings on some days as opposed to others.  Their suggestion is not to get your app listed right after the weekend if you want to get featured.
  4. Make The App Paid – According to the author Apple typically only features free apps by big publishers.
  5. Get Mentioned By The Big Sites – Apple seems to favor apps featured on big sites by Engadget (I would say though that these are usually only quality apps anyways :)

Interesting stuff, and you can read the full article here.

I would say that it is 90% luck, 9% presentation, and 1% the other stuff, but definitely some things to consider.

Thanks for reading. Please share this, by using the buttons below!

©2010 iPhone iOS 4 iTV iPad SDK Development Tutorials, Programming Tips, News. All Rights Reserved.

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Awesome Links #11: Google Contacts, Morning Routine, Frugality, Small Workspace

How to Find Enough Time to Do Everything You Want

The Dumb Little Man blog explains how to utilize the time we’ve got and make the most out of it.

Productivity Tip: Google Contacts Keyboard Shortcuts

Google Contacts was updated recently and keyboard shortcuts were introduced. Web Worker Daily lists all of them in this article.

Increasing Creativity and Productivity with Your Morning Routine

Our sister site Freelance Switch suggests some morning routine changes to enhance creativity. Do browse through the comments to see what everyone else has been trying.

48 Things Frugality Has Taught Me

A great article by Trent from The Simple Dollar on what he has learnt by being frugal. Some useful nuggets of wisdom there.

How to Make the Most of a Small Workspace

If you’ve got a small workspace, this article by Lifehacker is a must-read.

The Digital Nomad’s Guide to Using Paper Stationery

I’m a digital nomad. I love using computers. I worked as online editor for newspapers. I am so online that my filing cabinets are practically empty.

So going paperless should be a no brainer. Although I don’t hug trees, I don’t mind saving a few. But after looking through my messenger bag, I realize that it’s harder to do when you work out of the home office. If I stay sequestered at home every day without meeting anyone, I can go paperless fairly easily. Once I step out, things get trickier than they do at home, and at least some paper stationery becomes necessary.

Here’s what I have and why:

Notebooks

I carry two. One is a Day Planner sized loose-leaf notebook. I use it as my primary note taking medium at seminars and meetings. The size is right for reviewing and portability. Occasionally I take sheets out and file them into folders. The second is a reporter’s notebook. It fits nicely into my back pocket and palm of my hand. It’s very handy for note taking during interviews. The size makes it less obtrusive.

How many of you think Evernote would be a good substitute for note taking? That sounds like a fine idea except that the devices needed aren’t so handy. Putting pen to paper is extremely fast for me. I may be able to type on my laptop fast enough to keep up with interviewees and speakers. But the sound of my fast typing is distracting.

Forget trying to take notes with a cell phone. I don’t have the speed or patience for it. Maybe an iPad would work better. It seems to be a good compromise between size and keyboard comfort. But none of these work so well when interviewing. The device becomes a distraction.

To keep it more friendly, I use the backs of pages for note taking and scrap. Unsaved pages go into recycling bins.

I am considering using a digital recorder then taking notes at home directly into my word processor. It would give me the option of turning the recordings into podcasts. That is if my subjects don’t mind me recording them.

Sketch pad

This comes with a handful of fine point markers. It’s a handy tool to have when a whiteboard isn’t available or practical. For example, during meetings in restaurants, I sketched out proposals on the pad to reinforce my points. I could then turn the markers over to other participants so they could express their ideas and revisions.

Sure mind map software works this way. But there’s no learning curve with paper and markers. Everyone knows how to write and draw.

Index cards

These are a key part of my speeches and presentations. The 3×5 cards are perfect for writing rough drafts. I can revise the text and reorganize my speech by changing the order of cards. I use the cards then when I present.

Sure I can use presentation software like Powerpoint. Except that not every presentation is a good opportunity for it. Even so, I still use notes because I don’t parrot what is on the slides. And if I memorize the speech, the cards are needed during rehearsal.

I’m looking for a way to create a second life for my cards. Maybe use the backs for scratch paper before recycling.

Business cards

Business cards are still valuable for networking and marketing. People still like to hold things in their hands. And business cards are good reminders of who you are after the meet. Serial networkers can’t go paperless here.

