Workshop #189: Forfeit Machines by Mark Theis

This track has been submitted for your friendly, constructive criticism. What useful feedback can you give the artist? The floor is yours to talk about the track and how they can fix problems in and improve upon the mix and the song.

Download audio file (01ForfeitMachines.mp3)

Description of the track:

My Name is Mark and I’m from Denmark. I Made this track on my computer using Ableton Live and some different plug-ins. I would like to know what you think as I think it is difficult to say by myself. Thanks.

Artist’s website: marktheis.dk/

Terms of Use: The track may be streamed for the purpose of giving feedback but may not be made available for download.

Have a listen to the track and offer your constructive criticism for this Workshop in the comments section.

  • Do you enjoy the song or track itself? Does it have potential?
  • Can the arrangement be improved?
  • How did you find the mix? What would you do differently?
  • What do you enjoy about the rhythm track? What can be done to improve it?
  • Is the choice of instruments relevant and effective for the style/song?
  • Are the lyrics (if any) effective? Does the style, arrangement and genre of the song suit them?
  • Can you suggest any specific techniques that might improve the track?
  • Do you have any other constructive feedback?

Need constructive criticism on your own tracks? Submit them for a workshop using this form.


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What Baking Can Teach You About Audio Production

I was baking the other day, something I never do. I’m more of a cook than a baker, it’s more creative to throw spices around than carefully measure flour and sugar. But anyways, halfway through baking the banana bread it struck me: this is exactly how you should approach making a record. Most of the steps involved in the process of baking can be translated into making a record. From careful pre-production and planning to mixing the correct ingredients, baking can teach you a lot about music production.


Image by Comedy_Nose


Step 1: Find a Good Recipe

I remember reading something by Tim Ferriss ages ago and he proposed this question: What would you rather choose: a lousy recipe and a great chef or an amazing recipe and a subpar cook? I would choose the great recipe every time, because if the ingredients are wrong to begin with it’s much harder to fix. But if you start with a great recipe and follow it correctly it’s almost impossible to screw up.

Similarly, copy from the masters. Listen to famous and classics songs to analyze what makes them so good. Listen to the mixes on the radio, what sonic recipe is cool today? I know everyone is trying to be original but sometimes that just doesn’t work. Copy the masters of yesteryear and follow the recipes that make a hit. You’ll be better off than blindly creating something nobody wants to listen to.


Step 2: Preparation—Make Sure You Have Everything

“Hi, could I borrow a cup of sugar?” This sentence might work with your neighbors if you run out an essential ingredient during your baking session and you’re too busy to go to the store. But you can’t knock on your neighbors door and ask them if they have an extra pack of strings or a snare drum head to spare. The likelihood of them keeping an extra XLR cable or a drum stick in their cupboard is just wishful thinking. Don’t press your luck.

When you are recording you have to make sure you have everything you need to make the session go smoothly. Just like baking, you need to have all the ingredients available when you start. You can’t just run out and grab a pack of strings in the middle of a session. It’s inconvenient for everybody. Keep extra packets of strings, cables, drum heads and the like if you are preparing for a recording session. By being prepared your recording session is more likely to go according to plan.


Step 3: Don’t Skip Steps

The first step in my recipe for banana bread told me to grease the pans I was going use to bake the bread. I wasn’t sure what pans I was going to use and how much it would end up being so I said to myself, “screw it, I’ll mix everything together first and then figure it out.” Big mistake. When I finally poured the batter into the pans I had totally forgotten that they hadn’t been greased yet. It didn’t ruin the banana bread, but the bottoms were a little stuck to the pan after baking.

When you are producing music you can’t skip steps because you want to concentrate on something else. For instance, don’t leave editing for later because you want to see how the mix sounds first. You’ll inevitably forget about it, and only remembering it when you hear the bounced mix with odd clicks and pops and breaths in the wrong places. Do you fades and edits first, before everything. If you forget about editing now you’ll definitely regret it later. Don’t skip steps in the recording process, it will catch up with you.


Step 4: Mix Things Together Correctly

Baking is a more careful culinary art than cooking. You have to mix things together correctly or they end up unusable. One time I was making pizza dough and I used cold water instead of warm water, effectively ruining the dough. The dough wouldn’t rise with cold water so I had to start from scratch. Or I might have just ordered something from Domino’s, I forget.

