Analyst: Apple producing more iPads

Analyst Katy Huberty from Morgan Stanley tells All Things D that she believes Apple is ramping up production on the iPad, aiming to build as many as three million a month by the end of this year. That would mean that the company could make 36 million iPads next year, which brings the total close to (but not quite) the whopping 40 million units predicted by her supply chain analysis. Sales estimates for next year started out around 10 million iPads, but have since risen to as high as 42 million units, which would be quite a year for a product that didn’t exist before this past April.

Currently, says Huberty, Apple is producing about two million iPads a month, and that’s brought shipping times on the website down, and helped availability across the board. But the manufacturing process needs to be refined even further, and of course if, as expected earlier next year, the device sees a revision, that may delay things even further. There seems to be one thing most analysts agree on, however: Apple is going to sell a whole lot of iPads in 2011.

TUAWAnalyst: Apple producing more iPads originally appeared on The Unofficial Apple Weblog (TUAW) on Fri, 03 Sep 2010 17:30:00 EST. Please see our terms for use of feeds.

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Apple trailers page adds showtimes and theater maps

Since people still seem to want to leave their houses and go to the movies (despite Apple’s best efforts to keep them firmly on their couches), the iTunes Movie Trailers site now features a sophisticated Showtimes view. This HTML5-savvy offering uses location awareness in your browser to show the movies playing nearest you, along with the upcoming screening schedule and links to the theater sites for ticket purchases.

The site works great in Safari, Firefox 3 or Chrome on your Mac; it also works perfectly on the iPad, although on the iPhone it’s a little bit compact.

Check it out for yourself, or see our gallery of screenshots below.

[via Ars Technica]

TUAWApple trailers page adds showtimes and theater maps originally appeared on The Unofficial Apple Weblog (TUAW) on Fri, 03 Sep 2010 15:30:00 EST. Please see our terms for use of feeds.

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OpenFeint Going One Up On Game Center With Cross-Platform Multiplayer

A question that has been brought up ever since Apple announced Game Center was how other social gaming networks on the iPhone would survive. Recently OpenFeint announced that they would be adding cross-platform multiplayer between iPhone and Android gamers. This will allow players on both platforms to compete and communicate with each other.

It will be interesting to see how this plays out. The only developers who would benefit from those are those who are developing games for both Android and the iOS platforms, and Apple has certainly spoken up against cross-platform development.

You can sign up for the beta test for Playtime on the http://www.openfeint.com/developers if you would like to check out this cross platform gaming for yourself.

Thanks for reading, please share this by using the buttons below!

©2010 iPhone, iOS 4, iPad SDK Development Tutorial and Programming Tips. All Rights Reserved.

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Picturesque: Give Your Images a Magic Touch

There are a number of mammoth picture editors that can do just about anything with an image. Then there are a few very effective smaller-scale apps that have a lot of power while remaining simpler to use – a personal favourite is Acorn. But if you’re someone with only needs to work with images now and then – a blogger looking for attractive embellishments for your texts, or someone maintaining a personal website – even Acorn might seem complicated.

That’s where Acqualia software’s Picturesque comes in: it’s super-simple to use, and delivers excellent results without requiring much knowledge about design, or prior experience of working with graphics.

Working with Picturesque

When you start up Picturesque, its interface is as simple as can be:

Opening Screen

Opening Screen

Drop any images you want to work with into the main window, and it expands to its full size:

The Main Interface

The Main Interface

The top ribbon holds miniature versions of the images you’ve opened; the main part of the window displays the image currently selected from that list; and the bottom row lets you pick from the available effects. That’s right, Picturesque can only do five things with your images: adjust perspective, add a reflection, a shadow, curved corners, or an outline.

The other buttons in the bottom toolbar allow you to adjust the background colour of the main window (useful if you want to see how an image would look against the background colour you’re planning to use it with), to crop the image, and to open the presets window.

Let’s take a look at each of the available effects…

Perspective

This tool lets you manipulate the rotation and elevation of an image – in other words to tilt it on its x and y axes:

Perspective

Perspective

You can make subtle changes here, or go to town and really twist things up! Of course you probably wouldn’t want to make so dramatic a change to an image, but I want to demonstrate the extent of the alterations possible!

Reflection

Now it’s easier than ever to add lovely reflections to your images:

Reflections

Reflections

You’ll notice, too, that I’ve changed the background colour here so that the reflection shows more clearly. Simple slider controls let you adjust the Length, Opacity, and Offset of the reflection so that you can get it looking exactly as you want it.

Shadow

Shadow lets you quickly add subtle shadows to your images, so that you can make them appear to float above the background.

