Sn0wBreeze 2.0 to Jailbreak iOS 4.1 on iPhone 3GS, 3G and iPod Touch Releasing Tomorrow (Wednesday)

Sn0wbreeze 2.0 to jailbreak iOS 4.1 on iPhone 3GS, 3G, 2G and iPod Touch 3G, 2G and 1G will be out tomorrow (Wednesday). Sn0wBreeze 2.0 will jailbreak iOS 4.1, iOS 4.x and iOS 3.1.x.

Sn0wbreeze 2.0

Sn0wbreeze 2.0, just like PwnageTool, creates a custom firmware for your iPhone, iPod Touch and jailbreak them without updating iPhone baseband and allows you to unlock iPhone with UltraSn0w then. But unlike PwnageTool it works in Windows OS only.

Sn0wBreeze 2.0 will Support:

  • iPhone 3GS (New Bootrom): Must be running iOS 3.1.2 + Jailbroken
  • iPhone 3GS (Old Bootrom): Must already be Jailbroken (If jailbroken using Spirit or JailbreakMe, install Spirit2Pwn from http://repo.woowiz.net)
  • iPhone 3G
  • iPhone 2G
  • iPod Touch 3G: Must be running iOS 3.1.2 + Jailbroken
  • iPod Touch 2G (MC Model): Must be running OS 3.1.2 + Jailbroken
  • iPod Touch 2G (non-MC Model)
  • iPod Touch 1G

NOTE: iPhone 4, iPod Touch 4G and iPad support will be added once SHAtter exploit is out.

We’ll keep you posted as soon as Sn0wbreeze goes live along with step-by-step instruction on how to jailbreak iOS 4.1, 4.0.x and OS 3.2.1 on iPhone 3GS, 3G, 2G and iPod Touch 3G, 2G and 1G. via [iedicate]

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Automatically Backing Up Flash-Drives With SilverKeeper

With the use of tiny USB flash-drives becoming increasingly common in our lives, it is scary how heavily we rely on these not so reliable storage devices. They can go missing, get stolen, or just pack it in and die. And if you haven’t backed up all your files from it, then this can be really devastating.

But few people remember to regularly backup so here’s an easy tutorial on how to get your computer to automatically backup your flash-drive for you. Following this, you should be able to rest assured that everything is safe. This how-to uses SilverKeeper, a free backup application made by Lacie.

This article will also show you how to make backups happen as soon as you mount your flash-drive using Do Something When, and a basic Automator workflow. Without further ado, let’s get started!

Setting Up SilverKeeper

Download the free SilverKeeper from Lacie and open it up. If you’ve never used it before, you should be asked if you’d like to use the setup assistant. Just click ‘Later’ as I’ve found it much easier just to do it manually.

You’ll now see the SilverKeeper window. Basically the application takes all the files from the Source folder you select on the left, and copies them into the Destination folder you choose on the right.

Click on the ‘New Set…’ pull down menu and click ‘New Set…’ Navigate to your flash-drive and choose it. You should then be prompted to pick your Destination. I would recommend creating a new folder inside your Mac hard drive just for flash-drive backups, and choosing this.

Be careful when choosing the Destination for backups. You need to make sure you choose an empty folder to backup into, to ensure than you don’t overwrite or lose anything you don’t want to.

Creating a New Set

Creating a New Set

Once you’ve set the Source and Destination, hitting the big ‘Go’ button will initiate the backup. Simple!

Pick Your Source Destination

Pick Your Source Destination

Schedule & Settings

In the section at the bottom of the SilverKeeper window are some tabs to explore. The Status tab gives you a basic run down on what it’s been up to.

If you’d like to set it up to run the backup on a regular basis, click on the Schedule tab and tick ‘Scheduled Backup’. You can set how often you want it to backup, and when. When the next backup time arrives, SilverKeeper will launch itself and run the backup.

Getting Into a Schedule

Getting Into a Schedule

The options tab holds some important features; you can set SilverKeeper to keep a set number of backups by ticking ‘Copy Set to Folder’ and entering in the amount you’d like. This is useful if you realize you need to revert something to how it was a few backups ago. Leaving ‘Never Remove Files’ unchecked means that if you delete a file from the Source, it will be deleted from the Destination upon next backup.

The Exceptions tab lets you inform SilverKeeper of any files you don’t need backed up, or of files in the Destination that you don’t want deleted.

