Linux Shell Script – Ftp – Php

This project involves working with an existing linux shell script. The function of this script is to import a file using ftp. It worked on a test server but when moved to the live server, it does not work any more.

The shell script is built based on a url that is entered to the db using a php GUI. The script needs to run from a cron job. This is all situated on a bluehost server.

Do you have the experience to get this to work or help me come up with another solution? Manually entering the url in a browser address line does fetch the file successfully, so I think we should be able to get this to work.

Phototuts+ Reader Profile: Radiant Photography

Today we’ll be getting up close and personal with Scottie and Breanna Chanson, a husband and wife photography team that comprise Radiant Photography. Radiant has made a big splash in the photography scene in Phoenix, particularly in the area of wedding and engagement photos.

The purpose of this interview is to give our readers some insight into what it’s like to start a full-time photography business. Scottie and Breanna shared tons of great information and experience with us about trials of starting a new business, how they scraped by in the beginning stages, where they find work, how to leverage social media and how they manage to spend virtually all of their time together without killing each other. Along the way we’ll see some of their recent work.


Q 1. Let’s start by getting a little background. When and how did each of you take up photography as a hobby?

Breanna: I feel like I’ve spent most of my life in search of an artistic medium that fits me. I’ve tried everything from fingerpaints (yes, as an adult) and ceramics to dancing,singing, and acting. I always felt like I had creative visions in my head that I couldn’t quite duplicate through any medium. When I took some of my first pictures, I started to think that it’s possible I was never meant to create something entirely from scratch, but rather to capture things that already exist and just manipulate them in a way that expresses the creative explosions going off in my head.

I started taking pictures with my friends when I was 14 (we thought we were high fashion models and Scottie still likes to make fun of those photos to this day!). When I was 16 I took a photography class at school and that really opened up the world of photography to me… film photography! My parents did their own research and bought me a nice camera for Christmas so I could keep shooting after the class. I used that one for quite awhile working on naturally lit black and whites. I didn’t start working with flash photography until Scottie started getting really good at it and I was jealous of the pictures he was getting!

I capture things that already exist and manipulate them in a way that expresses the creative explosions going off in my head.

Scottie: When I was a little kid I got it in my head that I wanted to be a professional photographer when I grew up. The only problem was that I’d never actually owned a camera to work with! My grandfather had an entire room of his house filled with magazines (I mean that quite literally!) so I found myself living vicariously through all the photos in his old National Geographics. My passion took a detour when I was told that I needed to get a real job so I never pursued my childhood dream.

The first time I got my hands on my own camera was when I discovered that marrying Breanna meant inheriting her cameras! I spent a ton of time on our honeymoon experimenting with her camera and I was SO excited about working with it more (well, actually I was excited about buying a much better camera to work with more!). By this time I had gotten over all that “real job” stuff, and I was working as a graphic/web designer. As I began taking photos for client websites, I gained more and more experience and I could feel my old love for photography returning.

Breanna: Yeah, that reminds me, I didn’t get to take any pictures on our honeymoon because you were hogging my camera!! You owe me a trip where I get to take all the pictures!


Q 2. Can each of you tell us what you did before becoming full-time photographers?

Breanna: Scottie’s answer to this one is the funniest so he gets to go first!

Scottie: I don’t know if you can call it funny but I was definitely a “Jack of all trades”. I started out going to college to be a Doctor and I ended up switching over to animal science to be a veterinarian. The part that Breanna thinks is funny is how many jobs I had between then and now that are completely random and not at all related to each other.

So here’s the list (or at least all that I can remember anyways): grocery bagger, vet tech, research assistant, pizza cook, sporting goods store manager, kayak guide/sailboat salesman, machinist, landscaper, pool table mechanic, youth pastor, and graphic/web designer. I definitely get bored easy and I love learning about new things. Even though I was able to learn a lot through such a myriad of different jobs and experiences, I never really felt satisfied with any of them. Photography is different. For one it’s the longest “profession” I’ve ever had! I’d say it took me 28 years to find my calling in life!

Breanna: I on the other hand, am much more content to learn something and stick with it! Marrying Scottie has challenged me to be more open to change and growth. So while I love how good that is for me and how interesting it makes my life… it’s definitely exhausting at times! What I’m trying to say is that my story is much simpler. I got my bachelors degree from Arizona State University in Family and Human Development. As much as I tried to get out of it, I was forced to go on and work towards my masters degree in counseling since almost everything in the field I wanted to go in required a Masters degree.

I still love Family studies, psychology, sociology, child development, etc. But I am also totally LOVING what we’re doing right now so I decided to put the second half of my Masters degree on hold for now so I can focus on Radiant. Just for kicks, here’s a list of all the jobs I’ve had in my life to compare with Scottie’s: Record store employee, odd jobs in a “leadership development” program at a church, a makeup/skin care consultant, a barista at Starbucks, and a receptionist. That’s it… all 5 of them! Actually that is a lot more than I thought I’d done… I’m catching up to you, Scottie!


Q 3. Tell us about the transition from viewing photography as a hobby to something that could actually provide income.

Scottie: I’m kind of the story of what not to do! I jumped in with both feet before I was ready, I was never part time, I went right to full time (my wife was a barista at Starbucks at this time… we weren’t quite bringing in the big bucks!). I didn’t even really spend much time as a hobbyist either.

Breanna: Let me interrupt to tell you something about Scottie that he’d never say about himself. Scottie has this incredibly ability to pick up a new skill faster than anyone else I know. He’s self taught in everything he does (and he’s also amazing at everything he does) which is made possible because he’s a genius… don’t argue with me, Scottie, it’s true!

When you own a photography business you spend 90% of your time running your own business and about 10% of it actually taking/processing photos.

Scottie: Whatever, Breanna (*blush*). As I was saying, I had to learn a lot the hard way and suffered a lot because of the way I did it. The biggest wake up call is realizing that when you own a photography business you spend 90% of your time and energy on running your own business and only about 10% of that time is spent actually taking/processing photos. We got lucky because it turns out that I love running a business as much as I love photography.