So the trick is to extend the function of the business card so that it saves paper elsewhere. Maybe print lines on the back so people can use them to take notes.

Crossword

Each week I print a copy of the Wall Street Journal crossword puzzle. When I have a few minutes to spare, I print it out and work on a couple clues. I’m sorry but I will never be satisfied with interactive versions. They’re not as easy to work.

To reduce this footprint, I’m spending a little more time with cribbage on the iPhone and using the backs of old puzzles to print new puzzles.

Pen and pencil

I’m mentioning these because I wouldn’t be able to use the paper without them. The pencil is necessary for the crossword. No, I don’t have the guts to do it in pen. And sometimes I prefer note taking with pencil than pen because it’s more consistent than a lot of cheaper pens. And pens don’t work so well in wet, cold conditions.

But it’s a decent mechanical pencil I can refill with replacement “lead.”

The pen is a Space Pen. It’s small enough to comfortably fit into my pockets. Since the ink cartridge is sealed, it writes evenly. It’s expensive so I take more care not to lose it.

Cell phone, iPod Touch and laptop

All three of these devices are connected to my Instapaper account. Since I started saving web pages to it to read later, I’ve printed fewer articles and pages. And I do most of my writing – including outlines and rough drafts – in Google Docs. I don’t rely totally on paper.

While I recognize I can do more to reduce paper consumption, I am mindful of how much I use alternatives. These alternatives are electronic devices that require energy from somewhere. Unless you are positive that your devices are recharging from wind turbines and solar panels, you may not be doing the environment that much of a favor by going paperless.

Sooner or later, your batteries (which are filled with toxic chemicals) are going to die. What’s the impact of disposing and replacing them?

While I applaud you paperless workers, don’t think you’ve done all you can. There are plenty of opportunities to reduce your impact.

What’s your next step?

Talkcast reminder: join in the fun at 10pm ET

We’re back live tonight on Talkshoe, so call in and chat with us about the biggest Apple stories of the past week.

We’ll continue the Apple TV wishful thinking, consider the graphics optimizations brought to us by eager gamers, and mull the impact of a jailbroken iPhone on late-night TV. It’s bound to be a fun evening.

To participate on TalkShoe, you can use the browser-only client, the embedded Facebook app, or the classic TalkShoe Pro Java client; however, for maximum fun, you should call in. For the web UI, just click the “TalkShoe Web” button on our profile page at 10 pm Sunday. To call in on regular phone or VoIP lines (take advantage of your free cellphone weekend minutes if you like): dial (724) 444-7444 and enter our talkcast ID, 45077 — during the call, you can request to talk by keying in *8.

If you’ve got a headset or microphone handy on your Mac or your PC, you can connect via the free Gizmo or X-Lite SIP clients or using the Talkshoe client’s ShoePhone tool; basic instructions are here.

We’ll kick things off at 10pm ET/ 7pm PT. See you there!

TUAWTalkcast reminder: join in the fun at 10pm ET originally appeared on The Unofficial Apple Weblog (TUAW) on Sun, 22 Aug 2010 20:30:00 EST. Please see our terms for use of feeds.

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No fair: Gizmodo editor leaves his phone in a restaurant, gets it back right away

Stop me if you’ve heard this one: a geek leaves his phone in a bar, and… oh, you have heard that one? It turns out that Brian Lam, the Gizmodo editor involved in the iPhone 4 “bar heist” saga and one of the biggest tech scandals of 2010, left his cell phone in a restaurant the other day. How did the aftermath play out? Lam, apparently blind to the irony, posted about it on Twitter: “left my phone at lunch, lady turned it in. good thing we were nice, earlier, and gave her the chair she asked for #karma”

Lam couldn’t have been blind to the irony for long, because he’s now locked his Twitter account. And apparently, he also doesn’t understand how karma works.

This would have been real karma: the lady who found his phone would have realized what she’d got her hands on, then offered his phone to the highest-bidding (and least scrupulous) media outlet willing to pay for it.