A Dark Shadow

A Dark Shadow

As well as adjusting the Blur Radius and Opacity, you can set the shadow’s colour, and drag the shadow in that small square to set the Angle and Distance at which it falls. The ‘Glow’ checkbox lets you reverse the effect so that your image appears to float above a backlight:

The Glow Effect

The Glow Effect

Curve

Here you can quickly add curved corners to any image, simply by clicking checkboxes in the corners to which you want the effect applied, and using the slider to set the Curvature:

Rounded Corners

Rounded Corners

Stroke

The final tool lets you quickly add a border to any image. You can choose whether the border is placed around or within the outside edge of the picture, or set it to be centered between these:

Stroke

Stroke

Putting It All Together

Add a few of these effects together, and it’s dead-simple to get some great effects. You can toggle effects on and off by clicking on their titles in the toolbar, and when you’re ready, click on ‘File’ and then ‘Save Image’ and select whether you want to save under a new title, save to the Desktop, or replace the original image (there are keyboard shortcuts for each of these options). Picturesque will then apply your effects and save the image to the location you’ve specified.

Here’s what that slinky cat looks like after just a few minutes of clicking and moving sliders:

A Finished Image

A Finished Image

Now, to an educated eye that might look a right mess, but my point is to demonstrate how someone without much training in working with images, and with little experience of picture-editing software, can very quickly apply some professional-looking effects.

Batching

Once you’ve set up a set of manipulations that you’re happy with, you can save them as a Preset and so apply them to future images; or you can immediately add them to any other images you’ve already opened.

Even better, using the Batch Save command, you can quickly save all the currently open images with these effects applied, as well as resizing them along the way, so that you can quickly blaze through a folder full of images in a few moments.

Batching

Batching

Even if all you wanted was to resize a number of images, applying no other effects, Picturesque would be worth having for the job…

In Conclusion

Picturesque is one of those apps that demonstrates the power of constraints. It doesn’t try to be everything to everyone, but rather limits itself to a few functions that it does extremely well and simply.

Like Acqualia’s other great app, Soulver, Picturesque achieves its ends with elegance and simplicity.

It’s unlikely to take the place of Photoshop in a professional designer’s toolbox, but for anyone who now and then needs to improve the appearance of an image, or a bunch of images, it’s very hard to beat.


Thanks to the Mac.AppStorm Sponsors

We’d like to say a big thank you to this month’s Mac.AppStorm sponsors, and the great software they create! If you’re interested in advertising, you can order a slot through BuySellAds.

You could also consider a Quick Look submission, an easy way to showcase your app to all our readers.

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Billings – Billings’ simple workflow and intuitive interface makes quoting, invoicing, and time tracking effortless.

MiniBooks – A handy iPhone app from FreshBooks that lets you track your time and invoice your clients while you’re away from your computer.

Daylite Touch – Daylite Touch is a business productivity manager for the iPhone and iPod touch, winner of a 2009 Macworld Best of Show award, designed as a companion to Daylite on the Mac.

App4Mac – Makers of several different Mac applications, including CheckUp, SecretBox, Sequence, Projector, FlexTeam, and Delegate!

iPad Max – 4Media iPad Max for Mac is a must-have tool for Apple iPad and Mac fans to help them backup and transfer movies and audios from iPad to Mac, from Mac to iPad, and from iPad to iTunes.

ImTOO Video Convertor – Looking to convert all your media files on your Mac to just about any format you fancy? Look no further than ImTOO Video Converter for Mac. This versatile Mac video converter can convert between nearly all HD/SD format videos.

Raskin App – Inspired by Jef Raskin, our zoomable user interface shows you all the stuff on your computer on a single surface. Using zoom and pan to view, arrange and open documents feels so right.

iStat Menus – iStat Menus keeps you informed with exactly what’s going on behind the scenes of your computer – CPU/memory usage, disk space, battery life – you name it, and you can keep track of it with iStat. All through a beautiful interface.

Radium – Say hello to your new internet radio player. It sits in your menu bar and stays out of your way. No browser necessary. And it just works.

Be Yellow – Get toll free phone support for your application, and make your customers lives easier!


16 Essential Things to Have on Set For the Litte-to-No-Budget Filmmaker

There are some things that you probably shouldn’t ever shoot without. For me, my prized tools are my skateboard and gaffer’s tape. For you, they may be something else. Here is a small list of some things that have been very useful on the shoots that I have been on.


Gaffer’s Tape

Long gone are the days of when I used duct tape for everything, I have since seen the light. If you have never used Gaffer’s tape, it is far superior, stick nicely to the things you need, and doesn’t leave any annoying residue when you take it off. The tape itself is actually made of a cloth type material, and is very strong. Helps for if you need to fix a broken light stand, attach a component to your camera, or tape down a green screen. It runs a little more pricey than duct tape, but a roll of this will save you hours of picking goop off of your tools afterward.

