This Is How You Do a Global Meetup [Video]

From Bangalore, India, to Sofia, Bulgaria, to Los Angeles, California and back to San Francisco, our network of readers threw an unforgettable, global, TechCrunch birthday bash. As a thank you and tribute to our readers, we’ve put together a brief video to highlight your efforts. Video above.

According to Meetup, the final tally was 360 meetups on Friday, with more than 4,400 attendees.

There was no dominant format. Some featured full-blown agendas complete with panels and startup presentations, others offered TechCrunch Jeopardy and many, simply featured beer. American Fork, Utah, which did not offer beer or Jeopardy, was still home to possibly the largest TechCrunch event with more than 500 attendees, according to organizer Dan Garfield (manager of online marketing for OrangeSoda).  The meetup, which featured musical acts, the consumption of more than 1200 hotdogs and sausages and a dancing man in an orange, full-body spandex suit, was part-barbecue, part-block party, and all held in OrangeSoda’s parking lot. You can find their full video here.

Meanwhile, more than 8,000 miles away, underneath a section of scaffolding in Bangalore, India, nearly 150 people gathered to discuss the latest technologies and listen to presentations from local startups. Further south, in Jakarta, Indonesia, 99 attendees showed up, including representatives from Admob and Yahoo Indonesia, to discuss Yahoo’s recent acquisition of Koprol, the investment climate, and how to do business abroad.

In Brussels, Belgium more than a dozen readers gathered at a bar named Au Soleil, while in Tokyo, attendees celebrated a man (who for one reason or another, that may or may not be related to TechCrunch) dressed as a storm trooper, and finally, in New York, attendees took advantage of a four-foot tall ice luge.  Yes, it was strange, yes, it was wonderful, and yes, this post doesn’t have a lot to do with “technology news,” but we can’t wait to see what you guys come up with next year.


NSFW: Content Is King! Rest In Peace, Content

“Can Tim Armstrong make AOL king of content by 2010?”Blog headline

If it were done when ’tis done, then ’twere well / It were done quickly”Macbeth

There’s something about the idea of “New York Internet Week” that I’ve always found inherently funny; like “Saudi Arabia Bring Your Daughter To Work Day”, or Greenland being called Greenland.

Ironically for a city that’s always been so adept at branding itself, New York has always struggled to articulate its place in the worldwide web, and Internet Week is the clearest manifestation of that identity crisis. Name an industry that the Internet is disrupting: newspapers, publishing, advertising, banking – and you’ll find its heart in Manhattan. Despite the best efforts of Mayor Bloomberg and, uh, Dennis Crowley to paint New York as the place to do business in Web 3.0, the fact is that billions of advertising and investment dollars continue to flood west, never to return. And yet New York, bless it, continues to try to stay relevant – for one week a year at least – to the industry that’s bleeding it dry.

Witness the Webbys – the awards ceremony that congratulates New York based celebrities who have learned to tweet – witness the awkward panels filled with mismatched home-grown personalities (“Julia Alison meets Jeff Jarvis“) and witness (if you can’t avoid it) the week-long parties where thousands of identically unique hipsters cram into lofts to drink booze sponsored by one or all of the east coast’s four successful start-ups.

Even when they invite west coasters to get involved, the effort manages to come off more weird than wired: I was flown to town, on the kind of handsomely subsidised meal ticket only New York can offer, to moderate a panel on “Internet dating in a web 2.0 world” for an audience of feature writers from women’s magazines. This despite the fact that asking me to help navigate the minefield of online dating is like asking Rudolf Hess to give guided tours of Dachau. Nice try, New York.

And yet. While it’s easy for me to mock New York Media’s bewilderment over the Internet (see!), there was a marked change in atmosphere during this year’s Internet Week, compared to last year’s. A definite uptick in confidence, not all of which can be put down to the fact that Dennis made it on to the front cover of UK Wired. No, the change in attitude in New York towards the Internet can more fully be attributed to one word: content.

New York is a content town and, thanks in large part to AOL and Yahoo, content is once again king. Speaking at Disrupt last month, AOL’s Tim Armstrong boasted that AOL “is planning on being the largest high quality content producer for digital media”. Yahoo is taking a similar – if less clearly defined – approach, purchasing Associated Content for somewhere in the region of $100m and now, if rumours are true, eying up the Huffington Post. For the New York media crowd, this is great news – great news for journalists who are being laid off left right and centre, great news for newspapers and publishers who smell lucrative content syndication deals and great news for pro blog networks who might finally see an exit. If content really is king, then New York is its ready-made kingdom.