Breanna: I was a little slower to just jump in like Scottie did because for one I was pretty happy with what I was doing. I was still in college and full of hopes and dreams about my future career. It wasn’t until I got a 9-5 job that I went, “uh oh” and I started realizing this wasn’t going quite the way I had hoped it would! Before the “uh oh” point, I had been helping Scottie shoot weddings on occasion, but I wasn’t even doing enough photography to be considered part time and I wasn’t involved in the actual running of the business. Hence, I did things what we call “the right way”. I began shooting slowly and learning slowly. I didn’t need my money from photography to survive so I could just take the time I needed to grow as a photographer and to learn the things I needed to before I got started (where as Scottie learned all that AFTER he got started and had to do things with a lot more frustration involved).


Q 4. How did you juggle your respective careers while taking on extra work as photographers?

Breanna: Once the “real world” hit me when I had my first full time job, I decided I wanted to back track and do what Scottie did as far as disregarding that whole “real job” idea and start doing something I loved! So I cut back at work to part time and started doing photography full time. I would work a full day at my job and come home and work on Radiant stuff until midnight and get up the next day to do the same thing (or to have a day off from my other job and spend that entire day working on our business). It was more than exhausting… I couldn’t have kept it up for longer than I did. But thankfully, all that work paid off enough that after only a few months I was able to quit my real job and focus solely on photography along with Scottie who was already doing it full time.

So to answer your question, it wasn’t as rough as it could’ve been since Scottie was already doing it full time (and he never did have to juggle another job with it) and I didn’t have to juggle my part time job for very long. When we decided it was time for both of our incomes to rely solely on photography, it was a HUGE leap, but we were more than ready for it at that point.

Scottie: Um, a huge leap is definitely an understatement! It was freaking hard. We sacrificed a lot when both of us began doing it full time. But the good thing is, I think we were very realistic about those sacrifices and we were very ready to make them. Have you ever seen that movie “P.S. I Love You”? (yes, I’ve seen it and I’m man enough to admit it).

There’s a scene in there where the couple is fighting because the woman is so exhausted and unhappy at her job and they just can’t seem to figure out what to do about it. While watching that film, Breanna and I just turned to each other opened mouthed because we felt like someone had stuck a camera in our bedroom to film that scene. We’d had that same fight more times than we could count and we were sick of it. Sick enough to decide we wanted to sacrifice our comfortable lives for awhile and live off of whatever scraps (and meals Breanna’s mom made for us) that we could!

We feel like we’re still not caught up from the time we spent pouring ourselves into our business when it first started. Pulling all nighters, having mutual crying spells (again, I’m man enough to admit it), and nights where we were so stressed that we couldn’t sleep even though we had the time. It was rough, but oh man, we wouldn’t change it for the world! And most of what I described happened after Breanna quit her job and while I was already full time! I can’t imagine how we would’ve done it if both of us had been working full time at other jobs while trying to start up Radiant!


Q 5. How do you find most of your clients? Has this changed from when you first began?

Scottie: When we first started, I was a college pastor at a large church. Putting tons of single college students in the same room together is bound to result in some love connections! So we had a very large base of people getting married when we first started out and that’s a major reason that our company grew as fast as it did. For every wedding we shot, 100-200 people saw our work and heard about us… and a lot of those people were planning weddings themselves! We also did a lot of bridal shows in the very beginning which helped get our name out there. We are still shooting weddings for the friends of clients we met at some of our first bridal shows.

Breanna: Since the hubbub about Radiant in the college world died down some (most of the people we knew then are married now), a lot of our business has been coming through Facebook. What used to be word of mouth referrals from “friends of friends” has now transitioned to being indirect referrals from “friends of friends of friends”… and so on! Facebook has worked out so well for us that we are now beginning to speak to other business owners on how to use it. “Like” us on Facebook to learn more about how we use it as a marketing tool! (Radiant Facebook Link)

Scottie: Breanna has rocked the Facebook side of Radiant. She’s my favorite… not just because she brings in business for us either!


Q 6. How and why did each of you make the decision to jump into photography as a full-time career?

Scottie: When we were dating I was working 80+ hours a week, missing every major holiday, sleeping 4-5 hours a night, falling asleep on our dates, and just generally hating life. I actually have huge memory lapses from that period of my life due to lack of sleep (it’s a miracle she decided to marry me!). When we got engaged, we decided we wanted more out of our lives than money and security… we wanted freedom and beauty. We decided we could only accomplish that if we took a huge leap of faith. That was when I started doing graphic design independently, which eventually led to the start of Radiant.

Breanna: People thought we were crazy to have him quit his “good” job right before we got married. But that’s how we roll I guess! Our main goal in life (after loving people) is to live an extraordinary life and we knew we wouldn’t get it without taking risks and without resisting many of the comforts that the norms around us provided. Even way back when we were newlyweds we chose freedom over security and we are continually pushing ourselves to make that choice on a daily basis. Yes, we were dirt poor for a long time, and yes, it was difficult.

But I wanted to have a husband to live life with, not just money to spend on trying to gain a life that made me happy. So he quit his job and eventually I quit mine so that we’d be free to discover something that made us feel alive and that gave us the opportunity to pursue deeper things in this world that are more important than the type of lifestyle we lead. If we’ve peaked your interest, I just published a blog about it called “To Live An Extraordinary Life”.


Q 7. Have either of you ever questioned the decision to go full-time?

Breanna: Yes, when it’s 2am and we’re still working, all the while thinking about how we have to get up early and do the same thing the next day. Especially since we know that our to do list is going to, once again, magically grow by itself overnight! Other than that, NO!


Q 8. Approximately how many shoots did you do last year?