Dry Erase Board

If you are shooting short films, or have a lot of different shots for a commercial, you might want to invest in a slate. Or you could just hit the craft store and get a dry erase board and some markers for about a tenth of the price. This will make things easier on you when you bring your shots into your editor, and lets you identify them nice and easily.

Flashlight or LED Keychain

This is definitely a little $2 piece that I use daily, even if I am not shooting. If you need to peek into your pack to find something, if its dark out and you left your lens cap in the grass, or if you just need a little bit of light to find the keyholes for a location, this will definitely save you a bout of frustration. Next time you are on your way to a shoot, pick one up at the cash register at the gas station, you will be amazed at how much you will turn to it.

Cushion for Knees, Elbows & Shoulders

You know those garderning foam mats your grandmother uses to kneel in the garden and trim her petunias? That is exactly what I am talking about. We all have to get that epic low shot, or change our perspective once in a while, and sometimes our tripod doesn’t go low enough. Throw a mat down underneath the part of your body that is taking the bulk of your weight…. and RELEIF! No more sore knees tomorrow!

Garbage Bags

No, they aren’t to carry your junk, but to aid as another thing to lay down on if you are getting a shot. You don’t want to be getting your threads all gunked up in the dirt, or after a fresh downpour… Just cut up a big garbage bag and lay it out flat. Weigh it down with some rocks nearby, and you will stay squeaky clean!

Skateboard or Inline Skates

This is definitly the poor man’s approach to a dolly/truck shot. But you can do a bit more than that. Just last week I did a few 360 orbit shots of some mopeds using nothing but my camera, an Ikan Superfly cage for grip, and my skateboard. Client thought the shots looked gorgeous and I wasn’t out a ton of money buying track. You might need to do some stabilization afterwards in post, but at least you can get the genral movement of the shot.

3 Prong to 2 Prong Plug Converter and Extension Cords

How many times have you had an extension cord, and there are only 2 prong outlets available on a power strip? You’re camera is out of batteries and you still have an hour of shooting left? Well, no more wasting time… just grab a couple of these at the hardware store, and attach them to everything with a 3 prong head on it. You will never, ever run into this situation ever again with a 3 prong to 2 prong adapter.

Laptop & Appropriate Cables and Card Readers

There are a couple of reasons why you will want to have this on hand. One, your client might really want to see that shot blown up, and you might want to check your focus, light and such on a larger screen if you don’t have a monitor available. Second, if you work with card based cameras, you might run out of room and have to unload your media onto your hard drive to shoot more footage past the capacity of your memory cards. You never know when you might forget to hit STOP RECORD on one of the best shots of the day.

Fans

If you shoot a lot of green screen, or studio production, you will notice that your talent tends to get very heated under those lights. Give them a small personal fan, or have some box fans at the studio to circulate the air so everyone stays happy. Overheated actors are not happy actors… leads to frustration, flustration, and overall sweating, which is never good looking on video.

Leatherman & Other Tools

It’s always smart to have pliers, screwdriver and a pocket knife available for a multitude of tasks. You might need to tighten a light stand, your tripod legs, screw the shoe into your camera, or whatever. You never want to get caught without a means to fix your set when a problem presents itself.

Big Carboard Box Painted White

This will serve three very different purposes. One, it will act as a white balance card. Second, you can bounce light onto a subject, and third you can block light for a subject. Make sure you grab one of those really big boxes (non-glossy) for something like funiture, break it down and tape the ends together so it won’t un-collapse. Then grab a can of white spray paint and put a few coats on it. Viola! You didn’t have spend $50 on a 5-in-1 (although I do recommend having something like that for diffusion.)

Extra Batteries

I can’t stress enough how important enough battery life is, especially if you aren’t going to be able plugin to AC power anywhere. Things like lavalier mics always suck the life out of 9 volt batteries, and your camera can never have enough batteries packed with it. If you can, pick up a battery extender (like this one for the T2i/550D) for your model of camera that takes AA batteries, and pick up a mondo pack of those from Costco if you are going to be out on shoot all day.

Hair Accessories

This is a huge pet peeve of mine, when an actor or actress has hair that hangs over their cheek and a strong light source, natural or not is casting a harsh shadow across their face. Sometimes you just have to give them a hair tie and tell them to pull it back. I Would keep some gel, hair spray, a couple hair clips and hair ties in your bag for just such an occasion.

Zip Ties and Scissors

If you need to bunch cords together, or fix a shirt with a buttom that just broke off… this will work for you. Use those along with scissors to cut the long annoying ends off and its a perfect combo. You can also use those scissors to cut stray threads from shirts that are obtrusive, and just some other general damage control.