After the transaction, whoever paid out the most for Lam’s phone would have dissected it, then posted photos and videos of the aftermath online. Next, they would have posted all of Lam’s contact info on their site, opening him to ridicule and jeopardizing his career. As a final indignity, they then would have sent a letter to Lam’s lawyer assuring that he’d get the (now broken) phone back as long as he publicly admitted it was his phone.

That would have been karma.

P.S. I know at least one person will be tempted to call me out on my use of the word “irony.” Please read this Oatmeal comic on irony first, then we’ll talk.

[via Daring Fireball]

TUAWNo fair: Gizmodo editor leaves his phone in a restaurant, gets it back right away originally appeared on The Unofficial Apple Weblog (TUAW) on Sun, 22 Aug 2010 18:00:00 EST. Please see our terms for use of feeds.

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TUAW Review: ColcaSac sleeve for iPad

I’ve never understood people who keep their iPads bound up in cases. I get that they want to protect their iPads, but I never understood why they choose cases which just add to the bulk of the beautifully thin device. I’ve always been a sleeve guy myself — something to keep the iPad scratch-free while transporting, yet which easily allows you to slide it out and hold it in your hands the way Jobs intended. That being said, I’ve searched for months for a good iPad sleeve. Most of the sleeves out there are very sterile and bland in appearance. Their designs are fit for mass production, but not much else.

My search for the perfect iPad sleeve ended when I discovered the ColcaSac iPad sleeve. ColcaSac is a small company in Salt Lake City, Utah that makes five different iPad sleeves, plus numerous iPhone and MacBook sleeves. Their designs are simple, yet different. The ColcaSac I have is the Hanakapiai model. It’s got a soft cotton interior that gives the iPad’s screen a nice wipe every time it’s taken out of the sleeve, helping wipe away fingerprint smears. The outside of the sleeve is made of a beautiful basketweave hemp canvas that gives it a slightly rugged look. But one of the things I like most about the ColcaSac is the sleeve’s outside pocket (which so many sleeves lack), perfect for carrying a USB cable and charger. And best of all, the iPad fits snugly into the sleeve. I’ve tried many iPad sleeves, and most of them don’t hold the iPad tight. With the ColcaSac sleeve I can open the sleeve (it uses a Velcro fold to close), hold it upside down, and have the iPad slide out slowly.

Considering the design and quality materials they use, the $35 price tag for the ColcaSac is a steal. It’s also a beautiful choice for iPad owners who want something aesthetically different than the usual offerings of iPad sleeves found on Amazon or in Apple Stores.

If you’re looking for a great sleeve, I highly recommend this one. Broke? Can’t afford one? Not to worry! The guys at ColcaSac have been good enough to provide a sleeve for one of our lucky TUAW readers. Check back in the next few days for the giveaway post!

TUAWTUAW Review: ColcaSac sleeve for iPad originally appeared on The Unofficial Apple Weblog (TUAW) on Sun, 22 Aug 2010 11:00:00 EST. Please see our terms for use of feeds.

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Angry Birds: The Movie?

angry birds

There’s no questioning that the iPhone/iPad game Angry Birds is a huge success. The company is close to seven million downloads of the game, all without any direct advertising of their own.

Now the company that developed the game, Rovio, is taking a serious look into more commercial avenues for the title, including movies. The company has already done a great job with the animation within the product, including a cinematic trailer released on YouTube (which I guess you could say is technically advertisement — check it out after the jump). But is there enough to this to make for a good story?

According to Rovio, the company has been approached by several very interested parties, including movie studios, and they’re giving all offers serious consideration. Chief exec Mikael Hed has grand ambitions to see the Angry Birds brand become much more than games, akin to Pixar with Toy Story, so games and movies would just be the tip of the iceberg.

Do you think something like Angry Birds could translate well enough to other mediums? Is there a potential story in there worth developing?

TUAWAngry Birds: The Movie? originally appeared on The Unofficial Apple Weblog (TUAW) on Sun, 22 Aug 2010 09:00:00 EST. Please see our terms for use of feeds.