Breanna: We had about 60 portrait sessions (including engagement, family, high school senior, etc. sessions). And we had about 20 weddings. We believe that the more time we spend getting to know our couples the better their wedding photos turn out, so we spend a lot of time with our clients. We actually throw in engagement sessions for free with each wedding because we so strongly believe in spending quality time with our couples as often as possible. We don’t believe in booking so many things that we have to sacrifice quality for quantity, so we limit ourselves on how many weddings and portrait sessions we book in a year.


Q 9. Scottie, how has a background in design helped you become a better photographer? Would you recommend that other designers expand their skill set to include photography?

I absolutely think designers should expand their skill set to include photography.

Scottie: There are SO many things I gained from my background in design. For one, I gained a better understanding of color and composition and those are obviously a huge deal in both design and photography. Of course my design work helped me learn Photoshop which is my entire world now. As I’ve mentioned before, I jumped into photography way too fast and I made a lot of mistakes. I am very grateful that I had all the time that I did working in graphic design for me to learn Photoshop a little bit slower than I did photography! Graphic design also helped me learn the ins and outs of computer/tech skills that I’ve needed to use a ton in the photo business (especially when things don’t work quite like you expect them to!).

Even with all of those things that helped me, I’d say the biggest thing that has carried over from my graphic design days is my ability as a creative professional to understand and deliver a client’s vision. That’s quite a feat and graphic design prepared me very well for being able to accomplish that for my photography clients. I absolutely think designers should expand their skill set to include photography. They should at least be hobbyists in photography. The reason being is that designers work with photography so often that at the very least it would help them learn how to better communicate/collaborate with photographers to make things go smoother on both ends.


Q 10. Can you briefly describe a typical day of work on a non-shoot day?

Scottie: This happens to be our big project for 2010. We are working on being much more efficient than we currently are. There are a few programs that have really helped us improve our efficiency and have significantly changed what we do on an average day. One of those programs is Showit Sites that we used to create our website. Using Showit has significantly cut down on the amount of time we spend updating our website, but allows us to still maintain a flash website that reaches our clients. I can’t even tell you how much time per week I used to spend on our site, now I spend more time focusing that energy into growing our business, rather than on just trying to maintain it. You can find our site here.

Breanna: The program we’ve adopted that I love the most is Shoot Q, which handles all of our studio management, and it’s completely changed our lives! In other words, we now have time to actually have lives! But in general, here are the activities we do during an average non-shooting day in order of the amount of time they take: Photo processing, client communication, album design, blogging, Facebooking, reading/learning, accounting, marketing, and walking our dog (that’s what gets us out of the house and into the land of the living on some of these days!).


Q 11. What’s it like to work with your spouse?

Scottie: The good part is getting to spend all day with my best friend. The bad part is spending all day with my best friend. Ha ha!

Breanna: I would protest that, but I do agree!

Scottie: Really though, the bad part is that it’s easy to forget that she’s my best friend and not my boss. It’s so easy to make our lives (even when we’re away from our computers) all about Radiant. Sometimes it’s hard to just live normal life together. We’re working on spending time away from work and actually not talking about work when we are finally away from it!

Breanna: I definitely don’t think working with your spouse is for everyone. It just happens to work well with us and our personalities. Ever since we’ve been working together I feel like we actually argue LESS than we used to! That was really surprising to me, considering we spend 95% of our lives now and we have a lot more major decisions to make then we used to. But whatever, I guess we’re just the type of couple that does better when we spend more time together, where I think other people do better when they get more time away from one another. Hopefully I’ll still agree to all I just said as we continue working together for the next however many years! Ha!

Scottie: You will, you know you need me! Seriously though, I’m constantly amazed at how well we work together, both when we’re shooting and when we’re sitting side by side for an entire day. When you think about it, the fact that we’re always together and that we’ve worked really hard on our communication with one another, really pays off when we’re shooting in the heat of the moment. I really think that having a constant teammate for life that is the same at home and at work, gives us an advantage over photographers who shoot with someone different all the time or with someone who they aren’t that connected with.

My favorite thing about working with Breanna (other than the fact that she talks a lot so I don’t have to!) is that she can take an idea that I have and communicate it well to others… so all that talking does pay off in the end! Her communication skills pick up where mine are lacking and our clients fall in love with her when they meet her where if it were just me by myself they’d probably be like “yeah, I could take him or leave him”. I also love how we have differing artistic eyes that push us forward.

Breanna: So to make a long answer even longer, I have to make sure I add what I like about the fact that Scottie in particular is the one who is my teammate! Aside from his irresistible good looks, I love working with Scottie because he’s such a great example to me. He’s an incredibly hard worker who is never finished learning and who always wants to do better. And then there’s me… sprawled on the couch watching him do all this stuff to better himself while I’m content to just lay there watching the E channel on TV! His quest for knowledge drives him and it really does mean that he will always be growing. Who can be around that without feeling the need to step up to the challenge as well?! He patiently pushes me to be a better person (very, VERY patiently!). He also takes care of some of the businessy junk that I hate so that I can be free to do the creative stuff that I adore… so I love him for that as well!

Scottie: See I told you that you need me… who would do your taxes?!


Q12. Any last advice for amateur photographers who are looking for a way to make the leap into full-time?

Scottie:Take your time, do it right, and learn from others mistakes instead of making your own. This is the biggest mistake I made! You need to have another source of income while you take the needed time to learn. If the only means you have to take care of yourself is photography and you are new to it, you’re going to make mistakes that could’ve/should’ve been avoided.

Take your time, do it right, and learn from others mistakes instead of making your own. And also find a great network of other photographers who can support you!

The biggest thing I think everyone should consider is that starting your own photography company is running an actual, legit business. Just because you like photography, doesn’t mean you like being a business person… there’s an unbelievable amount of work that goes into a business that most people don’t anticipate. If you don’t think you’d enjoy running another kind of business, you probably won’t enjoy running a photography company either. I totally respect people who decide they just want to get the opportunity to take pictures full time and that’s the extent of what they want to do. If that happens to be you, consider that there are plenty of companies out there who are doing all the business work and want to hire you just to take pictures, so start looking into one of those.