True Automation

There is a problem with scheduling backups. Being so portable, a flash-drive may not always be plugged in when SilverKeeper tires to do it’s thing. When this happens, SilverKeeper will let you know that the backup failed. It becomes your job to manually do it next time you connect the flash-drive unless you wait out for the next scheduled backup.

But there is a solution. If you don’t always have your flash-drive in your computer at the same time each day or week, read on to learn how to automatically trigger backups each time you mount your flash-drive.

Step 1: Download Do Something When

First, we’re going to be downloading another application for this, called Do Something When. This application sits in your System Preferences, and as the name suggests, it triggers an action when something else happens. We want to trigger the backup each time you mount your flash-drive. Once downloaded, install it so that it’s ready for later.

Step 2: Automator Workflow

Now to make the action that is triggered, Automator is the way to go. Fire it up from your applications folder, and drag the action ‘Launch Application’ from the library on the left into the workflow on the right. Click on the pulldown menu to find SilverKeeper.

So far, this workflow will just open SilverKeeper for us. Now we want it to press the go button. Because there appears to be no way to manually trigger backups in SilverKeeper other than physically clicking ‘Go’, we need to record ourselves doing this in Automator. Make sure you’ve got both the SilverKeeper window and the Automator window visible, and click the red ‘Record’ button in the upper right of Automator.

Now as quickly as you can, move the mouse and click ‘Go’ in SilverKeeper, and then the Stop Recording button in the black floating window that appears. It wouldn’t hurt to drag the Playback Speed slider all the way up so that everything happens fast on the new workflow segment that appears.

Your Automator Workflow

Your Automator Workflow

That’s it! Workflow complete. Give it a test by pressing the ‘Run’ button and see if the curser clicks ‘Go’ and initiates backup. From the menu go File > Save As… and save it as an Application.

Step 3: Linking It All Together

Open up the Do Something When preference pane inside the System Preferences, and enter in a rule name down the bottom such as “Flash-Drive Backup”. Next to ‘When’ find your flash-drive, and chose ‘Mounts’. Beside ‘What’, choose ‘Open’ and then locate that automator application you just saved. It may be a good idea to enter in a short delay.

Now press ‘Save’, hit the ‘Start’ button at the top, and check ‘Automatically Start on Login’.

Do Something When

Do Something When

Conclusion

Provided everything worked smoothly, your flash-drive will be backed up automatically every time you connect it to the computer, to the location you set in SilverKeeper. This is a great method for ensuring that if you do ever loose it, your backed up work should be safe and pretty up to date. You can of course use SilverKeeper and Do Something When with other types external media as well if you need to.

Let us know if you have any questions or comments on backing up your flash-drives below, and I hope you find this useful!


Cockpit: The Command Center for Your Mac

Have you ever wanted a fully featured command center for your Mac, allowing you to create a iCal event, control your iTunes library, or anything else? How about an application that lets you map all those commands to keyboard shortcuts, giving you access to them with only a few keystrokes?

Cockpit for Mac is all that and more. Cockpit is the perfect way to control all your applications and increase your productivity. Easily manage and add new commands with the built-in Actions builder, which uses Apple’s Automator style drag and drop to make both simple and complex actions.

Getting Started

Installing Cockpit is as simple as drag and dropping it into your Applications folder. It runs in your menu bar using a tiny amount of your CPU and only about 70MB of RAM. Click on the little Cockpit symbol in your menubar to bring up the control menu. Use the drop-down menu to change from application to application, even control system commands like opening System Preferences, shutting down the machine, or bringing up the Force Quit menu.

Cockpit’s real functionality comes into play with the ability to add more applications and actions. Using the Actions builder, you can build something as simple as launching a new application, or as complex as batch resizing and renaming an entire folder of pictures.

Control Has Never Been So Easy

Cockpit comes preloaded with support for iTunes, Safari, iCal, Mail, iPhoto, Keynote and system settings. While this might be enough for some, the developers included the ability to add all kinds of new controls into the application.

Three Cockpit Controls

Three Cockpit Controls

Creating a new set of controls is really easy. Opening Cockpit and clicking the gray gear will show a drop-down menu of options. Select Manage Control and you will brought to a menu for customizing the pre-set controls that come with the application:

Safari Controls Menu

Safari Controls Menu

Creating Your Own Controls

Clicking the plus sign at the bottom creates a new set of controls. Start by clicking Actions and the app will launch it’s Actions builders.