And yet. And yet.

The way that the likes of Tim Armstrong use the phrase “content is king” conjures up a noble image. An image of professional journalists and highly-skilled writers, possibly wearing crowns, slaving over hot typewriters to produce 1000 words of crisp copy for an eager online audience; or perhaps of sharply-written web video, a la College Humor’s original programming, or the New York Times’ daily video podcasts. For ‘content’, New York media folks read a web 3.0 of professionally produced news, analysis, entertainment – the antithesis of web 2.0′s user generated horse-shit. No wonder they’re salivating.

But that’s a very east coast – with its proud history of newspapers and publishing – interpretation of the word. Over on the west cost (and note: I’m using that term in its laziest sense to cover all Internet companies including those who, by accident of birth, have offices back east), “content” means the precise dictionary definition of the term: “something contained, as in a receptacle”; generic filler to pack inside an empty box to make it attractive to advertisers. Low-paid, illiterate swill, commissioned by the ton to provide SEO ad inventory. Just consider Associated Content and how it describes its goals post- Yahoo acquisition…

“Associated Content is now a part of Yahoo! – the world’s largest online company, with more than 600 million unique visitors a month. Yahoo! plans to leverage our content to extend its leadership and build upon their global properties to deliver personally relevant content in a scalable and efficient manner.

I mean, kudos to the company for not using the words ‘writing’ or ‘journalism’ to describe what their crowd-sourced hacks do, but it’s still hard to imagine a more mercenary way to describe the craft of writing. These are not writers, or journalists; these are self-confessed generators of content in the much the same way that horses are self-confessed generators of glue.

At least the Huffington Post employs real writers – assuming your definition of ‘employs’ doesn’t require there to be payment or any meaningful editorial support and if your definition of ‘writers’ includes the authors of stories like “Sex Tapes Of The Past Decade: A Look At The Noughties’ Naughtiest” and “Indonesia’s First Celebrity Sex Tape Scandal” and “Kendra Wilkinson’s Sex Tape RELEASED, NSFW Preview” – all examples from the past few weeks.

Even the web editions of respected offline brands are going the same way. The editorial focus of Forbes Online – a mish-mash of celebrity slideshows and tacky lists of ‘Americas best paying blue-collar jobs‘ and ‘hottest summer convertibles‘ – couldn’t be more different from its print counterpart which still has ambitions to be a serious news magazine. (Truth is, today’s Forbes Online is a pale shadow of even its own glory days: this is the online publication which saw Adam Penenberg break the Stephen Glass story).

Of course, the relationship between editorial content and advertising has always been strained, in a cant-live-with-it-cant-live-without-it way. But in traditional media – for the most part – the lines were respected: editorial staff did their job, advertising staff did their job and somehow the relationship chugged along.

In new media, however, editorial content exists to serve only one purpose; as a hook on which to hang advertising. When an Internet company commissions content, their measure of success is quantitative not qualitative: does the block of words pack in enough high-buzz keywords to rope in a hundred thousand or so Google searchers? And can it be spread out over enough pages to provide half a dozen ad impressions for each of those users? If so, great: now they just need the users to click on one of those ads and GTFO, which probably explains why so much online content peters out within 30 seconds of the headline.

Jeff Levick, president of global advertising at AOL, sums up the company’s editorial policy thus: “we have insights into our audience, and can produce content they want, which leads to engagement, which leads to what advertisers want.” Therein we see the critical difference between the old media attitude towards content and the new media alternative.

The old model favoured originality: break a story that no-one else has covered or write a fresh new take on the world and the audience would come, bringing with them advertising and sales. Under the new model, originality and exclusivity are the kiss of death. SEO-driven advertising depends on knowing what people are already looking for, and delivering content that satisfies that desire; nothing more nothing less.  SEO-driven content is the opposite of journalism and creativity, just like New York’s interpretation of the phrase ‘content is king’ is the opposite of Silicon Valley’s.

It’s a depressing truth, but an important one for anyone in New York media – or elsewhere – gets too excited about the idea of a content revival. Before Harry Potter, no-one knew they were looking for books about wizards; before the Washington Post broke their most famous story, no-one knew they were searching for information about a robbery at the Watergate building, or the subsequent money trail to the White House. Put simply: if Ben Bradlee were an editor at one of today’s Internet companies, instead of the Washington Post in the 1970s, he’d almost certainly have spiked the first Watergate exclusive in favour of a slideshow of cats who look like Nixon.