Breanna: A lot of the horror stories we hear are from people who hired a “new” photographer who ended up just being bad on the business side and it screwed up the couple’s wedding pictures. Of course more often than that, we hear of people who just ended up with wedding pictures they aren’t happy with because they hired someone who wasn’t experienced enough. We can’t stress enough how much people need to second shoot with other photographers before jumping in (we can say that because we’ve experienced it both ways)! There’s so much more to shooting a wedding than just walking around taking pictures. It’s an entire process and it involves a lot of skills and knowledge on top of just knowing how to get a good shot.

Scottie: The final thing I would say is to join the Professional Photographers of America (PPA) and listen to just about everything they have to say.

Breanna: And also find a great network of other photographers who can support you! There’s nothing better than to feel like you have a place to go when you need advice or you’re at your wits end. Just knowing there are others out there like you is a huge comfort. Other photographers are also fun because they tend to be really, really cool people…. like us!


Conclusion

A huge thanks to Scottie and Brianna for taking the time to answer all of our questions. Be sure to stop by the Radiant website, blog, and Facebook page for more information and to get a look at their full portfolio.

Feel free to use the comments below to ask Scottie and Breanna your own questions about starting a photography business. Also be sure to share your own expereinces with making the jump to full-time!

Wp Blog Creator

Looking for php expert to create a simple solution to create WP Blogs

for beginners

the interface will be on my sever

the user will enter important information like blog urls

then choose a theme

then click a button and the WP Blogs get created

this must be made dead simple even your grandmother can create WP Blogs at will by entering needed information push a button and many WP Blogs can be created at will

I will be looking at the lowest bids first, you bid too high I will delete you.


Will discuss more in PM.

you must be familiar with this


Do not bid if you are not the programmer, also do not bid till discussing project with me.

I am no longer accepting any 3rd party bids,
this means if you are getting this project for someone else don’t waste your time, I no longer work with anyone other than the programmer

this is a straight forward project if you know what your doing

Will discuss project in PM

must be done quickly and in budget

All software created developer is to deliver all source code to me to do with it as I please. All rights to this software will be turned over to me.

1) Complete and fully-functional working program(s) in executable form as well as complete source code of all work done.
2) Deliverables must be in ready-to-run condition, as follows (depending on the nature of the deliverables):
a) For web sites or other server-side deliverables intended to only ever exist in one place in the Buyer’s environment–Deliverables must be installed by the Seller in ready-to-run condition in the Buyer’s environment.
b) For all others including desktop software or software the buyer intends to distribute: A software installation package that will install the software in ready-to-run condition on the platform(s) specified in this bid request.
3) All deliverables will be considered “work made for hire” under U.S. Copyright law. Buyer will receive exclusive and complete copyrights to all work purchased. (No GPL, GNU, 3rd party components, etc. unless all copyright ramifications are explained AND AGREED TO by the buyer on the site per the coder’s Seller Legal Agreement)

WordPress Custom Field Search

We would like to have a wordpress module for creating search fields where our visitors can use advanced search fields in order to search for companies with specific details.

These fields already contain in our (wordpress custom fields) database but need to be implemented. We’re looking for both a plugin as well a good search engine on the front end which delivers the best and most smart results to the visitors.

Attached is a screenshot how we want the plugin to work.

Create a Nature Inspired Surrealistic Room in Photoshop

Creating a surreal image composition in Photoshop often involves mastering the various techniques and tools that Photoshop has to offer. In today’s tutorial we will demonstrate how to create a surreal nature inspired room using many of Photoshop’s most useful and popular tools. When we are finished you will have learned how to create a room with realistic water as its floor, real clouds on the walls, and a boat floating in the water with waves crashing in its wake.


Final Image Preview

Let’s take a look at the image we’ll be creating. Want access to the full PSD files and downloadable copies of every tutorial, including this one? Join PSDTUTS PLUS for just $9/month. You can view the final image preview below or view a larger version here.


Resources


Step 1: Creating a New File

Create a new file that is 3000 x 3000 pixels, 300 dpi, 8 bit RGB Color, with a Transparent Background.


Step 2: Create the Walls

To start off, let’s open Big Blue Sky. We will be using this to create the walls of our room. So let’s transfer it to our 3000 x 3000 layer. Click our stock image, press (M) to activate our Marquee tool and select the sky; making sure to leave the trees outside the marquee box, once you’ve done that press (V) and drag the selected part of the image by holding down the left mouse button to our canvas. See example below:

Decrease the size of the Blue Sky image to fit our canvas. Activate our ruler by pressing Cmd+R. Now that the ruler is active, create a guide at 5.3 in. See image below:

Press Cmd+T to transform our image. Resize it to come up with something similar to the image below:

Now it is time to create the room’s perspective. Let’s set the navigator to 15% so the ruler would be counting in 1’s. See image below:

Activate your marquee tool and use it to select the area from axis 5.3 in of the ruler on the left to axis 3 in on the top ruler. An example is shown below:

Now use the transform tool and right click anywhere on the canvas and left click on the Distort tool. Follow instructions as seen on the image below:

Do the same thing on the axis 5.3 in below and axis 7 in to 10 in on the top ruler. See instructions on the image below:


Step 3: Adding Texture to the Walls

In this Step, we will be adding a texture to the very flat looking wall. We will be putting the texture over the clouds to give it a feel of a dirty wall. Let’s open our 18 Vintage Photoshop Brushes. (Note: After downloading this brush set, extract it to ABR file to “Adobe Photoshop > Presets > Brushes”)

We will need to apply the brush on a clean layer so create a new layer. Press Cmd+N or click on the “Menu bar’s Layer > New > Layer.” You may also create a new layer by pressing the paper button located on our Layer Window. Be sure to rename our new layer as “Wall texture: middle” Changing the layer’s name is easy, just click on the words Layer 1, double click on it and there you have a new name for it.