Digital Camera

If you are a continuity nazi like I am, this will be a must especially if you talent likes to take frequent water breaks or sits down to rest. There is nothing worse than getting back to the edit suite after a long, tiresome day of shooting and having continuity errors. Use a simple digital camera, or the camera on your iPhone or other smartphone to take a snapshot at the end of the scene so you know where to pick up where you left off.

Powder

Shinyness on an talent’s face is never flattering. It will help if you have some powder from a place like BenNye.com, that you can powder your actor down when they are looking a little shiny. Get rid of those harsh speculars!

If you have some tools, tricks, or maneuvers that you use when you are out on a shoot, we would love to know! Leave a comment below and let us know what your favorite was, or what you would add to the list!

If you enjoyed this post, please give it a vote on Digg or a stumble to say thanks!


How to Make a Cheeky Squirrel using Corel DRAW X3


This tutorial will provide you with an overview of the basic tools and ways of creating images in Corel DRAW. Using a hand drawn sketch as the basis of the illustration, you will create objects using some special tools and learn different ways to work with color.

Continue reading “How to Make a Cheeky Squirrel using Corel DRAW X3”

Watch and Learn: Top 6 Audiotuts+ Video Series

Audiotuts+ is full of great step-by-step written tutorials that teach the art of producing music. We also have a growing number of video tutorials. People learn differently – some prefer to read, others learn better by demonstration. In this article we highlight the Top 6 video series for 2010 so far.


1. Producing Great Sound on Location

You can tell just from watching this video that Jonah Guelzo knows his stuff about both video and audio. This video begins a great series that will be continued in our Premium program. Watch out for the next episode soon.


2. Quick Tips About Setting Up Cubase

In this two-part series, Jean-Philippe Rousseau shows you how to set up Cubase 5 once and for all. Part 1 reviews how to set up the project, devices, and metronome. Part 2 covers file backup, the pan control, and the monitoring mode.


3. How to Use Glitch Techniques

This video from Richard Carrigan accompanies a detailed written tutorial on glitch techniques, including many screenshots and audio samples. The tutorial covers the use of free plug-ins that are available both for Windows and Mac.


4. Quick Tips for Beginner Guitarists

Anthony Britton is producing a great ongoing series of quick tips for beginner guitarists. The first video covers vibrato techniques. The second, how to change strings.


5. Moving Between DAWs

This three part screencast from Mo Volans looks at how to successfully export and move your audio from an existing project in one DAW to another. He uses Logic Pro 9 and Cubase 5, but his techniques work in any combination of DAWs. It’s great to see Mo producing video tuts again, and I’m looking forward to see what he comes up with in the future.


6. Working with Groove-based Samples

This four-part screencast – also from Mo Volans – concentrates on how to rip samples from existing productions and sync them to your current project’s tempo.


7 Quick Tips on Drum Loops

Benjamin Coutts shares seven quick tips about how to get more from your drum loops. He is an Ableton Live user, but the techniques can be used with any DAW. And his tips don’t just apply to drum loops – they can be done on any kind of loop. Enjoy!


Tip 1

Everyone loves to use loops, and I am no exception to that group. So why not try to chop up the loop and rearrange the position of each hit. This can be very useful for creating your own loops with a library drums, and can lead to very exciting things.


Tip 2

After rearranging your drum loop, start thinking about taking your chopped slices and place them into individual audio channels. This will allow you to add effects to your different drum parts without affecting the other drum hits.

The problem with drum loops is that if you want to add an effect to, say the snare, you will also be affecting the kick, hi?hats and what ever else is in the loop, and this can cause problems with your sound overall.


Tip 3

Instead of loading your audio channels with a host of different effects, try to put all your effects into the return channels. The really handy thing about this is that you will be saving a lot of CPU, which allows you to add more effects to certain instruments you are using.

I’m an Ableton Live user and I find that using the returns for effects for your drums can help master the audio of the drums. With Ableton Live I send all my drum hits to different returns, which have effects for each drum, hit. So, in one return I will have all my effects for the snare in one channel as opposed to having loads of effects on each layered snare hit.


Tip 4

Don’t just rest with the one kick, or snare hit. Double or triple up the drum hits. The more layering you have the bigger the sound your going to get, which is what most people look for in genres like drum and bass and dubstep.

You might be able to get away with having one layer in minimalism, but most of the time is best to layer up everything.


Tip 5

Don’t be afraid of adding a different drum pattern to your songs. The band/DJ the Prodigy have underlining drum patterns, which give a little more complexity to their drums.

For example, “Fire Starter” has its main drum beat, but it also has a break beat drum loop in the background. This is very common in Break Beat and Glitch.


Tip 6

With your chopped up drum hits you can now add a simple glitch effect with transposition. With Ableton Live you can transpose each drum hit, but remember that each transposition needs to be a multiple of the one before to make it sound in sync.