But the thing to keep in mind is that not everything works in a mix. When you are preparing a mix you need to keep in mind what works together and make sure nothing sounds out of place. You don’t want a 80′s metal solo sound in a folky pop song, and you don’t want a Everly Brothers melody in an electronic piece. Those things just plain don’t go together, regardless of how much you try. Sure, you can sprinkle some quirky effects and create some interest but like my dough, it has to rise. Make those effects compliment the mix, and leave the listener interested, not flabbergasted.


Step 5: Wait Until It’s Done

Regardless of how impatient you are, your dough is going to take its time to bake. There’s no rushing it so you just have to set a time and do something else.

Similarly, if you have been working on a mix forever then it’s time to take a break. If you’ve been mixing for 8 hours then your ears have gotten so tired you have no idea what you are listening to anymore. Don’t rush a mix, work on it and then take a breather. Come back the next day and see how it sounds with a fresh pair of ears.


If At First You Don’t Succeed, Start Over and Try Again

Recording, mixing, or producing music is a lot like baking. You need to have all the ingredients for a song, keep track of what you’ve done, plan ahead and mix your ingredients correctly. If you don’t get the best sounding mix of all time the first time around don’t worry. I doubt anyone does. And I doubt anyone is a natural baker. That stuff is hard. Just like baking, if you don’t get the best result the first time around then just try again. There will be other recipes to try, bands to record and music to make.


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Workshop #189: Forfeit Machines by Mark Theis

This track has been submitted for your friendly, constructive criticism. What useful feedback can you give the artist? The floor is yours to talk about the track and how they can fix problems in and improve upon the mix and the song.

Download audio file (01ForfeitMachines.mp3)

Description of the track:

My Name is Mark and I’m from Denmark. I Made this track on my computer using Ableton Live and some different plug-ins. I would like to know what you think as I think it is difficult to say by myself. Thanks.

Artist’s website: marktheis.dk/

Terms of Use: The track may be streamed for the purpose of giving feedback but may not be made available for download.

Have a listen to the track and offer your constructive criticism for this Workshop in the comments section.

  • Do you enjoy the song or track itself? Does it have potential?
  • Can the arrangement be improved?
  • How did you find the mix? What would you do differently?
  • What do you enjoy about the rhythm track? What can be done to improve it?
  • Is the choice of instruments relevant and effective for the style/song?
  • Are the lyrics (if any) effective? Does the style, arrangement and genre of the song suit them?
  • Can you suggest any specific techniques that might improve the track?
  • Do you have any other constructive feedback?

Need constructive criticism on your own tracks? Submit them for a workshop using this form.


{excerpt}
Read More

Getting The Ultimate Guitar Sound – Part 6 – Audio Premium

This entry is part 6 of 5 in the series Getting the Ultimate Guitar Sound

In this week’s Audio Premium content, Bobby Owsinski continues his series on getting the ultimate guitar sound. Bobby has spent a lifetime achieving just that, and the series is based on his new book, The Ultimate Guitar Tone Handbook.

To learn more about what you get as part of Audio Premium, read this. To take a peek inside this tutorial, hit the jump!

Many acoustic guitar’s sound great in the tracking room but don’t sound nearly the same way when they’re recorded. In this series, based around my new book The Ultimate Guitar Tone Handbook (written with Rich Tozzoli), I’ll outline why acoustic and electric guitars, amplifiers, speaker cabinets and effects sound the way they do, and the best way to record and mix them after you’ve gotten the sound. In Part 6 of this series, we’ll look the factors that give an acoustic guitar its tone.

Table of Contents

  • The Wood
  • The Guitar Back And Sides
  • The Soundboard
  • Body Size
  • Dreadnought
  • Jumbo
  • Mini-Jumbo
  • Small Body
  • Cutaways
  • Guitar Aging

Existing Premium members can log-in and download. Not a Plus member? Join now.


{excerpt}
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Music Notation in Sibelius – Part 1

In this new exciting session you’ll learn everything about music notation for all sorts of purposes: writing for a pop or rock band or writing a symphony for orchestra. You’ll learn quite a lot of things like notation for guitar, drums, special symbols and more. Do you have a lot of good ideas for your band? After this Session, you’re ready to perform your ideas and rock!