“We know there’s a market for that shit. I’ve seen the numbers!”


5 Tips To Transition From A Free To A Paid Service

Editor’s Note: This post is written by Dave Schappell, Founder and CEO of TeachStreet. In it, he talks about his company’s transition from a free to a paid service, and shares five tips that may help other startups make the leap as well.

Over the course of the last two-plus years, I’ve worked with a team that has lived the web service transition from free to paid, as TeachStreet has evolved from a place to find local classes in Seattle, to a global supplier of online and local classes (I’ve included a high-level timeline of our full 2-year transition, at the bottom of this post).

The discussions around freemium and the like are numerous — I won’t bore you with additional words on those topics.

I’ll assume that:

  • you agree that ultimately your revenues need to exceed your expenses
  • you’re able to build something that delivers value for your customers, and some of them are willing to pay for that value
  • turning on fees won’t destroy your business (in our case, we were a class/course marketplace; we needed to be sure that fees wouldn’t cause our inventory of classes, that we had built up since April 2008, to disappear)

Finally, I’ll assert that there are many reasons to offer a product for free (e.g. it may be an incomplete product in the early days; free is an excellent way to allow customers to try your product and gauge the value delivered; free may help with distribution/spread; and many more totally valid reasons)

The big question is, “how do you transition your free customer base to a paid customer base, without upsetting/losing all of them?

Here are 5 tips to help you transition customers to a paid service:

1) Give your customers plenty of notice, and give them a (real) chance to comment/contribute feedback.

Remember that many customers are not only willing to pay, but deem for-pay services to be of a higher quality. When we pre-announced our pricing changes, we had our share of negative responses. But, we also received positive public replies, and many private mails telling us that they were excited about the change (because it would reduce the clutter/competition for their classes; they wanted us to be around over the long-term; it would mean we’d have money to advertise for even more customers; etc.)

The response from customers also told us that we had been doing a very poor job of communicating our value to them. Many said that we’d never delivered customers, but when we looked at their teacher dashboards, we saw large volumes of visitors, and leads delivered. We realized that we had forgot to set up and communicate that value with a regular metrics mail! Thus, we prioritized building and delivering that communication before we turned on fees.

Several teachers also asked why they couldn’t ‘earn listings’ by doing things other than paying money. We thought that was a wonderful idea, and built a way to do just that (see #3 below).

A recent example where a fee increase was initially handled poorly was at ZenDesk. Initially, their announcement led to a huge customer backlash; happily, they made changes to the pricing proposal that grandfather’d in existing customers. As a long-time ZenDesk customer, I’m glad they listened and made changes, but I’d bet they could have handled this better with some more open customer discussions.

An example where I think this was handled very poorly was when Ning changed their fees — it seems like they just threw many customers out to the curb, with no input, and no negotiation.

2) Price it ‘fairly’ (probably still at a deep discount)

The price obviously needs to work for your income statement as you look out 6-12 months. But, it really needs to work for your customers. If the alternatives are much more attractive, expect to see customers flee.

In our case, we priced new listings at $3 — those listings last 30 days, or until we deliver 10 customer leads (whichever comes first). Many in the lead-gen industry scoff at this $0.30/lead pricing, but we had to look at free alternatives such as Craigslist and Twitter. Ultimately, we know that we’re a lot more than just a listing tool — we deliver strong SEO benefits, reviews/ratings, payments, UGC tools and more. And, all for less than a cup of (Seattle) coffee. If we can’t make that pricing work, then we’ll just have to deal with the ramifications. It seems fair.

Results to date are very promising – our number of teachers paying for listings, subscriptions and featured fees have grown by 6-7x since before the change – in order to continue their support, we know that we’ll need to deliver them value (i.e. student leads):

Will we have to raise prices in the future, or adjust the # of leads? Of course, that’s a possibility. But, we don’t expect to do so in the next year. We’ll continue to review the service/benefits, and we’ll do our best to be transparent with our customers.

3) Offer your customers a way to get your product for free

Money is one of many forms of compensation. In our business, high quality content (articles, Q&A, etc) are equally or more valuable, as they help search engines to find our site, and in turn, help people discover great classes/courses, and teachers/schools.