Say you transpose a drum hit down three semitones, the next one would be ?6, or ?9, or +6, or +9. Now this isn’t a set in stone rule, it’s just a good guideline to start off with.


Tip 7

One thing that is unique to Ableton Live is the ability to take your audio sample and slice it to a new MIDI track. By doing so you can change the arrangement of the drum loop and come up with your own loop.

When slicing the audio loop your not just confined to changing the arrangement but you can also change the way the drum hits sound. You can alter the envelope and add sustain, attack, decay and the release.


Conclusion

Well, that concludes my tips on the many different ways you can look at drum loops. Now some of the tips I have explained with the idea of people using Ableton Live, but of course you can use any DAW with these tips. I hope you have enjoyed reading through and get inspired to do some awesome things with your loops.

Bye everyone, until next time.


Psdtuts Presents Exclusive Wallpapers by Jennifer Cirpici


Another extremely talented designer by the name of Jennifer Cirpici has volunteered to create two exclusive wallpapers for the readers of PsdTuts+. This months exclusive wallpapers feature something for everyone, on one hand we have a beautiful scenery shot with lots of bright colors, and on the other we have something more textured and rough with lots of interesting paint effects. So make sure to check this out, download the wallpaper and then view Jennifer’s other art.


Exclusive Wallpaper – Breaking Canvas

I always wanted to make a Digital Artwork with a lot of bright colors because colors are associated with happiness. This is a promotional poster for my portfolio website. The concept behind this is that the guy you’re seeing doesn’t want to be stuck in a canvas like the animals but wants to jump out of it, into the freedom, not being tied to strict rules. I always work with a concept; I want my work to be more than just something you can see on the screen but also something to think about, to inspire people.


Exclusive Widescreen Wallpaper – What Guys Dream Of

For this illustration, I was inspired by Zach Bush and his matte paintings. The concept about this piece is brought out from books like ”Where is Waldo?” I wanted to create this surreal landscape with a woman in it, to see the woman you really have search for it. I made this with my wacom Intous 3 tablet and Photoshop, using different stocks on sxc, crestock, and cgtextures.


Some of Jennifer’s Other Work


Special Thanks to Jennifer

Once again I’d like to thank Jennifer for participating and giving the readers an awesome new wallpaper for their desktops. Please make sure to visit Jennifer’s portfolio and check out some of her great art.

Also stay tuned for some more exclusive high quality wallpaper projects in the near
future!

Create a Graffiti-Inspired Illustration Using Photoshop and Illustrator


Photoshop and Illustrator compliment each other in many ways. Today we will demonstrate how you can use them in tandem to draw and color a graffiti-inspired illustration. Let’s get started!


Before You Begin

Before you begin, it’s always good to do a bit of planning. For graffiti art, do some research and keep it in mind when you begin planning out your sketch. Use thicker lines for the outline, thinner lines for the inner details, and wispy lines for more defined creases.


Step 2

Sketch out a drawing and scan it at 300 DPI. When you’re finished, go ahead and make a new document in Illustrator. Go to File > Place and place your image on the canvas.

Step 2


Step 3

Use your favorite brush to do the thick outline of your character and add in the face’s main details such as eyes, mouth, ears and nose. I changed up the eyes and nose for a more flowing appearance. The brushes I used are just the default circles.

Step 3

Step 3


Step 4

To add a more Graffiti look to your piece, you’ll create five brushes of your choice but keep in mind to make sure they have some sort of point at the end, and also make one white. Now use these brushes to trace the lines of your sketch.

Step 4

Step 4

Step 4


Step 5

Once you’ve traced your sketch, it’s now time to start adding in the details. I’ve added speckles to the tongue, eyebrows and neck while adding rough lines to parts of the piece. I also decided to add white highlights to it so it would balance out the dense look. Once you’ve finished with the line art, save this Illustrator file and bring it in to Photoshop to add color. You could do this in Illustrator if you wanted to but for the purposes of this tutorial we will do it in Photoshop.

Step 5


Step 6

Now open up your lovely file in Photoshop. First, I choose where and how I’m going to incorporate my base colors in my piece. I decide to make the outline a darkish brown, while highlights and coloring will be a mix of light brown and blue. I start by holding down Cmd/Ctrl and clicking on my line art layer to make a selection. With the selection still active, delete the line art layer, make a new one and fill it you’re your desired color.

Step 6

Step 6


Step 7

Next, choose your base color. For mine, the face will be colored a light brown. First, make a new layer underneath the line art, then take the Magic Wand Tool and select the whole inside of the face. Go to Select > Modify > Expand and expand the selection by 1 or 2 pixels. This is so we won’t have ugly spaces between the coloring and the outline while keeping a smooth appearance. Repeat until every space of this color is filled in, which should only be the parts you’ve decided will have it.