Cockpit uses the same action interface as Automator, allowing you to select the commands you want and drag them onto the main builder window. You can customize options for each action and use multiple actions to make a complex workflow.

Creating a New Control

Creating a New Control

Drag the Get Specified Servers and Connect to Server actions to make a script that will connect to specified servers and prompt you to login.

Once you have your finished actions, you can try testing it or just click OK to return to the previous screen. While using Cockpit, I was able to build several actions for connecting to servers, creating and exporting a screen recording, and batch resizing a collection of photos.

Don’t worry if you don’t understand how to create new actions in Cockpit. The developers have an online gallery of several useful pre-made sets of Controls. Here are a few of my favorite Cockpit Controls from their online library:

  • Capture Control by Steffen Romberg
  • Clean Up Control by Steffen Romberg
  • Adium Control by Raj Shah
Controls Library

Controls Library

Keyboard Shortcuts

Cockpit has full support for keyboard shortcuts, allowing you to easily map certain actions like setting your computer to sleep, creating a new event in iCal, or pausing iTunes. Even custom-created workflows can have keyboard shortcuts set, which will increase your productivity no end!

Capture Control - 3rd Party Control

Capture Control – 3rd Party Control

Setting these shortcuts entails opening Cockpit, clicking the gray gear, and clicking Manage Controls. The Manage Control menu allows you to customise the pre-made and self-made controls. Select an application from the sidebar and scroll down until you find the command you wish to map to a keyboard shortcut.

From there, you can record any shortcut for wish (as long as it isn’t already used by something else). I tend to map my main actions like creating a new event in iCal, opening a new mail message, or adding another Safari window, to the command key and the number keys.

Whatever your shortcut may be, map it to something that you’ll remember, or else all this will have been for nothing! You can always go back to this menu to remember which key you set for each action.

Conclusion

Cockpit is great for power users who want the ability to control several different applications with keyboard shortcuts or a quick click of a single menu.

Photographers can use the Controls creator feature to create a workflow that would automatically crop, resize, and rename any new pictures in a certain folder, and be able to launch that workflow by pressing only two keys. Office workers can create a workflow actions allowing them to connect to a group of servers and open work related applications when they push a button in Cockpit.

I loved the Automator-style action builder, which made it simple to build complex actions. The user interface is stunning, giving it a futuristic look and feel. The only thing I feel needs minor improvement would be icon picker for new controls. It only supports image files and when you try to add an application, it doesn’t grab the default icon file which is inside every application. Adding this feature would make it easier for users to add controls for non-included applications.


Weekly Poll: Is iTunes Succumbing to Feature Bloat?

Whenever Apple announces a new feature or application update, there’s always a huge amount of commotion and furious opinion sharing. iTunes Ping was one such feature addition, aiming to broaden iTunes into a social network for music.

I think Apple is really starting to stretch the limits of what iTunes is capable of. What started as a simple application for collating your music library now stores TV Shows, Movies, and Podcasts as well, is a full-fledged music and video store, your iPod/iPhone/iPad sync tool, your Apple TV counterpart, an App Store, online radio player, and – now – a social network as well. Phew!

Almost all the software tools I love and use every day on the Mac succeed because they do one thing remarkably well. Simplicity is the absolute key for a successful piece of software, and Apple themselves know this. Most of their software for the Mac and iOS leaves out many features that are packed in by competitors (consider the one-button simplicity of the iPhone camera app, for instance).

My question for you today centres around your thoughts on iTunes Ping. Is this a valuable service for music lovers, or have Apple finally succumbed to the perils of feature-bloat?


Quick Look: Wondershare Web Gallery

Quick Look posts are paid submissions offering only a brief overview of an app. Vote in the polls below if you think this app is worth an in-depth AppStorm review!

In this Quick Look, we’re highlighting Wondershare Web Gallery for Mac. The developer describes Wondershare Web Gallery for Mac as the best solution to make professional Flash web photo gallery on Mac, remaining easy to use without any Flash programming knowledge.

With the built-in templates you can combine your photos and music into a 3D flash gallery, web photo album, or Flash movie slideshow in 3 simple steps. Read on for more information and screenshots!

Screenshots

Screenshot 1

Screenshot 1

Screenshot 2

Screenshot 2

About the App

Here are the top five features you can expect to see in the latest version:

  • Style your photo slideshow with various free 3D and general templates
  • Apply multi-albums to organize and show photos with different categories
  • Share on MySpace, Blogger and other sites instantly
  • Enhance picture quality with built-in photo editing tools
  • Add captions, description & hyperlinks to photos

We also have a 30% off discount link for AppStorm readers!