Part 1: A Basic Introduction to Sibelius

What’s Next

This Session contains six videos covering the following subjects:

  1. Basic Introduction to Sibelius (this video)
  2. Importing MIDI Data from your DAW
  3. Layout and printing
  4. Working with Ideas: The Creative Process
  5. Notation for Modern Band
  6. Notation for Orchestra


{excerpt}
Read More

Workshop #189: Forfeit Machines by Mark Theis

This track has been submitted for your friendly, constructive criticism. What useful feedback can you give the artist? The floor is yours to talk about the track and how they can fix problems in and improve upon the mix and the song.

Download audio file (01ForfeitMachines.mp3)

Description of the track:

My Name is Mark and I’m from Denmark. I Made this track on my computer using Ableton Live and some different plug-ins. I would like to know what you think as I think it is difficult to say by myself. Thanks.

Artist’s website: marktheis.dk/

Terms of Use: The track may be streamed for the purpose of giving feedback but may not be made available for download.

Have a listen to the track and offer your constructive criticism for this Workshop in the comments section.

  • Do you enjoy the song or track itself? Does it have potential?
  • Can the arrangement be improved?
  • How did you find the mix? What would you do differently?
  • What do you enjoy about the rhythm track? What can be done to improve it?
  • Is the choice of instruments relevant and effective for the style/song?
  • Are the lyrics (if any) effective? Does the style, arrangement and genre of the song suit them?
  • Can you suggest any specific techniques that might improve the track?
  • Do you have any other constructive feedback?

Need constructive criticism on your own tracks? Submit them for a workshop using this form.


{excerpt}
Read More

Music Notation in Sibelius – Part 1

In this new exciting session you’ll learn everything about music notation for all sorts of purposes: writing for a pop or rock band or writing a symphony for orchestra. You’ll learn quite a lot of things like notation for guitar, drums, special symbols and more. Do you have a lot of good ideas for your band? After this Session, you’re ready to perform your ideas and rock!


Part 1: A Basic Introduction to Sibelius

What’s Next

This Session contains six videos covering the following subjects:

  1. Basic Introduction to Sibelius (this video)
  2. Importing MIDI Data from your DAW
  3. Layout and printing
  4. Working with Ideas: The Creative Process
  5. Notation for Modern Band
  6. Notation for Orchestra


{excerpt}
Read More

Open Mic: What Tutorials Would You Like to See on Audiotuts+?

Each week we open our mic to readers and lurkers alike to come out of the woodwork and tell us your thoughts and opinion, your experiences and mistakes, what you love and what you hate. We want to hear from you, and here’s your chance.

We’re about half way through the year—a great time to ask your advice. What tutorials would you like to see in the second half of 2011?


{excerpt}
Read More

Getting The Ultimate Guitar Sound – Part 6 – Audio Premium

This entry is part 6 of 5 in the series Getting the Ultimate Guitar Sound

In this week’s Audio Premium content, Bobby Owsinski continues his series on getting the ultimate guitar sound. Bobby has spent a lifetime achieving just that, and the series is based on his new book, The Ultimate Guitar Tone Handbook.

To learn more about what you get as part of Audio Premium, read this. To take a peek inside this tutorial, hit the jump!

Many acoustic guitar’s sound great in the tracking room but don’t sound nearly the same way when they’re recorded. In this series, based around my new book The Ultimate Guitar Tone Handbook (written with Rich Tozzoli), I’ll outline why acoustic and electric guitars, amplifiers, speaker cabinets and effects sound the way they do, and the best way to record and mix them after you’ve gotten the sound. In Part 6 of this series, we’ll look the factors that give an acoustic guitar its tone.

Table of Contents

  • The Wood
  • The Guitar Back And Sides
  • The Soundboard
  • Body Size
  • Dreadnought
  • Jumbo
  • Mini-Jumbo
  • Small Body
  • Cutaways
  • Guitar Aging

Existing Premium members can log-in and download. Not a Plus member? Join now.


{excerpt}
Read More

Music Notation in Sibelius – Part 1

In this new exciting session you’ll learn everything about music notation for all sorts of purposes: writing for a pop or rock band or writing a symphony for orchestra. You’ll learn quite a lot of things like notation for guitar, drums, special symbols and more. Do you have a lot of good ideas for your band? After this Session, you’re ready to perform your ideas and rock!