Step 7

Step 7

Step 7


Step 8

Go ahead and choose a slightly darker version of the base color you used, we will be adding the shadows. Pick places where you think shading would look best and use the pen tool to create fills.

Step 8


Step 9

Take your third color, which will be for filling certain areas of the piece and making it more colorful. As I said, I chose a blue in which I colored places like Eyebrows, tongue, and certain places of the neck. Remember to add a darker shade of blue for shadows in these areas as well.

Step 9


Step 10

I chose to put more highlights in this piece, which usually gives it a more vibrant and detailed look. I decided to put blue highlights under the line art in creases to add to the appearance.

Step 10


Step 11

Color in everything else you’ve missed, but remember to balance the colors evenly throughout the whole piece.

Step 11


Step 12

We can’t just have a plain background, right? Add a gradient to the background. I chose white and blue, the same colors I used for shading.

Step 12


Step 13

To outline the figure, flatten your coloring layers and outline together to form one layer, which you can easily do by just Right Click > Merge Down. Next Cmd/Ctrl + Click on that layer and go to Select > Modify > Expand and expand by 8 pixels. Make a new layer underneath your character and fill it with white.

Step 13


Step 14

Take your pen tool and start drawing the desired shapes underneath both the white outline and figure layers. Then fill it in with a color in sync with the rest of your piece. You can keep adding to this layer until you achieve a desired result. One thing to keep in mind though, background effects for single illustrations always make it look more appealing.

Step 14


Final Image

I’m very pleased you’ve read through the whole tutorial, and hopefully you got some needed tips on how to make a full-blown illustration in the Graffiti style. There are tons of different versions of this style, but I wanted to share my own with all of you and the process I go through. Make sure to keep experimenting and make up your own crazy elements to which you could take to the streets!

Final Image

Flash CS5 for Designers: Using TLF Text as a Button

It should come as no surprise that you can use TLF text as a button to kick off an event in your movie. For example, you could have a text block on the stage that talks about a visit to Times Square in New York, and when the user clicks the phrase Times Square, a photo appears on the stage. In this example, you are going to click some text, and a yellow star you will create on the stage starts spinning.

The following is an exercise from Foundation Flash CS5 For Designers by Tom Green & Tiago Dias.
 
If you’re feeling lucky, enter the Activetuts+ competition to win 1 of 3 signed copies! (Of course, you can always purchase one from FriendsOfEd..)

Step 1: New Document

Open a new Flash ActionScript 3.0 document, and save it as TLF_eventLink_AS.fla. Change the name of Layer 1 to Star, and add a new layer named actions.


Step 2: Select Polystar Tool

Click once in the first frame of the Star layer. Click and hold on the Rectangle tool on your toolbar, and select the Polystar tool.


Step 3: Mellow Yellow

In the Properties panel, twirl down the Fill and Stroke properties and set the Stroke value to None and the Fill value to Yellow (#FFFF00).


Step 4: Star

Twirl down the Tool Settings, and click the Options button to open the Tool Settings dialog box shown in Figure 6-26. Select Star from the Style drop-down, and enter 5 for the Number of Sides. Click OK to close the dialog box.

Use the PolyStar tool to create stars.


Step 5: MovieClip

Draw a star somewhere in the bottom half of the stage, convert it to a movie clip named Star, set its registration point to Center, and in the Properties panel give the Star movie clip the Instance name of starMC.


Step 6: Actions

Click the first frame of the actions layers, and open the Actions panel. When the panel opens, click once in the Script pane, and enter the following code block:

var containerSprite:Sprite = new Sprite();
this.addChild( containerSprite );
containerSprite.x  = 25
containerSprite.y = 50;

A Sprite is a virtual movie clip with no timeline. We start by creating a Sprite named containerSprite, which will be used to hold the text. The reason we need this is because there is going to be some interactivity involved. This Sprite is placed 25 pixels from the left edge of the stage and 50 pixels from the top.


Step 7: Configuration()

Press the Enter (Windows) or Return (Mac) key twice, and enter the following code:

var container :ContainerController = new ContainerController( containerSprite, 400, 300);</p>var config :Configuration = new Configuration();
var charFormat:TextLayoutFormat= new TextLayoutFormat();
charFormat.fontFamily= "Arial, Helvetica,_sans";
charFormat.fontSize = 14;
charFormat.color = 0X000000;
charFormat.textAlign = TextAlign.LEFT;
config.textFlowInitialFormat = charFormat;

Nothing new here. The container for the text is created along with the Configuration() object, and the formatting for the text to be placed in the container is created.