Press (B) to activate your brush tool and right click anywhere in the image and click on the button that resembles the play button on audio players then left click on Replace Brushes.

Replace your current brush set with our “18 Vintage Photoshop Brushes” which should appear as “vintage-paper-brush” in your Photoshop Brushes folder. Don’t worry you may revert back to your original brush set by loading your choice of brushes or if you’d like to use the original Photoshop brushes just click on the play button again and click on Reset Brushes.

Now you see the brushes have been replaced. We will be using only one of the 18 brushes. The other brushes are nice but the one that I picked fits well with our image. With the proper opacity, it would make our wall look really convincing. Click on the brush that has a size of 1650px. See image below:

Once you’ve clicked it, the brush will appear on screen ready to be stamped to our canvas. Notice that the brush is on a horizontal position? We need to flip it to a vertical position. First set your brush Opacity to 100%. Set the Brush color to this value: #494949 on the color picker. See Reference below:

After that, apply the brush anywhere on the image. Next, transform the image by pressing Cmd+T and Rotate 90 degrees CW. Once it has been rotated let us transform it again to make it fit the wall. Be sure to activate the ruler since we will need it throughout. Transform the image and align its width from the axis 3in to 7in on the top ruler and be sure its height is in the axis 5.3in on the left ruler. Reference is below:

After doing that, transform the image and click Flip Horizontal.

Now let’s lower the layer’s opacity. Go to the Layer Window and change the Opacity to 25%.

To create the texture for the wall on the left just duplicate “Wall texture: middle” press Cmd+T and click Flip Horizontal and then rename it to: “Wall Texture: Left” We will need to distort it to fit the wall, so let’s transform the image and use the Distort Tool. Distort the texture like we did with our sky image earlier to fit the wall and make sure to align it to axis 10in on the ruler on the left. Set its opacity to 50%. See reference below:

For the wall on the right just duplicate “Wall Texture: Left” rename it to “Wall Texture: Right” and drag it using your Move Tool (V) to the right. It should now look like this:

Group all the Wall textures to keep things organized. To create a group, “go to Layer > New > Group” and name it “wall textures.”

Let’s darken some parts of the wall to enhance the contrast and appearance. Activate your Burn tool by pressing (O) and clicking on that tool to bring out the menu shown on the image below for instructions:

Set the Burn tool values to the following:

  • Brush size: 900px
  • Range: Midtones
  • Exposure: 35%

The reference below shows the region to be burned or darkened.


Step 4: Creating the Floor

For our floor, we will be using the image Stormy Sea. Open the file, use the marquee tool and select the sea and drag it to our 3000 x 3000px layer and put it under all the layers that we have created. Transform it to fit the canvas and make it look like the room’s floor. See reference below:


Step 5: Creating the Waves

A sea without waves wouldn’t look or feel like a real sea right? So let’s add some waves on the walls to make it feel an authentic sea. Create a new layer, name it “wave1”. Activate your brush tool and replace it with the brush set: Waves Brush by anaRasha. When it opens, pick the wave brush which has a size of 600px. Press (D) to revert the foreground color and background color to its normal state which is black and white and then press (X) to revert back it to their original position. You should now have the color white selected. Press (B) again to activate the brush.

Use these brush values:

  • Brush Opacity: 100%
  • Set its size to 600px (default size of the brush that we’re going to use)

See image below for instructions:

Rotate the image by pressing Cmd+T and clicking Rotate. Rotate it so that is it straight and aligned with the sea; right click on that selected area and stretch the image (press free transform and stretch it) so it fits perfectly with our floor. Instructions are shown below:

Next, let’s create a new layer for our new wave and name it “wave2.” We will be putting this on the right wall. In total there will be 13 waves. Activate your brush tool, make sure that the brush setting you’re using is still the Waves brush by anaRasha and click the wave brush with the size: 526px. Do not change the brush size, just use the default size and then brush it over the right wall, just beside “wave1.” Make sure to rotate it to be aligned with the wall.

Press Cmd+T to transform it once again and this time click Scale, for we will be resizing it to be aligned until axis 8 of the left ruler. Just erase the unwanted waves that appear. I would recommend using an Eraser Hardness of 0% and a Opacity of 100%. You can do that by clicking the Eraser tool or pressing (E) and then changing the Hardness to 0%. See reference below:

Create a new layer and name it “wave3.” Open your brush tool again and click on the wave brush which has the size 461px. Use the default size and brush it over the right wall just in line with “wave2.” (You can move it using the Move tool or V) Remember to erase the excess waves. See image below:

Create a new layer for “wave4.” Use the same brush we used for “wave3.” Brush it on the right wall just beside “wave3.” Remember to rotate it to be aligned with the present waves and erase the excess waves that you see. See image below:

Now for the left wall, just duplicate “wave2” and “wave3” and align them to the left wall. Do the necessary rotations to align it with the wall. See reference below:


Step 6: Creating the Splashes on the Walls

Now we will be creating the splashes on the walls. Activate your brush tool and replace the current brushes with the Water Effects brush by fiftyfivepixels. We will be adding some authentic-looking water splashes with the help of these brushes. Create a new layer and name it “wave5.” Activate your brush tool once again (Take note that the brush opacity should still be set to 100%) and follow instructions from the image below:

Change the brush size to 1411px and brush it over “wave1.” Erase the excess waves. The result should be similar to this:

Create a new layer and name it “wave6.” Open your brush tool and select the brush indicated by the image below:

Once you’ve selected your brush, change its size to 1014px. Brush it on the left wall over the duplicated “wave2” and “wave3” layers. Then use your Distort tool via the Transform tools and distort the layer so it is aligned to the wall, making it look like it is splashed on the wall. The result should look something like this:

Create another layer and name it “wave7.” Pick the brush as shown in the image below:

Use the default size which is 2500px. Apply the brush in this manner as seen in the image below:

Remember to erase the unwanted waves.