Part 1: A Basic Introduction to Sibelius

What’s Next

This Session contains six videos covering the following subjects:

  1. Basic Introduction to Sibelius (this video)
  2. Importing MIDI Data from your DAW
  3. Layout and printing
  4. Working with Ideas: The Creative Process
  5. Notation for Modern Band
  6. Notation for Orchestra


{excerpt}
Read More

Getting The Ultimate Guitar Sound – Part 6 – Audio Premium

This entry is part 6 of 5 in the series Getting the Ultimate Guitar Sound

In this week’s Audio Premium content, Bobby Owsinski continues his series on getting the ultimate guitar sound. Bobby has spent a lifetime achieving just that, and the series is based on his new book, The Ultimate Guitar Tone Handbook.

To learn more about what you get as part of Audio Premium, read this. To take a peek inside this tutorial, hit the jump!

Many acoustic guitar’s sound great in the tracking room but don’t sound nearly the same way when they’re recorded. In this series, based around my new book The Ultimate Guitar Tone Handbook (written with Rich Tozzoli), I’ll outline why acoustic and electric guitars, amplifiers, speaker cabinets and effects sound the way they do, and the best way to record and mix them after you’ve gotten the sound. In Part 6 of this series, we’ll look the factors that give an acoustic guitar its tone.

Table of Contents

  • The Wood
  • The Guitar Back And Sides
  • The Soundboard
  • Body Size
  • Dreadnought
  • Jumbo
  • Mini-Jumbo
  • Small Body
  • Cutaways
  • Guitar Aging

Existing Premium members can log-in and download. Not a Plus member? Join now.


{excerpt}
Read More

Getting Started With Garageband On The iPad

So you’ve just got a shiny new iPad and you want to make some music. To be honest you now have quite a few choices when it comes to music creation apps and the list continues to grow. To keep things simple let’s take a look at the most obvious choice… Apple’s very own GarageBand.

In this tutorial I’ll give you a step by step account of how I built my first loop in GarageBand and hopefully this will give you a nice overview of what the app is capable of. The audio and the actual Garageband project file is available to download, so you can take a closer look in your own time.


Step 1: A ‘Smart’ Beat

GarageBand on the iPad is capable of producing eight simultaneous tracks of audio (or instruments). These eight tracks can be made up of various sound sources, you can record your own audio via the microphone or audio input, you can use built in Apple loops or your own samples and you can also use any of GarageBand’s excellent built in instruments.

I’ve tried to mix things up a little throughout this mini project but I thought I’d start with some of the instruments that are included with the purchased app. On pressing the ‘Instruments’ button you are presented with a slideshow of instrument icons. Amongst these you’ll find everything you’ll need to create your track.

if you are slight musically challenged, or just want a quick melodic fix then you should opt for the ‘Smart’ instruments. These are basically keyboards, drum kits and guitars that go some way to programming themselves.

The Smart Beat programming section is a lot of fun to use.

To give you an example of this my first track is created with the ‘Smart Drums’ instrument. Using this feature you have the ability to choose a drum machine type and program a beat using a grid that displays values such as ‘Complexity, Volume and Drum Type’. Let’s be honest it doesn’t get any more simple than this!

Using the ‘Hip Hop Drum Machine’ I was able to construct a simple beat in about five minutes. The results are below…

The first part I recorded is isolated.

Download audio file (1.mp3)

The new beat plays back


Step 2: Even Smarter Guitar

Continuing on the Smart instrument tip I proceeded to lay down a guitar line using the ‘Smart Guitar’. The instrument is really impressive, giving you choice of basic guitar models and the ability to playback single notes or chords with a single touch of the screen.

I went for the classic clean with some delay and quickly hammered out a pleasing chord sequence to go with my drum part. Once recorded you can navigate back to the main arrange page to see your part recorded. I applied a little quantisation via the settings menu in the top right and cut and pasted the part, to create two copies.

The Smart Guitar allowed me to program a part quickly.

Now this is where I have to say GarageBand really let me down. You can’t actually edit notes once they have been recorded. You can see them within the parts but there is no way of getting inside and altering note positions or lengths etc.

I guess this must be a user interface limitation but it’s a real shame. In it’s current state GarageBand requires you to actually delete and re-record a part if you play in a bum note or incorrect sequence. Here’s hoping they’ll fix this in the future.