Requirements: Mac OS 10.5 or above, Intel Core 2 Duo 2.4 GHz, 1 GB RAM or higher

Price: $59.95

Developer: Wondershare Inc.

Vote for a Review

Would you like to see us write a full review of Wondershare Web Gallery for Mac? Have your say in our poll:

Would you like to see Wondershare Web Gallery reviewed in-depth on AppStorm?Market Research

Quick Look posts are paid submissions offering only a brief overview of an app. Vote in the poll if you think this app is worth an in-depth AppStorm review! If you’re a developer and would like to have your app profiled, you can submit it here.


Effects of NextGen Gallery Not working?

I was developing a customize WordPress Theme, as per requirement i have installed NextGen Gallery plugin of WordPress, Plugin was working pretty fine, but when i add gallery in widgebar and pages, i noticed that my NextGen gallery effects (ie. thickbox, lightbox) not working. When you clicked on an image it would link you directly to the jpg image. I was getting very frustrated and done lots of research why it is not working, i make it running by including CSS and JavaScript in header.php of template file, but i want a solid solution for this, after some research it turns out I was missing a very important line of code in theme header.php. I needed to add the PHP code “wp_header();” to header.php.
Add This Below Code in your header.php

<?php wp_head(); ?>
This creates a space for WordPress to add code into your header.   NextGen gallery adds the javascript and CSS links automatically there. If you are having the same problem try added the header code to your theme.


Recreate Your Own “Tron” Title Opener – CG Part

This tutorial explains how to make a Flying logo with “Tron Legacy” style, using Cinema 4D and After Effects.

In this first part we will make modeling and animation of the logo, will follow the second part in After Effects for realization of the scenario and final compositing with the tron neon motorcycles. Good Vision ;)


Tutorial

Download Tutorial .flv

File size 486MB

Additional Aetuts+ Resources


How to Create a Fancy Gift Bow using Adobe Illustrator


In this tutorial you will learn how to create a realistic image of a gift bow using the Mesh Tool. With many uses including greeting cards, designs and even web banners, I’m sure you’ll find many uses for this fancy ribbon. You will also learn many helpful tips on how to use the gradient mesh to make conical gradients. Let’s get started!

Continue reading “How to Create a Fancy Gift Bow using Adobe Illustrator”

Workshop #122: Becoming One by Ganesh Rao

At Audiotuts+ we regularly put up a reader track for workshopping and critique (find out how to submit a track). This is how it works: you upload your song, and every week or so we’ll publish one here and step away from the podium. The floor is yours to talk about the track and how the artist can fix problems in and improve upon the mix and the song.

This track has been submitted for your friendly, constructive criticism. They have put their track (and their heart and soul) in your hands to learn and get useful feedback.

  • Do you enjoy the song or track itself? Does it have potential?
  • Can the arrangement be improved?
  • How did you find the mix? What would you do differently?
  • What do you enjoy about the rhythm track? What can be done to improve it?
  • Is the choice of instruments relevant and effective for the style/song?
  • Are the lyrics (if any) effective? Does the style, arrangement and genre of the song suit them?
  • Can you suggest any specific techniques that might improve the track?
  • Do you have any other constructive feedback?

Becoming One by Ganesh Rao

Artist’s website: ganeshnrao.com

Description of the track:

“Becoming One” is a soft rock song that I wrote, composed, performed. I recorded it using GarageBand, where I programmed the drums using the Drumkit From Hell plugin. I used an AKG 420 to record my vocals, and acoustic guitars. For the electric guitars I used my Jackson Dinky guitar with Guitar Rig 3. Hope you enjoy this!

Download audio file (03BecomingOne.mp3)

Terms of Use: Download this track for free.

Have a listen to the track and offer your constructive criticism for this Workshop in the comments section.


Submit Your Tracks for Workshopping

Need constructive criticism on your own tracks? Submit them using this form.


Mastering Elements Part 6: Export and Dithering

In this series we’ve covered just about every process used in a typical mastering chain from buss compression and mastering equalisers right through to stereo enhancement and brick wall limiting. Now as we come to the end of the process we’ll take a step by step look at how to export your master ready for distribution.