The result should be similar to this image:

Create a layer and name it “wave8.” Pick this brush from the brush palette (waves brush by anaRasha) as seen in the image below:

Apply the brush like this:

Now we will be distorting “wave8”, this will be a bit tricky so pay close attention to the images shown below:

Erase the excess waves.

Create another layer and name it “wave9” and pick the brush as shown in the image below:

Use its default brush size which is 2500px and apply it to the image as shown below:

Hit the Cmd+T key (transform tool) and click on Distort. We will be using the same distort technique as we used in “wave8.” See reference below:

Erase the excess waves to come up with an image similar to this:

Create a layer and name it “wave10.” The brush that we will use is shown in the image below:

Apply the brush on the center of the image without changing the brush size, and then activate the Transform tool and click Rotate 90 degrees CW. Resize it and move it to the right wall – to where “wave 9” is located. After you’ve done that, transform the image by using the Distort Tool so it would be aligned to the right wall. Scale it to the size of “wave9.” See image below for instructions:

Duplicate “wave10”, activate the Transform tool and click Flip Horizontal. Move the duplicated layer using the Move Tool to the spot shown in the image below:


Step 7: Inserting the Boat and the Clock

Now that the background is complete, let’s add our subjects. Open Clock by Mind IllusionZ. We’ll be using the Polygonal Lasso Tool to separate the clock from its background. Now, activate the Polygonal Lasso Tool (L). You’ll find it in the Tools Window just below the Marquee Tool. See reference below:

Now that you’ve cut the clock, let’s move it to our canvas by using the Move Tool (V). Rename the layer to “clock.” Activate the Transform tools and scale it down to the level shown in the image below:

Create a new layer and put it under the clock’s layer and name it clock’s shadow. We will be adding some shadows to the back of the clock to give it depth and to reduce its flatness. Activate your brush tool and right click on the image to bring up the menu and click Reset brushes. Resize your brush to 150px (recommended) and then set its opacity to 25%. See reference below:

Now let’s add the boat. Open Toy Boat and cut it out from its background using the Polygonal Lasso Tool. Once you’ve done that move the boat using the Move tool to our canvas and put it on top of all the layers. We will need to change its Brightness/Contrast, so select the boat’s layer and “go to Image > Adjustments > Brightness/Contrast.” Set its values to:

  • Brightness: -25
  • Contrast: -39

Then Flip the boat horizontally via the Transform tool. Scale it down to the level shown in the image below:

Now let’s add waves to boat. Click the Stormy sea layer which is located under all the layers and activate the Clone Stamp tool (S). Use these values:

  • Brush size: 70px
  • Opacity: 100%

See the image below for instructions on where to clone:


Step 8: Retouching the Image

Technically, our image is complete but let’s spice it up a bit more.

First let’s add more shadows to the walls to give it some more contrast. Create a new layer and name it “shadows.” Just put it under the boat’s layer. Activate your brush tool and use these values:

  • Opacity: 15%

You’ll need a huge brush for this. I would recommend using a brush size of 1400px. See image below for reference as to where we would add the shadows:

Let’s create a Gradient Map to increase the image’s contrast. “Go to Image > Adjustments > Gradient Map” or you may click on the Create a New Adjustment Layer button (circle button) just beside the “Create a Group” button in the Layer window. See the reference below for the shortcut:

Once you have the gradient map on your Layer window, you will notice that the whole image turns into a high-contrast Black & White image. We don’t want that; so click on the Blending Mode which is found on the Layer window. Click on the word Normal to bring up the menu and find the setting labeled: Luminosity which is found in the bottom most part of the menu. Set the Opacity of the Gradient Map to 100%. The result should be similar to this:

Now let’s make the image a little bit darker to increase its impact. We will be using the curves tool. Click on the “Create a New Adjustment Layer” button and input these values:

  • Input: 137
  • Output: 122

The result should be similar to this:


Step 9: Creating the Vignette

Let’s create a vignette to further enhance the perspective of the image. To do that, we need to create a new image. “Go to File > New or press Cmd+N.” Use the same settings as the current image. Create a new file with the same settings as with our canvas except that the background contents should be white (Refer to Step 1)

Once it has been created, “go to Filter > Distort > Lens Correction.” Find the tab Vignette and use these settings:

  • Vignette amount: -100
  • Midpoint: +50

Drag that vignette layer to our original image and put it on top of all the layers that we’ve created, and then use these settings:

  • Blending mode: Multiply
  • Opacity: 75%.

You can adjust the opacity if you wish but I would strongly recommend 75%. Notice that the bottom part of the image seems a little dark. Use your Eraser tool to erase it. Make sure to use the following values.

  • Brush size: 1400px
  • Opacity: 50%

See image below to see where you will need to erase.


Step 10: Giving the Image Another Retouch

At this point our image is mostly complete but let’s add some finishing touches for good measure.

Increase the image’s contrast. Click on the Create a New Adjustment Layer button and pick Brightness/Contrast and enter these values:

  • Brightness: 0
  • Contrast: +7

Now let’s adjust the Color Balance. Click again on the Create a New Adjustment Layer button, and pick Color Balance and enter these values respectively:

  • -6; 0; -14

Create another Gradient Map from the Adjustment layer button and set it to Luminosity, Opacity: 25%.

Adjust the Brightness/Contrast once again but input these values:

  • Brightness: +5
  • Contrast: 0

Let’s add more Cyan and Yellow to our image. Create another Color Balance Adjustment Layer from the Adjustment Layer button and input these values respectively:

  • -6; 0; -6

You may also want to lower the Opacity down to 70% so it is not too green.
Finally, let’s bring out the whites in the image by increasing the contrast. Create another Brightness/Contrast adjustment layer and input these values:

  • Brightness: 0
  • Contrast: +6

Step 11: Sharpening and Saving as PSD

Go ahead and save your file. We can further enhance this image by sharpening it. “Go to Filter > Sharpen > Smart Sharpen” and input these values:

  • Amount: 125%
  • Radius: 1.0
  • Remove: Gaussian Blur
  • Check the More Accurate box

Conclusion

Take a look at the final image that we created.