Download audio file (2.mp3)

The new guitar part is mixed


Step 3: D.I.Y. Synth Bass

Next I thought I’d take a more D.I.Y approach and use a straight forward instrument to record my Bass part. I loaded up one of the Synth Bass models and got playing. The keyboard was pretty easy to use and the keys can be changed in size pretty quickly.

The Retro Bass was simple to locate and load.

With a few tweaks of the synth patch itself, a re-record or two and some quantisation, I had a useable bass line. You can hear the first three parts playing together below…

A few adjustments and the bass is done.

Download audio file (3.mp3)

The bass, guitar and drum parts together.


Step 4: The Creation Continues

I continued to create parts in the same way using various sound sources, an Apple loop or two (accessed via the loop logo in the top right), a drum machine and two more virtual analog synths.

Extra parts being created

After some work I had created a bongo loop, vocal effect, synths strings and some new high hats. You can hear these parts below in isolation.

Another synth part being added

It’s worth adding that you can add effects (delay and reverb) to any of your parts using the sends in the mix area, also located in the top right of the interface.

Download audio file (4.mp3)

The new parts in isolation


Step 5: Exporting The Finished Article

When I was done (and after adding an extra synth lead part) I exported the project to iTunes. On connecting the iPad to my MacBook Pro all the parts were visible in the area at the bottom of the ‘Apps’ page. These can then be dragged on to your desktop.

The new loop being exported to iTunes

You can export audio or the entire project file

You can save individual parts or the whole project in Garageband format. This means you can load it up in the full versions of GarageBand for extra editing and arrangement. GarageBand will actually download an update to ensure 100% compatibility.

The parts exported show up in iTunes on any computer

Download audio file (5.mp3)

The final loop that was exported plays back

All in all I have to say this was an extremely straight forward, fun way to create a small electronic project. For £2.99 you really can’t go wrong and it’s really a no brainer for any iPad owner. Better still if you invest in a few accessories you’ll be able to record vocals and guitar directly into the app transforming it into a true mobile multi-tracker.

If you have any projects created in this app (or any other) on your iPad let us hear them. Be great to know how everybody is using their portable hardware to create music.


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Open Mic: What Tutorials Would You Like to See on Audiotuts+?

Each week we open our mic to readers and lurkers alike to come out of the woodwork and tell us your thoughts and opinion, your experiences and mistakes, what you love and what you hate. We want to hear from you, and here’s your chance.

We’re about half way through the year—a great time to ask your advice. What tutorials would you like to see in the second half of 2011?


{excerpt}
Read More

Getting The Ultimate Guitar Sound – Part 6 – Audio Premium

This entry is part 6 of 5 in the series Getting the Ultimate Guitar Sound

In this week’s Audio Premium content, Bobby Owsinski continues his series on getting the ultimate guitar sound. Bobby has spent a lifetime achieving just that, and the series is based on his new book, The Ultimate Guitar Tone Handbook.

To learn more about what you get as part of Audio Premium, read this. To take a peek inside this tutorial, hit the jump!

Many acoustic guitar’s sound great in the tracking room but don’t sound nearly the same way when they’re recorded. In this series, based around my new book The Ultimate Guitar Tone Handbook (written with Rich Tozzoli), I’ll outline why acoustic and electric guitars, amplifiers, speaker cabinets and effects sound the way they do, and the best way to record and mix them after you’ve gotten the sound. In Part 6 of this series, we’ll look the factors that give an acoustic guitar its tone.

Table of Contents

  • The Wood
  • The Guitar Back And Sides
  • The Soundboard
  • Body Size
  • Dreadnought
  • Jumbo
  • Mini-Jumbo
  • Small Body
  • Cutaways
  • Guitar Aging

Existing Premium members can log-in and download. Not a Plus member? Join now.


{excerpt}
Read More

Open Mic: What Tutorials Would You Like to See on Audiotuts+?

Each week we open our mic to readers and lurkers alike to come out of the woodwork and tell us your thoughts and opinion, your experiences and mistakes, what you love and what you hate. We want to hear from you, and here’s your chance.

We’re about half way through the year—a great time to ask your advice. What tutorials would you like to see in the second half of 2011?


{excerpt}
Read More