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Interview with Ricardo Gimenes


You may already know about the blog, Behind the Websites. In today’s interview we’re going to meet Ricardo Gimenes, illustrator and founder of the site. Ricardo is a São Paulo based Brazilian designer and illustrator who has worked with variety of clients around the world. He says he has been drawing ever since he was a young boy and he loves to express his thoughts through illustration. intrinsically humorous, Ricardo shares with us how he got started in the field of illustration, about his work, his design style and more.

Continue reading “Interview with Ricardo Gimenes”

Open Mic: Tell Us How You Use Portable Computing Devices

First there was the netbook craze. Then iPhones changed the way we use mobile phones. And now iPads have our attention. All of those handy devices must have an impact on the way we make music. How has it affected you?

Each weekend we open our mic to readers and lurkers alike to come out of the woodwork and tell us your thoughts and opinion, your experiences and mistakes, what you love and what you hate. We want to hear from you, and here’s your chance.


Do you have a portable computing device? More than one? Which gets most of your attention: smart phone, netbook, iPad or something different?

How has it affected the way you make and produce music?


Discover Ableton Live

Ableton Live is a digital audio workstation available both for Mac OSX and Microsoft Windows. It differs from other DAWs in that it is designed for live performance as much as music production. This also makes it a valuable tool for DJs.

Ableton explains: “Live’s nonlinear, intuitive flow, alongside powerful real-time editing and flexible performance options, make it a unique studio tool and a favorite with live performers. If you’d rather be ‘making music’ than just ‘using music software,’ Ableton Live is for you.” The program was first released in 2001, and version 8 came out in April of this year. An LE version is also available.

This article was previously published on the AudioJungle blog. We’ll be bringing you an article from the archives each week.

This is our twelfth article in the series “Exploring Digital Audio Workstations”. If you’ve missed the earlier articles, you can find them here:

  1. Exploring Digital Audio Workstations
  2. Discover Pro Tools LE
  3. 11 Essential Pro Tools Tutorials
  4. Discover Logic Pro
  5. 11 of the Best Tutorials for Logic Pro
  6. Discover Propellerhead’s Reason
  7. 18 Reason Tutorials That Cover All the Bases
  8. Discover Steinberg’s Cubase 5
  9. 20 Instructive Cubase Tutorials
  10. Discover Cakewalk’s SONAR
  11. 14 Tutorials that Make Using SONAR a Piece of Cake

Now let’s have a look at Live.

Ableton Live 8 screenshot

History and Background

Ableton was founded in Germany in 1999 to create their own unique computer-based music-making solution, and released Live to the world in late 2001. This year they released their eighth version of the program – a major upgrade.

From 2007, Ableton have been collaborating with Cycling ’74, producers of Max/MSP, a visual programming language for music and multimedia. Earlier this year they announced the result of their collaboration, “Max for Live”. This product makes it possible to create Max/MSP patches directly inside of Live, making it even more flexible and extensible then before.

In this video, Ableton explain what Live is in 60 seconds:

Live’s Features

The Ableton Live 8 page on Ableton’s website lists the program’s features.

Key features:

  • Multitrack recording up to 32-bit/192 kHz
  • Nondestructive editing with unlimited undo
  • Powerful and creative MIDI sequencing of software and hardware instruments
  • Advanced warping and real-time time-stretching
  • Supports AIFF, WAV, MP3, Ogg Vorbis and FLAC files
  • A comprehensive selection of built-in audio and MIDI effects
  • Built-in instruments: Simpler for sample-based synthesis, Impulse for sampled drums
  • Instrument, Drum and Effect Racks
  • New groove engine; apply and extract grooves in real time
  • VST and AU support; automatic plug-in delay compensation
  • REX file support plus built-in audio to MIDI slicing
  • Video import and export for scoring, video warping
  • Simple MIDI mapping plus instant mapping for selected hardware
  • Full ReWire support; runs as Slave or Master
  • Single-screen user interface for simple, creativity-focused operation
  • Multicore and multiprocessor support

Other distinguising features:

  • Session View
    Live is the only music production software with the “Session View”: a unique grid for recording and playing musical ideas and phrases. The Session View is non-linear, so you can record and play back your ideas in any order. This view gives flexibility when recording and freedom to improvise when performing.
  • Arrangement View
    Live also has a second view: the “Arrangement View,” a complete music production environment. This is the linear counterpart to the Session View and is well-suited to “traditional” recording, arranging and mixing. These two views interact with one another, each with its own strengths and intricacies.
  • Uninterrupted creative flow
    In Live, you never have to stop the music. Record audio and MIDI on the fly, drop in loops and samples, add effects and swap sounds without ever hitting the stop button: everything happens in real time. You’re free to improvise and the computer actually becomes a musical instrument—an expressive and creative tool, perfectly at home on stage or in the studio.
  • Drum Rack
    Live’s unique Drum Rack combines drag-and-drop simplicity in a familiar pad-style interface. Each of the 128 drum pads can have its own instrument or sample plus effects. Slice beats, loops or REX files to MIDI for additional control options and use the new groove feature.
  • Creative expression for DJs
    Mix and match tracks and loops automatically, remix on the fly, capture audio loops in real time from decks and other external sources, incorporate your own productions into the mix.
  • Sharing and remote collaboration
    Share your Live Sets with others via the web. One-click sharing and loading, a simple system of setting access permission, speedy transfers and no issues with external plug-ins and instruments.
  • Looper
    Not only for guitarists, the Ableton Looper gives you classic sound-on-sound looping without the limitations of a hardware device. Looper is set up for remote operation, so you can record, overdub, undo and more without touching the computer.
  • Broad compatibility
    Live works seamlessly with controller hardware and assigning custom MIDI controls is simple. Live supports AIFF, WAV, MP3, Ogg Vorbis and FLAC files, VST and AU effects and instruments. Live can handle REX files and runs as a ReWire Master or Slave, so it works nicely alongside other DAWs like Pro Tools, Logic, Cubase or Reason. Live also supports multicore and multiprocessor systems.

User Comments

What do Live users think of the product? Here are some comments by users and reviewers that I found around the Net. I’d love to hear from you in the comments too.

  • “If you produce music for media, or don’t have many instruments already, then Suite offers a massive saving over buying the component elements separately, these being the Essential Instrument Collection, Sampler, Operator, Drum Machines, Session Drums, Analog, Electric, Tension, Latin Percussion, World Class Library and Collision… Live 8 isn’t perfect, though. Some of the new features haven’t been implemented as well as they could’ve, and there are things we’d still like to see (multi-screen support, for example). We’ve also been experiencing more crashes and audio glitches than with previous versions when adding plug-ins (though not when performing with a pre-prepared set, which is the main thing). Hopefully, this will be resolved with an update.” (Musicradar.com)
  • “At first sight Live 8 seemed to be a “not so much stuff added” Update but underneath there has changed a lot. The new Plugins, Instruments and the workflow additions really pay off the price for the Update (in my case 175€ for Ableton Live 8 Suite Download Education Version). There’s just one that really disappoints me. I would have bought Live 8 much faster, without even less thinking, when Max for Live would already be implemented in the program. But in fact it isn’t.” (Zett)
  • “i like the interface of ableton live 8 so far. i think live is a serious daw for windows users and a good alternative option to logic (i hate cubase and reason/i love fl studio but the soundquality is poor).” (The Dream)
  • “Since its arrival on the audio software scene in 2001, Ableton Live has carved out a niche as a hugely popular music production and performance tool… Live has always been something of a two-headed beast — a loop-based performance instrument on the one hand, and a linear recording and production platform on the other — and with the arrival of MIDI sequence support, opening the door to VST Instrument and effect hosting, Live became a serious contender as a studio production platform, while still enjoying a position on practically every performer’s laptop on the planet.
    “Live’s remarkable success comes down to some simple but well-considered design choices. Firstly, it knows about looping, and works very hard at cueing, synchronising and aligning looped material, and providing a sophisticated editing interface for loop-based music. Secondly, it implements a number of powerful and versatile features in a clean and reliable manner: instruments and drums can be ‘racked’ and chained in infinite combinations, audio can be routed and mixed in ways an actual mixing desk can only dream of, and the automation support is obsessively thorough and rock solid. Thirdly, Live’s interface is clear and simple: one window, two views, and fixed panels for instruments and sample browsing.” (Nick Rothwell, Sound on Sound)
  • “Where most Recording Studio software programs are intended for stationary use in a static setting, Ableton Live has been tried, tested and refined for live performance functionality, combining the recording and editing tools and features of the best Recording Software programs with real-time effects, sequencers, loop machines to give electronica artists a powerful instrument on stage and artists and engineers of all musical genres and callibers a powerful tool to edit, modify and refine music off stage.” (Top Ten Reviews)

Have you used Live? Do you love it or hate it? What are your favorite features? Let us know in the comments.