Although the screenshots in this tutorial maybe from a few different DAWs the techniques used are 100% generic and can be used in any software. I haven’t included any audio clips here as these techniques are mainly related to workflow and extremely subtle audio treatments. Think of this more as a final checklist for your mastering sessions.


Step 1: Check Your Gain Structure

It may seem obvious but you need to ensure that nothing is clipping at any stage in your mastering chain. So right from the actual mix or file your are using, through the entire plug-in chain and finishing with the final output, there shouldn’t be a clip light or over in sight.

A few of these might slip through the net in the mixing stage but it’s crucial that they don’t appear when mastering. Maintaining a super clean signal is crucial here.

Checking the gain structure in Record’s mastering chain.


Step 2: Check Your Settings

Next up perform one last check of your plug-ins settings. When doing this it’s a good idea to listen to your master with specific treatments bypassed and then activated. This will allow you to hear how much processing is being added. Sometimes things can get out of hand and too much processing is never a good thing.

Also look out for rogue settings that have crept into your chain. Sometimes you may find that you have experimented with something extreme or unusual and left it switched on. Now is your last chance to catch any mistakes like this, so it pays to be thorough.

Some more complex plug-ins may need one final check before exporting.


Step 3: Check Your Output and Dynamic Range

Before you move onto actually exporting your final master check your final output level. If your limiter is set correctly then everything should be taken care of and you should be experiencing no overs or clipping at all at this stage.

If you are new to the area of mastering limiters you can check out Part 5 of this series to get a good idea of what you should be doing. Simply put you should check that there are still some dynamics in your mix. Too much limiting will squash the life out of your master and give you an ear bleedingly loud result.

A dedicated dynamic range meter may be worth using.


Step 4: Applying Dithering

We are now ready to export the master. In most DAWs you will now be presented with a number of options. Some applications will offer more features than others here but there are always a few key things to look out for, one of these is dithering.

Pretty much every DAW out there will feature dithering options and it’s something my students ask about a lot. Simply put dithering is a process used when moving to lower bitrates. For example if we are working at 24-bit (either at the mixing or mastering stage) we will need to move to 16-bit. This is so our final master is suitable for MP3 conversion and burning to various media.

The move from 24 bits (or higher) requires a fair amount of digital data to be removed. In normal circumstances this would result in a lowering in quality but dithering uses various complex algorithms to ensure that what you hear in your final master is nearly identical to that of your 24-bit premaster.

The whole process is pretty clever and there are a number of different algorithms floating about between the various DAWs. You may see Pow-r or Apogee dithering options, or your chosen application may simply have a dithering on or off option. Some applications, such as Cubase, rely on plug-ins that are inserted in your mastering chain to perform their dithering. Whatever the options presented to you its worth knowing a few tricks.

Cubase 5 includes an Apogee dithering plug-in out of the box.

If you are already working at 16-bit then you don’t have to dither, only use the dithering feature if you are moving from a higher to lower bit depth. Also only apply dithering once in the whole mixing and mastering process. So from the tracks conception to the final master there should only be one round of dithering applied. Most of the time it’s a good idea to do it right at the end.

With this basic knowledge of dithering under your belt you are ready to move ahead, set the final parameters and export your work.

Some DAWs such as Reason and Record have much simpler dithering options.


Step 5: Other Export Settings and File Formats

Full blown DAWs such as Logic, Cubase, Pro Tools and Digital Performer offer a number of other options at the export stage and you may want to make sure they are set correctly at this point. For instance you will need to set the format of your export.

The file formats available will vary drastically on your DAW but the two main flavours people work with are Wav and Aiff. These used to be specific to Mac and Windows but in all honesty people tend to switch between the two now regardless of platform, so usually either one is fine.

Saying this some distribution companies and record labels (both digital and physical) have specific guidelines and requirements on the sort of file formats they like to receive, so it’s well worth checking before you send your files to their intended destination.

Logic Pro 9 offers a whole host of features when exporting your masters.


Step 6: Final Inspection and Trimming

With your export finished it’s worth giving it a final quality control check. I like to load the export into a secondary sample editor to get a full overview of the file. Applications like Peak Pro, Wavelab and Soundforge and are excellent programs for this stage. These apps tend to give you a better overview of the whole file and any issues are immediately highlighted.

If you have left gaps before and after the main body of your audio (which I strongly advise), you will need to trim the audio down and apply short fades to ensure that there are no clicks and pops at the start and end of your track. With these final edits completed you should be good to go and have a master you are proud of!