Step 8: linkHoverFormat

Press the Enter (Windows) or Return (Mac) key twice, and enter the following:

var textFlow :TextFlow = new TextFlow();
var p :P aragraphElement  = new ParagraphElement();
p.linkHoverFormat  = { color:0XFF0000 };
p.linkNormalFormat = { color:0x0000FF,textDecoration:TextDecoration.NONE };

The last two lines are new, and their purpose is to let you change the color of a word or group of words when the user rolls over them. The linkHoverFormat property belongs to the TextFormat class and is used to tell Flash what color the text identified as a link will be when the mouse rolls over it. In this case, the color will change to Red.

As you may have guessed, the second line tells Flash what color the link is to be when the mouse rolls off. In this case, it will be blue. Naturally, links are traditionally underlined. The way the underline is removed is to use the NONE constant, which is part of the TextDecoration class. If you want the underline, it would be TextDecoration.UNDERLINE.

The next step in the process is to tell Flash what to do when the colored text is clicked.


Step 9: Click

Press the Enter (Windows) or Return (Mac) key twice, and enter the following:

var link:LinkElement = new LinkElement();
link.addEventListener(FlowElementMouseEvent.CLICK, linkClicked);

There is, of course, nothing to click. Let’s deal with that issue.


Step 10: Span

Press the Enter (Windows) or Return (Mac) key a couple of times, and add the following:

var linkSpan:SpanElement = new SpanElement();
linkSpan.text = "Click here" ;
link.addChild(linkSpan);

var span:SpanElement = new SpanElement();
span.text = " to see your star spin on the stage";
p.addChild(link);
p.addChild(span);

The next step is to get the text flowing into the container.


Step 11: Spin

Press the Enter (Windows) or Return (Mac) key, and add the following:

textFlow.addChild(p);
textFlow.flowComposer.addController(container);
textFlow.flowComposer.updateAllControllers();

The final code bit is the function that gets the star spinning when the text is clicked. Enter the following:

function linkClicked(evt:FlowElementMouseEvent) :void{
   evt.preventDefault();
   var tween :Tween = new Tween( starMC, "rotation", Elastic.easeOut, 0, 180, 2, true);
}

The first line of code tells Flash to ignore any default settings there might be in regards to the mouse and the text in the container.

The magic happens in that second line. The parameters tell the Tween class to work with the rotation property of the star (starMC) and to apply an easeOut to the star when it finishes rotating. Naturally, Flash, being stupid, needs to be told that the rotation starts with the star at 0 degrees and to rotate across 180 degrees. It does this two times and uses seconds as the measure of time.


Step 12: Error Checking

Click the Check Syntax button as your first skim through the code looking for errors. If there are none, your computer will ding. If errors are found, they will be shown in the Compiler panel. The most common error will be spelling or a missing import statement.

Here’s a quick tip. If a class doesn’t show up as an import, the Compiler panel will tell you the property is undefined. Select the class in the code where it appears, and delete the text. Type in the first two letters of the class, and press Ctrl+spacebar. The class will appear in the resulting code hint. Double-click the class to add it back into the code. This also creates the missing import statement.


Step 13: Save and Test the Movie

The text is colored. When you click the mouse, the star spins. A completed version of this file is included with the source download.

Import Statements for This Exercise

These are the import statements for this exercise:

import flash.display.Sprite;
import flashx.textLayout.container.ContainerController;
import flashx.textLayout.elements.Configuration;
import flashx.textLayout.formats.TextLayoutFormat;
import flashx.textLayout.elements.TextFlow;
import flashx.textLayout.elements.ParagraphElement;
import flashx.textLayout.elements.LinkElement;
import flashx.textLayout.elements.SpanElement;
import flashx.textLayout.events.FlowElementMouseEvent;
import fl.transitions.Tween;
import flashx.textLayout.formats.TextDecoration;
import fl.transitions.easing.Elastic;
import flashx.textLayout.formats.TextAlign;

Introduction to Smoke/Fire Simulation in Blender 2.5 – Day 5

In the final part of his hi-res flame setup, Gottfried Hofmann, the man behind the official Blender smoke/fire documents, continues his look at smoke and fire simulation techniques within Blender 2.5 by adding in the scene camera and compositing together the final product. Prepare to be amazed at just what Blender can do for free!


Video 1

Download

Note: click the ‘Monitor’ icon to view tutorial in full-screen HD.

The Screencast Key Status Tool used in this tutorial is available here.


This tutorial is Day 5 in a series – Go to Day 1, Day 2, Day 3, and Day 4.


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The #1 Way to Stay Motivated

There have been a few different articles on WorkAwesome about how to stay motivated, from musical motivation to motivational quotes, but according to this report from the Harvard Business Review’s Breakthrough Ideas of 2010, the number one way to stay motivated is to have a clear sense that progress is being made.