Ben Thomas: Knee Deep in Talent


Ben Thomas is a busy guy. Between his successful photography and digital art business as well as his online store Kneedeepinsleep, he finds himself juggling many plates. He did, however, take time out of his busy schedule to talk about his life, work and love of getting his hands dirty in Photoshop.

There are some things in life that are meant to be kept under wraps. With Digital Artist and Photographer Ben Thomas, one of those things is a night of debauchery the ingredients of which were a giant fairground slide, a house party and an electric scooter. He didn’t elaborate (“long story”) and I didn’t bother to ask because he wasn’t going to tell me anyway.

As a “weird” kid growing up in a small town in the UK called Kettering, Thomas describes himself as “not really shy, [but] a big dreamer [whose] head was always in the clouds.” He left school at age 17 with an A-level in photography and good GCSE grades. He never did achieve an A-level in understanding women, though, which is apparently his only regret when it comes to his education.

All joking aside, Thomas has put that A-level in photography to good use over the years. With extensive client and project lists that include UK-based Warner Music for which he is working on both video and still projects as well as a number of tutorials for Computer Arts, Thomas finds himself “juggling many plates” at once. One of those plates is creating art for his online store Kneedeepinsleep, a collection of limited edition t-shirts, art prints as well as photographic prints.


Sweet Dreams

When speaking with Thomas I used the words ‘ethereal’ and ‘otherworldly’ to describe his art. He, in turn, added the word ‘dreamy’ to that description. It turns out that dreamy is a perfect fit as Thomas often finds himself waking during the night to take notes or make quick sketches. In fact, he finds that some of his best ideas have come to him at night, though he carries his camera, a sketchpad and notebook with him everywhere he goes. When it’s time for those ideas to come to life Thomas moves onto photographing elements of it or sorting renders in Cinema 4D. Finally he works it all together in Photoshop, all the while keeping that original sketch close. According to Thomas, his favorite part of the process of creation is “when I finally get to sink my teeth into the main composition – once I’m past the brainstorming and getting my hands dirty in Photoshop.”

Everything wasn’t always about Photoshop and Illustrator, though. While he constantly immersed himself in artistic endeavors growing up, he didn’t always work in the field. In fact, his first design job came at a time when he was working at a clothing store and behind the bar at Franky & Bennies. One of the most unfortunate aspects of all of that is the uniform, “The waistcoat and bow tie combo at F&B – not a good look.” A friend was working as a writer at a small independent label in his hometown and told Thomas when the boss would be available. He showed up, presented his (a4) portfolio and ended up staying there for four years. “I knew it would be a great launch pad and a place to glean some experience. For a young guy with zero experience and a big imagination it was a perfect starting block.”

Having little experience is no longer a problem for Thomas, though. His plate has been consistently full with projects in both the design and photography field. He recently had a brilliant shot with a new hip hop group from London called “Shallow & The Deep.” “The shoot was a lot of fun – but the post production on the images just looks so slick. The band members were shot separately and then comped together with tons of green smoke and skies. Great guys to work with!”

Wrapping that project doesn’t translate into downtime for Thomas, though. He’s now “knee deep” in designing the artwork for some single gear Luma bike frames for Bespoke, an exhibition taking place in east London at the end of October. Thomas finds himself on the list with some heavy names in the industry like John McFaul, Vault 49, Peter Lin, Benny Luk and Ria Dastidar. “Should be big!” he says. Given his talent, it will be.