A final check and trim in your audio editor and your done.


Create a Fantasy Girlbird Illustration in Photoshop

What is more fun than mixing people with animals? The results can often be cute, funny, or even a bit disturbing. In today’s tutorial, I will demonstrate how to create a fantasy bird girl illustration using digital painting and photo manipulation techniques. Let’s get started!


Tutorial Assets

The following images were used during the production of this tutorial.


Introduction

Make sure that when you begin a project like this that you start out with some good high quality photos. If you like, feel free to use the images above. You can also attempt this project using photos of your own choosing. In addition to high quality images, you will also need a graphic tablet.


The Creation Process

I began this illustration with a sketch of what I wanted to create. Then, I began searching for suitable photos. I found this photo of an adorable little girl, which I decided to use. Then I incorporated some other images that I found as well. Once that was done, I made a rough composition in Photoshop using the images that I found.


Step 1

Create a new document in Photoshop. I used 2000x2200px 300dpi canvas. Fill the canvas with a very light blue color #EEF3F6.


Step 2

Open Bird1.jpg. Use the Magic Wand Tool (W) to select background around the bird.

Then press Cmd/Ctrl + Shift + I to inverse your selection. Press Refine Edge and change the values to the ones indicated below.

Then press Cmd/Ctrl + Shift + J (Layer via Cut) to cut the selected bird to a new layer, select this new layer, right-click on it and choose Convert to Smart Object from drop-down menu. I use Smart Objects for all the images, without exception. This allows all possible manipulations and transformations, to apply filters and masks, but without being destructive.

Then place the bird on BirdGirl.psd canvas, flip it horizontal using Cmd/Ctrl + T > right-click > Flip Horizontal and scale it to 75%.


Step 3

Now let’s bring in the girl. Using the Pen Tool (P), select the girl’s head, then press Cmd/Ctrl + Enter to convert the path into a selection. Press W, then press Refine Edge and use the same values we used for the bird. Then press Cmd/Ctrl + Shift + J (Layer via Cut), and convert the new layer to Smart Object.

Place the girl’s head in our image above the bird. Use Cmd/Ctrl + T to scale and rotate the layer. Now it should look like the one shown below.


Step 4

Let’s make her eyes bigger! Select the left eye area using Lasso Tool (L) with like 10px feather to soften the edges around the selection. Then press Cmd/Ctrl + J (Layer via Copy) to copy the eye to the new layer.

Do the same to the right eye.

Select the “Left Eye” layer, press Cmd/Ctrl + T enlarge and rotate it as shown below. Do the same to the “Right Eye” layer.

Now, mask the “Right Eye” layer by clicking on the mask icon in the layers palette. Using a large, soft-edged brush, paint on mask with black color to erase unwanted areas around the eye. Do the same to the “Left Eye” layer.

Here is what you should to get.


Step 5

Select the "Head" layer and go to Filter > Liquify. Use Forward Warp Tool with 200px brush and make changes as shown below. Slightly change shape of the face, enlarge the distance between the eyes in the district for the nose, lift up mouth and nose. Click OK to apply the changes. Well here we are finished changing the face, now let’s paint for variety.


Step 6

Create a new layer by clicking on the Create a New Layer icon in the layers palette. Then hold Alt and click between the "Head" layer and a new layer to create a clipping mask.

On this and the next few layers we will paint using a brush, changing its properties of hardness, size and opacity, and using colors taken from the photo itself to deliver smoothness and the effect of painting to the face. I use one of the standard Photoshop brushes with the following settings.

Choose the brush (B), set opacity to 20%, hardness to 0% and size to 70px. With the Brush tool chosen, you can press and hold I key, it will bring up the Eyedropper Tool, sample the color from the photo and then release I, it will bring the Brush tool back. It’s easy way to switch between those tools, to pick different colors from canvas during painting. Sample the bright pink color and paint over the face and neck, avoiding the eyes area, mouth and nostrils.

Add pink to the cheeks and using a small 7px brush, draw a mouth. That will give it more shape. Create a new layer for each new color and make them clipping masks.


Step 7

Now, using a large soft brush with 20% opacity, paint on new layer with pink the cheeks and nose area and around the eyes as shown below. Set the layer blending mode to Overlay.


Step 8

Next we will add some glare. Using a hard transparent brush, paint a very light pink onto the highlighted areas of the face, then using a smaller brush, fill with white, the teeth and whites of the eyes.