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White Label

We are an ecommerce website partnering with a youtube like website and would like to integrate our online store into their website.

The new website created should be looking like our partner’s website (theme , colours ) and integrate our products , and a shopping cart.
To sum it up , once a customer makes a purchase on the partner’s website, an automated order notification is generated sent to us so we can process the order.

Website will be developed using LAMP, the CMS must be user friendly, must be able to add/remove stock, manage prices,etc.

Keyword Research for Sales and Business

First, a word of warning. This isn’t a keyword research primer for hardcore internet marketers. This is for the rest of us. Most of this will be familiar to anyone seriously involved in internet marketing, but even the most basic keyword research concepts are unfamiliar to 95% of the population.

There are two main ways of making offers for your company’s products or services. You can use your experience to intuit what your customers want, or you can do actual market research. The usual tools for conducting market research are polls and focus groups. Unfortunately, these can be loaded methodologies, since polling makes it hard to avoid positing leading questions and answers, and focus groups tend to generate self-conscious feedback that’s not representative to real-world customers. Both approaches elicit reactive information.

So how can we find out what’s on customers’ minds without asking them? Welcome to the wonderful world of keyword research.

I’m going to create an example in real time without editing it later to prove a point. Suppose I’m a software developer interested in selling a product in the computer security niche. Most vendors like to create a product first, then figure out how to market it. It’s much more efficient to take the opposite approach. We want to find the best marketing angle, then create a product to fill it. That way we don’t have to spend weeks or months creating a product which, we discover in hindsight, nobody wants.

For simplicity’s sake, I’m limiting this example to two types of computer security products: firewall software and antivirus software. Instead of asking myself, “What’s the best way to market these?”, I ask myself a smarter question, “Which one is an easier sell?” The latter question breaks down into two further nuances: “Which one are more people looking for?” and “Which one is more commercial?”

Using the Google AdWords Keyword Tool

To answer these questions, we’re going to use the free Google AdWords Keyword Tool, sometimes called the “Google Keyword Tool” or, less accurately, just “AdWords”. This is the tool advertisers use to determine what search keywords to bid on to trigger their ads. I’ll explain that later, but for now, let’s finish my hypothetical software marketing example.

Go to the Keyword Tool by hitting the link above, or just do a search for “keyword tool”, which usually brings it up as the first search result. If you found it by doing a search, click the “Get keyword ideas” link in the middle of the home page. Now, in the center field captioned, “Enter one keyword or phrase per line”, put in the first keyword, “firewall software”, hit Enter, and on the next line put in the second keyword, “antivirus software”. Now enter the CAPTCHA (a word rendered as a graphic to avoid automated queries) in the box below, and click the “Get keyword ideas” button.

We first need to configure the tool to show the information that’s relevant to what we’re doing, and hide the information that isn’t. In the Match Type dropdown menu, set the type to Exact. In the menu captioned, “Choose columns to display”, select “Show Estimated Avg. CPC”, then select “Hide Advertiser Competition” and “Hide Local Search Volume”. Click the header for Global Search Volume to sort the the data in descending order by this column. Now scroll down to the end of the first keyword list (there are two lists — we’re ignoring the second one in this context), and click “.csv (for excel)” to export the list to Excel.

In the top row of letters, double-click in the separator between the A and B columns to expand the cells of the keyword list. Now click in D2 and enter the following formula: “=b2*c2*.43″, hit Enter, click on D2 again, and double-click the lower right corner of the cell to auto-fill the rest of the column with the same calculation. With the values still highlighted, right-click on the column, select Sort from the context menu, then select Sort Largest to Smallest. This will bring up a Sort Warning that you’ll leave in the default option selected, “Expand the selection”, and click Sort. Then click D1 and type “KW Value” to create a header for keyword value.

The results will vary, since AdWords bids fluctuate like stock prices, but in my spreadsheet, a broad insight stands out: the market for the keyword “antivirus software” is 10 times bigger than the market for “firewall software”: $426K vs. $42K. We’re multiplying the number of searches per month by the cost per click — the amount of money advertisers are willing to pay to capture a reader who clicks on their ad with the respective keyword. The top search result on page 1 of Google statistically gets 43 percent of all of the search traffic, and since advertisers can buy a Sponsored Link directly above this spot, they’re getting roughly the same percentage.

An internet marketer would make further adjustments for clickthrough rates — if you got 43 percent of all search visits, only a tiny percentage of those would actually click on the ad — but that’s beyond the scope of what we’re doing here. We’re only trying to compare the relative size of the markets we’re considering. Between two keywords, the one with the bigger market is either more popular (higher search volume), more commercial (higher cost per click) or both.

What about Competition?

Internet marketers will quickly point out that I’ve left out a key part of the equation: the amount of competition surrounding each keyword. An ideal keyword is one with a search search volume, a high CPC, and a low competition. In this context, “competition” is the number of pages indexed by Google for that keyword relative to the number of searches for it.

Competition is a worthwhile subject to cover in a later post, but I’m skipping it here because we’re not necessarily applying insights from keyword research to internet marketing.

Here’s an example. Suppose you had a law firm in Los Angeles that you wanted to promote with print advertising. Which wording in the Yellow Pages or in the Los Angeles Times’ classifieds would yield better results? Would a headline with “Los Angeles Lawyer” or “Los Angeles Attorney” perform better? Well, “Los Angeles Attorney” has a 20% higher keyword value. As a bonus of extracting our keyword list, we can also discern which niches of legal service are most in demand. “Los Angeles Criminal Defense Attorney” and “Personal Injury Attorney” ace out “Los Angeles DUI Attorney” and “Los Angeles Criminal Attorney” in keyword value by 25%.