An Eye for Design, an Ear for Music

When asked where they find inspiration, many designers say things like ‘the world around me’ or ‘surfing the internet.’ Not many list listening to music as numero uno on their list of inspirational activities. According to Thomas he was “insanely late joining the Spotify craze” in the UK and he loves finding what he calls “rare gems”- or lesser-known artists and producers. He doesn’t discriminate when it comes to the types of music he listens to, either. His musical palate is diverse and includes genres like drum and bass, funk, metal and composers like Max Richter and Ludovico Einaudi. He admits that many pieces “blow [me] away and [I] totally get lost in it when working with it in the studio.”

Not that Thomas has much time to get lost in anything, though. His schedule is jam packed with projects, both personal and for clients as his business can be filed under two headings, digital art and photography. One of the reasons why he loves his line of work is because he’s doing something different every day of the week.

Surprisingly enough, Thomas doesn’t use complicated scheduling or note-taking systems to keep everything straight…just iCal. When it comes to creating his art though, that’s an entirely different story. When he’s working he’s got an arsenal of tools that includes Photoshop, Cinema 4d and Illustrator. All of his photography and video is shot on the Canon 5D mark ii, a selection of Canon/Nikon glass and a ton of lighting gear. Nothing can take the place of having pure, raw talent, though. Oh and setting your history stat in Photoshop to 999 and always hit the save button regularly doesn’t hurt either.

“Music still remains one of my big passions and a driving force in my work.”

Life…On the Rocks

Thomas was born into a family full of creativity. His father works in the clothing industry as a pattern designer for a large British brand and his mother works in the marketing department for Weetabix, a popular cereal company. Fashion and music were a big part of his upbringing, so his parents recognized his creativity early on. He said that they always knew that he’d end up on one of those career paths and they were right. When he was a young boy, his father bought him his first computer –an Amiga 500- and he would spend hours learning software called Deluxe Paint with which he created what he now calls “bizarre pixel characters.” Even still, Thomas’ affinity for music was never far behind his love for art. As he puts it, “music still remains one of my big passions and a driving force in my work.”

His life isn’t all about work, though. According to Thomas, the “onset of old age looming” (he’s 27, by the way) means that a typical Saturday night would consist of relaxing which may or may not include a drink at the pub or going to see a band. Don’t make him out to be a wallflower yet though. While in one breath he seems to consider himself teetering on the line between youth and being a senior citizen, he still considers himself to be a “young man [who is] partial to a bit of the naughty water.” His favorite at the moment is a concoction he creates by peeling the zest of a lemon, adding it to vodka and chilling it in the freezer for a month. “Try it- it’s amazing on the rocks.” Maybe something good came from his stint behind the bar at Franky & Bennies after all.


Knee Deep in (Not Much) Sleep

Four years ago Thomas set out on a new venture he named Kneedeepinsleep, which you probably won’t be surprised to learn means to be very tired. It’s kind of a fitting name for a company what was somewhat difficult to get off the ground. “[It’s a] strange name, memorable and had some meaning to the struggle I had getting it off the ground at the time.”

The response to his new store though, was anything but sleepy. While the idea was to sell his art in the form of t-shirts and prints, Thomas didn’t want to sell anything that was “off-the-shelf.” That’s why every product he sells is a limited edition item, which arrives in a box so nice “that you don’t want to take it out if there.” One such piece is one of his more recent works, “Pretty Girls on Acid.” Right now his art prints are selling the best and one day Thomas hopes to make his entire living off of his art.

As he puts it, “That would literally be the dream.”


More Work From Ben Thomas

Visit Ben Thomas on the web.

Have you Digitalized Your Photo Albums?

Photo albums still line shelves in some living rooms and the feeling of going from page to page gives viewers a feeling of excitement when, not knowing what comes next, they find a photo from 1975 when they were just a baby – or just had had a baby.

On the other hand, those albums do require maintenance – cleaning and implementation of other anti-mold techniquest – and take up lots of space.  Digitally scanning all the photos can take ages but you’ll be able to share the photos with all friends and family with an email address.

So what do you do in this case?

Do you sacrifice a few weekends in exchange for more space and less dust?  Sure, it’ll take some time to get done – but it’ll be time well spent in exchange for preserving these memories on a digital medium.

Do you just leave it alone?  You’ve got far more important things to do than to spend time scanning photos that are already well-preserved and not doing any harm as-is.

Which way would you go on this? Let us know in the comments.