We ended up creating a virtual currency model where a teacher earns a ‘point’ for each article written, or question answered. And five points can be redeemed for a free class listing. A teacher can quickly find five questions to answer, and thus earn a free listing in less than 10 minutes. Within a week of launching our virtual currency, 9% of all our listings that week were paid for with points. This helps us (great keyword-rich content for search engines), but also helps the teacher, as we automatically merchandise their class listings around any articles and answers that they provide. And active teachers have their classes show more highly in search results. We see this as truly a win-win, and we don’t miss the $3 at all!

Many businesses could do a better job with this. I like how Flickr handles it, as I’ve fluctuated often between a Basic and Pro Flickr member. I know that I’ll always return as a Pro, but there are times when it’s less necessary. Thank you to Flickr for making it so easy. I wish Netflix would do a better job of this, giving me continued access to my movie wish list, and recommendations, as I frequently transition from paying to non-paying customer, as my free time fluctuates. But, they lock me out of my movie list when I’m not paying — why?

4) Provide Grandfather’d Pricing for long-time customers, or give them exclusive benefits

If you have a free service, this one is quite difficult, because there are bills that need to be paid. But, if you’re a service that has decided that you need to raise prices, you should seriously consider locking in the old pricing for your existing customers. Or, gradually increase prices. Or, provide them with a generous allotment of credits (you get the idea).

In our case, we created a promotion, offering 6 months of Pro Member benefits for $10 per month (compared to $29.99/month). The weeks prior to this promotion our Pro Member subscribtions were relatively flat; two week after running the promotion our subscriber base increased by 152%. We were psyched to see the level of redemptions on this offer, and hope that we can continue to earn their trust/business over the next 6 months. If we don’t, we didn’t deserve it to begin with.

Some other examples:

  • SEOMoz is probably the best source of SEO advice/tools on the internet. They used to be free, but have gradually introduced monthly/annual memberships. The current cost is $799/year (I think), but when I joined in 2006, it was $299/year. What’s cool is that they still honor the $299/year fee. At that price, I’ll never go away — and, I continue to rave about them to my friends! And, while I know it’s a steal at $799, I still may balk at it, because I know what I paid once upon a time. Great job, SEOMoz, for thanking those who helped you get where you are today.
  • Airlines do a TERRIBLE job of this — how many of us have been lied to by airlines with their frequent flyer programs? They tell us 20k miles will get us a free flight. Then they limit the seats. Then they have offers for 40k and 60k miles. Then they shut down the programs entirely. I’m OK if they change the rules going forward, but to change the rules for the miles that I earned under their earlier offer is just wrong.

5) Make the transition gradual, if possible — people should only pay if you’re delivering value

In our case, we decided that teachers should only have to pay to re-list a class if we’ve delivered a lead to them in the preceding 30 days. So, if a teachers lists a piano class or a photography lesson and we don’t get them a customer phone call, message, or enrollment in the next month, we simply re-list the class for free. That way, they don’t need to think about re-paying until the point where we’ve delivered value. And, we grandfather’d in our existing listings in a similar fashion. This served a double-benefit — for teachers, they’re guaranteed value (it’s another way of saying ‘thank you’ for being early supporters) and for TeachStreet, it maintained class selection, which is good for search engine traffic. In fact, we’ve grown our overall listings significantly since before the change in fees.

Other businesses will have their own unique characteristics — you could slowly implement fee increases for existing customers (as discussed above), provide transition pricing, or convert past-activity into benefit/tier levels, to name a few. But, you get the idea.

Moving from a free service to a paid service without scaring off customers can be done. With better quality data on TeachStreet we have been able to increase the number of leads to teachers by 25%, students are receiving faster responses from active teachers, and our operational revenue has doubled since launching our paid service.

In closing, remember that making the free-to-paid transition gracefully is just good business. Not only are these your longest-time customers, who have helped you in myriad ways (feedback, patience, content, etc.) but the impact of making this transition poorly can be disastrous and/or long-lasting, with negative PR, ruined relationships, and unpleasant employee morale issues.

I hope the list above is helpful — and, I’m sure that I missed some things. Please contribute ideas in the comments.