Step 9

Now, using a small soft brush with 20% opacity, paint with light blue, the pupils as shown below. Set the layer blending mode to Overlay and layer’s opacity to 60%.


Step 10

Set your brush to 2px size, 100% opacity and 100% hardness. Draw eyelashes and eye contour with dark brown. Also, you can add some shadows over eyes using same color and large soft brush with like 10% opacity.


Step 11

She really needs some eyebrows! Open Boy.jpg. Using the Lasso Tool (L) with 5px feather, select the right eyebrow, convert it to Smart Object, then drag it to our painting and place as shown below. Do the same for the left eyebrow. Group both eyebrows layers (select layers and press Cmd/Ctrl + G).

Now, mask the “Eyebrow right” layer by clicking on the mask icon in the layers palette. Using a large, soft-edged brush, paint on mask with black color to erase unwanted areas around the eyebrow. Do the same to the “Eyebrow left” layer.

Add Levels adjustment layer to the "Eyebrow right" layer by clicking on the adjustment layer icon in the layers palette or by opening Adjustments pallet (Window > Adjustments). Change the values to the ones indicated below. On Adjustment palette, click Clipping Mask icon to apply effect just for one layer. Do the same to the "Eyebrow left" layer.

Create a new layer and using 2px brush with 20% opacity paint eyebrow hairs.


Step 12

We are now done with the face for the moment, now to the hair. It’s all about painting; basically all we are doing is painting over the photo, repeating hair structure and just adding more shape to it. We will still use the same brush we used in the beginning. Start painting using a large soft brush with 20-30% opacity to paint basic color. You can pick colors from the photo or choose others. Gradually reduce the size of the brush to paint the details. Paint each color on a new layer, it’s the easiest way to fix if something goes wrong. Finally you should get something like the image below.

I don’t really like the form of the bangs, so I decided to change it. Set you brush to 80% opacity, 15px size and 80% hardness, paint the bangs’ shape as you like.

Now, using small 4-6px brush, draw the tips of her bangs.


Step 13

Let’s pay some attention to the bird. Select the bird layer and add adjustment layers as shown below. 1. Adjustment Layers > Levels. 2. Adjustment Layers > Hue Saturation. 3. On the same Hue/Saturation palette choose yellow from the drop-down menu. 4. Adjustment Layers > Levels. Then select the bird layer and all adjustment layers and convert them to Smart Objects.


Step 14

Open Bird2.jpg.
Use Magic Wand Tool (W) to select background around the bird. Then press Cmd/Ctrl + Shift + I to inverse your selection.
Press Refine Edge and change the values with the ones indicated below. Then press Cmd/Ctrl + Shift + J (Layer via Cut) to cut the selected bird to the new layer and convert it to Smart Object.

Then place it in our painting.

Add a mask to the "Bird Body". Using a large, hard-edged brush, erase unwanted areas.

Now do the same to the "Bird Legs" layer.


Step 15

Open Bird3.jpg. Cut the tail and place it as shown below.


Step 16

Create a new layer above the bird’s body, fill with blue wing’s area and set layer opacity to 20%.

Now paint blue wing with same technique we used to paint the hair. Paint with short strokes to emphasize the texture of feathers.

Select "Bird Body", "Bird Legs" and "Bird Tail" folders and convert them to Smart Objects.


Step 17

Create a new layer above bird’s body, fill with brown body area and set layer opacity to 20%.

Now paint the feathers in same way we painted the wings. Add a dark brown contour to the legs.

Some more painting on the wood.


Step 17

On the new layer, fill with blue tail’s area and set layer blending mode to Soft Light. And paint again.

Your composition should look like below.


Step 18

Open Flowers.jpg.
Use Pen Tool (P) to select two flowers. Press Cmd/Ctrl + Enter to convert the path into a selection. Press W, then press Refine Edge and use the values as shown below. Then press Cmd/Ctrl + Shift + J (Layer via Cut), and convert the new layer to Smart Object.

Place the flowers in our painting.

Create a new layer under a layer of flowers, set layer blending mode to Multiply. Using a hard brush with 20% opacity draw shadows.

Paint flowers with purple as shown below and set layer blending mode to Soft Light.

Give some emphasis to the petals, white to the light areas and dark purple to the shadows.

Duplicate the “Flowers” folder and put the copy behind Girls head, delete shadow layer.