Sense of Progress = Feeling of Motivation

The findings were based on information received from 12,000 end-of-day diaries, and after reviewing the content, the researchers were able to measure the relative motivation of the workers.

When the workers said they were having their very best days, these were the 5 factors that influenced their level of motivation the most.

  1. Making progress = 76%
  2. Collaboration = 53%
  3. Organizational Support = 43%
  4. Interpersonal support = 25%
  5. Doing important work = 19%

The funny part about this report is the management was asked to rate what they felt the most important factor for motivation was, and they determined it was recognition for good work.  A sense of progress came in as the least important factor, in their opinion.

So if you are a manager, talk to your team and find ways to remove the barriers preventing them from moving the project forward.  If you’re a worker, share this report with your manager, so they can see that what they may think is motivational is not quite as important as getting the job done.

5 Ways to be Financially Fit

Let’s face it—no matter how much you might love your job and enjoy going to work every day, when it comes down to it, you rely on your profession to pay the bills and support yourself and your family. Though you may not be in your ideal salary range just yet, if you’re financially fit–responsible with your spending and mindful of how much you have in your accounts–you should still be able to cover your expenses and hopefully have something left over at the end of each month.

Sounds easy, right?

From poor work performance to fighting with a spouse, your financial health can easily affect every area of your life.  Household finances top the list of sticking points for many couples. Marriages have ended, jobs and homes have been lost, and folks have committed suicide because of money woes.  Bank accounts have been wiped out and credit ratings have been ruined because of overspending and financial irresponsibility.  If you have trouble managing your finances, it won’t matter if you earn minimum wage or a six-figure salary—if you don’t know how to handle money, you’ll always feel as though you’re scrambling to pay off your debt and peace of mind will seem a long way off.

More companies have started offering financial literacy workshops to employees as part of their corporate wellness programs to help individuals get a better grasp of their spending habits.  In today’s shaky economic climate and stagnant job market, it’s more important than ever to make your salary go as far as possible.  Below are a few tips to improve your financial fitness:

1. Develop a budget.

Getting a handle on your finances starts with taking a hard look at where your money goes and seeing what you can reduce or cut out completely.  Sit down with your bills and see what you pay for everything each month.  Account for your basic living expenses first, then see what you accumulate in “extras”—your morning coffee fix, dinners out, vacations, etc.   When you see your expenses laid out in black and white, it’ll be easier to see where you can cut back.  You might be surprised at how much you’re forking over for things you can easily do at home for much less money.  Invite your friends over for a nice dinner rather than go out.  Brew your own coffee—splurge on a gourmet brand if you must, but use it sparingly and make it last.  Trim your shopping habits.  Instead of hitting the mall for some new things, dig into your closet.  You probably have more than a few things in there you’ve forgotten about or have never worn.  Get out the iron and start putting together some new outfits.  No one will ever know you got those pants three months ago.

2. Open a savings account.

I’m always surprised to hear how many people I know do not have any type of savings account.  They’ve either never had one, or whatever money was in it is now long gone.  I think of my savings as a safety net, and don’t dip into it unless absolutely necessary.  I reserve that account for larger one-time purchases rather than a regular source of cash flow.  Try to set aside a little bit from every paycheck for your savings account and resist any urge you have to withdraw funds from that account.  Let it accumulate and keep it as your nest egg for emergencies.

3. Don’t rely solely on credit cards.

One of the biggest mistakes people make is paying for everything with plastic. Use the card for larger, one-time purchases, such as some new furniture or a vacation.  Many people start running into trouble when the bill comes and they see their interest payment.   The longer you put off writing a check, the more interest you’ll accumulate.  This is how credit card debt can easily snowball.  Pay those credit card bills, even if you can only manage a minimum payment every month.  Apply for a store credit card only if you’re sure you’ll be able to pay the balance due.

4. Pay your bills on time.

No one likes to see the window envelopes filling up the mailbox, but sadly, bills are the reality of life.  Budget enough to cover your expenses every month, even if it means putting off that new pair of shoes you’ve been eyeing for months or the new iPhone you were planning to buy.  The electric company doesn’t care about your newest gadget or how cute your shoes might be—they care about you keeping your power on (and you should, too).

5. Live at – or below – your means.

This is really the key to smarter spending. Once you’ve listed all of your expenses and have devised a budget, it’s important to stick to it.  If you have a weakness for brand name or high-end anything, wait for end-of-season sales or seek out deals online.  Of course everyone wants the best of everything, but the reality is that many people simply can’t afford it and often dig themselves very deep into debt trying to maintain that sort of lifestyle.

There are a lot of resources out there to get you going on the path to better finance. Share any tips or strategies you’ve put in place in the comments.