Unlike online advertising, where paying for more valuable keywords costs more, there’s no cost difference whatsoever in print, and competition factors are less relevant. Keyword research has an enormous amount of leverage beyond applications to internet marketing. Spend some time experimenting with the Keyword Tool, and see if you can find new ways to create or position your products, your services, or yourself.

How to Create a Vector Baseball Bat and Ball

In this tutorial, you'll learn how to create a baseball bat and a baseball using Illustrator’s 3D tool and blends. We’ll utilize 3D art mapping for texture creation and pathfinder tools to create this classic illustration of a bat and ball.

Step 1

Open up a new document and select the Ellipse Tool (L). Create a circle and fill it with gray for now and a 1pt black stroke.

Step 2

Create a sickle like shape with the Pen Tool (P) and fill it with a darker gray.

Step 3

Reselect the Ellipse Tool (L) and create a shape like in the image below. Fill it with white.

Step 4

Select the Pencil Tool (N) and start drawing a stitch like shape (A). Make sure the path is closed. Fill it with red and set the stroke to black. Then create two small black circles (B) and place them on the tips. Last, create two small strokes with the Pencil Tool (C) as well.

Step 5

Group the stick (Command + G) and make a duplicate (Option-drag). Place them apart and select both. Create a blend (Command + Option + B). Then open the Blend Options (Object > Blend Options) and set the Specified Steps to 24, or whatever distance you want to achieve.

Step 6

Then select it with the Selection Tool (V) and rotate it 45 degrees. With the selection still active, go to Object > Envelop Distort > Warp Options and apply the settings below.

Step 7

Rotate it slightly clockwise.

Step 8

Reflect the stitches (Select object then hit O + Option-drag).

Step 9

Make a copy of the original circle for the baseball and place it above the stitches. Set the fill and stroke to none. Then select the stitches and the circle and apply a Clipping Mask (Command + 7).

Step 10

Now we have the stitches clipped.

Step 11

Place the stitches on top of the baseball objects.

Step 12

To make the baseball look a little more ragged, add some strokes with the Pencil Tool (N). You can replace the stroke with a brush of your liking.

Step 13

To make the baseball a little bit more flashy, we will had a few highlights. Create a half circle and fill it with white.

Step 14

Then with the half circle selected, go to Effect > 3D > Extrude & Revolve and apply the settings below.

Step 15

Place the 3D object on top of the baseball and set the Layer Mode to Multiply, 100%. Of course, you could create a circle with a radial gradient fill instead.

Step 16

Create a small gray ellipse and place it under the baseball. Then apply a Feather effect of 30pt (Effect > Stylize > Feather).

Step 17

The baseball is ready.

Step 18

Let’s move on to the baseball bat. Have a look at some baseball bats and pick a nice one for your reference. Then start creating it with the Pen Tool (P) in outline. You need only create half of it. Make sure the path is closed. Set the Stroke to a beige color.

Step 19

Since we want to add a small detail to the bat, select the Pen Tool (P) again and add two extra points to the outline along the handle. Then with the Scissor Tool (C), cut both points by simple clicking on them. Then select the small path with the Direct Selection Tool (A) and set the stroke to red.

Step 20

Select the outline and apply the 3D Revolve Options below (Effect > 3D > Revolve). Make sure you place the highlight so it shows a nice end of the baseball bat.

Step 21

For the wood texture we need to create a symbol so we can apply it as a texture map. Select the Pencil Tool (N) or the Pen Tool (P) and create a few lines, one thin and one thick in a beige and brown.

Step 22

Then select the Warp Tool (Shift + R) and warp the lines a bit.

Step 23

Then select all the lines and drag them into the Symbols Palette.

Step 24

Reselect the bat and open the 3D Revolve via the Appearance Palette. Click the Map Art button and add the wood symbol.

Step 25

Last but not least, add a shadow just like we did in Step 16. You can make a copy of the bat, expand the appearance and fill it with a gray color. Then apply the Feather effect again. Make sure you scale or rotate the shadow shape.

Conclusion

This is the finished artwork. A baseball bat and a baseball. I hope you enjoyed this tutorial.


Rewrite 300 Articles

Hi,

I need some one to rewrite 100 % uniqe 300 article. Each article should be of around 350 words. The budget is very very low. Its a good opportunity for the coder to get thier first review.

Article should pass copyscape. Will keep some % of money in escrow and will be transfering as the work progresss.

Those who can not work with the given budget do not bother to bid.

Please attache your previous writing sample work in .doc file.

Google Data Scrape Script

I need a script to do some data scraping, something that will be used on a regular basis.

For a given search phrase e.g. “cat”, I need the urls for each item in
a) the search results pages
b) the ads.

User Input would be

1) search phrase
2) number of search pages or results to find the urls for
3) include ads display url or not.

Script should be in PHP, should not use a database.

Results should be the list of URLs found in plain text, in two textAreas.

EXAMPLE:

search for “cat” returns:

SEARCH
en.wikipedia.org/wiki/Cat
www.cat.com
icanhascheezburger.com

ADS
www.PetSmartCharities.org
northeastanimalshelter.org
AnythingPaintedOnCanvas.com
….

Graphic/animation/flash

need a graphic dedsigner / animation/flash speaclist to design two 20 second video/animation commercial..

– final format shld be wmv & avi files..
– done needs to be complleted within 24-48hrs…no exception..i have a deadline ..
– animation should look like this ; www.mytaxitv.ca

again i need a very quick turnaround on this..check my feedback i pay 100% on time and i work with professionalism…hence i ve dealt with a lot of time waster…and i wont be paying any escrow..its a big pain cancealin escrow and getting my funds back..

2 animated ads for $20 each..pls send past work and do not bid more than $40..