Paint some shadows.


Step 19

Open Feather1.jpg.
Use Magic Wand Tool (W) to select white background around the feather. Then press Cmd/Ctrl + Shift + I to inverse your selection.
Press Refine Edge and change the values with the ones indicated below. Then press Cmd/Ctrl + Shift + J (Layer via Cut) to cut the selected feather to the new layer and convert it to Smart Object.

Place the feather as shown below.

Press Cmd/Ctrl + T, then right-click and choose Warp from drop-down menu. Transform the feather as shown below.

Add Levels adjustment layer.

Double click the layer to open Layer Style window. Choose Color Overlay.

Then apply Filter > Gaussian Blur with 1px radius.


Step 20

Bring the second feather (Feather2.jpg) in the same way we did the first one. Warp it and apply the same effects: select the "Feather1" layer, right-click and choose Copy Layer Style, then select the "Feater2" layer, right-click and choose Paste Layer Style. Now Select the Levels adjustment layer above "Feather1", hold Alt and drug it above "Feather2", you will see black and white arrows cursor, which means you duplicate the layer.

Select the "Feather2" layer with Levels layers and convert them to Smart Objects. Then duplicate it, scale and place as shown below. Apply Filter > Gaussian Blur with 2.5px radius and set layer opacity to 80%.


Step 21

Open Feather3.jpg. We want to cut the smaller feather, it’s very fluffy, so we will use the channels to separate it from the background.

Open channels panel, choose and duplicate the Blue channel. Press Cmd/Ctrl + L to open Levels window and set values as shown below.

Hold Cmd/Ctrl and click on “Blue copy” cannel layer. Press Cmd/Ctrl + Shift + I to inverse your selection.

Now, go back to the layers panel and press Cmd/Ctrl + Shift + J (Layer via Cut) to cut the selected feathers to the new layer. Duplicate this layer, then select both layers and merge them by clicking Cmd/Ctrl + E.

Use the Lasso tool (L) to select the smaller feather and cut it to a new layer. Then go to Layer > Matting > Defringe, then press Ok in opened dialog. It will remove unwanted halos from the feather and make the cut cleaner. Convert this layer to Smart Object.


Step 22

Place the feather and add Levels.

Now choose Photo Filter adjustment layer to get the feather color more similar to the bird.

Blur it a little using Gaussian Blur.


Step 23

The last thing we will add is some nice rose petals. Use the Pen Tool (P) to select 3 petals, press Cmd/Ctrl + Enter to convert the path into a selection.

Press W, then press Refine Edge and use the values as shown below. Then press Cmd/Ctrl + Shift + J (Layer via Cut), using Lasso Tool (L) select each petal and cut each one to the new layer. Convert each layer to Smart Object.

Place the petals. Duplicate and resize some of them to create better composition.

Blur them a little, using Gaussian Blur with different radius for each one like shown below. After that select all petals layers and convert them to Smart Objects.

Add a Hue/Saturation adjustment layer and make petals more purple.


Step 24

We are almost done, lets add some final touches. Paint some light pink and purple dots around the bird.

Paint some white dots on the face, body and flowers to add the effect of light shine and flicker. Actually, you can paint white dots everywhere.

And finally, let’s draw her freckles. Paint them on new layer and set blending mode to Multiply.


Step 25

Last step! Color correction – my favorite part of any project. Merge all layers except background and add adjustment layers as shown below. Add a Gradient Map layer with gradient colors: #ffcdb2 / #fdc084 / #6f022b. Set the layer mode to Color and opacity to 20%.

Add another Gradient Map layer with gradient colors: #f1ffb2 / #ff5571 / #000b2f. Set the layer mode to Multiply and opacity to 20%.

Add Color Balance. On the layer’s mask, paint with black on face area to not apply color change to face.

Add Sepia Photo Filter.

Add last Gradient Map layer with gradient colors: #ffd8c0 / ##eb0042. Set the layer mode to Lighten and opacity to 20%.


Final Image

You might now believe it but we are done! You can play more with adjustment layers to get different shades. I love this kind a vintage look we got here. I hope you liked the tutorial and the GirlBird that we created.

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If you like what you see, why not head over to the Aetuts+ site to watch the full tutorial!


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Video 1

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Note: click the ‘Monitor’ icon to view tutorial in full-screen HD.


Video 2

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Note: click the ‘Monitor’ icon to view tutorial in full-screen HD.


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