This is a high-level view of TeachStreet’s product/pricing history:

  • April 2008 – launched site for classes, courses, teachers, schools (TeachStreet) in Seattle with ~25k classes, courses, schools and teachers – teachers could add unlimited classes, and students could contact teachers. The product had limited functionality, but it let us demonstrate value, work on our user-generated-content tools, and learn from customers (100% free)
  • August 2008 – April 2009 – expanded to ~7 additional cities, and significantly expanded tools for teachers (phone tracking via twilio, teacher metrics dashboard, and much more) (still 100% free)
  • July 2009 – introduced Student-to-Teacher payments (powered by PayPal), so that enrollments and payments could be processed on the site. Note that it took us 15 months to launch this feature — you could argue that we shouldn’t have launched without this, but we believed that we needed to demonstrate other value-add first. Students paid a small booking fee (to cover payment processing costs) and Teachers paid a commission (still 100% free to create class listings, but some fees coming from enrollments)
  • September 2009 – introduced Pro features for teachers at $29.99/month. Gave them extra on-site promotion, additional marketing tools, free payment processing, and more. (still 100% free to create listings, but revenues are building from services)
  • September 2009 – April 2010 – tested/optimized/weblabbed the site – implemented additional lead-tracking and lead-measuring improvements – we knew that if we didn’t deliver value (more, new students) to teachers/schools that we’d never earn their business. (still 100% free to create listings, but revenues are building from services)
  • April 7, 2010 – we “pre-announced” the introduction of fees for all new class listings
  • April 27, 2010 – we “turned on” listing fees for all new listings (100% of new listings are paid; All Listings are Revenue-enabled)
  • May 12, 2010 – last day of $10/month promotion to “Go Pro” (6-months at $10/month; compared to regular $29.99/month rate) (100% of new listings are paid; All Listings are Revenue-enabled)
  • June 6, 2010 (at present) — Traffic’s been growing, Revenue has ramped sharply, and we’re 100% sure that we’re going to have to keep pivoting. Because that’s what startups do.


Like Unvarnished, Duedil Is A Reputation System For People


We’ve seen how Unvarnished is setting out to create a kind of “Yelp for people” where you get reviewed as a person whether you like it or not. Now a new startup has appreared hoping to do something similar, but this time within a network that will give it significant traction from the word go: LinkedIn.

Here’s how it works: A user of Duedil will be able to submit comments or “reviews,” whilst other users will be able to “reply” to them by deeming them “fair” or “unfair.” In other words it’s a kind of ‘karma reputation’. Since the reviews themselves are subject to the scrutiny of other users, the reputation system itself becomes the focus of the system, rather than the object of the reviews (you).


Chatroulette Enlists Shawn Fanning In The Fight Against The Masturbators

Russian website Chatroulette, founded by Andrey Ternovskiy, is perhaps most well known as a place to watch men expose their genitals.

But that hasn’t stopped up to a million people a day from visiting the site. And it has been featured on both the Daily Show and South Park.

And wow has Ternovskiy been courted by Silicon Valley and other investors. SGN founder Shervin Pishevar helped bring him to Palo Alto and get set up in an apartment. In May the New Yorker talked about how Russia’s DST was having him followed when he first visited the U.S. And we’ve heard rumors of angel investors and venture capitalists circling Ternovskiy like a hawk.

The problem is the site is quickly losing its appeal as more and more people are turned off by the sheer number of people exposing themselves or worse on the site. The brand is becoming permanently associated (with help from those Daily Show and South Park features) with the more disgusting parts of humanity.

Can Chatroulette become something more? Look for feature changes soon that will try to send all those penises to the background. The service may add software that can quickly scan video to determine if a penis is being shown. And users that are consistently quickly skipped over (presumably because they are exposing themselves or otherwise being disgusting) can be flagged as well. With those and other changes Chatroulette may be able to put people who actually want to talk to each other in touch much more often.

And that’s where real growth might happen. “There just isn’t anywhere on the Internet for you to meet new people anymore,” says one investor that wants in on Chatroulette. “The potential for online dating, which is largely what pushed early Facebook growth, is unlimited.”

But Ternovskiy’s caution may doom the site. He has rebuffed most offers for help, say our sources, and investors and advisors are starting to give up. “If he doesn’t make a dramatic move soon to clean up the service, the brand will be permanently tarnished,” says another interested investor.

One person that Ternovskiy does seem to trust is Napster founder Shawn Fanning, who is currently hard at work on his most recent startup Path. Fanning is an advisor to Chatroulette, he confirms, and has been working closely with Ternovskiy for the last month or so. “I’m fascinated by Chatroulette and Andrey,” he told me yesterday, “and I want to help him any way I can.” Fanning stresses that the advisory role is informal, uncompensated and that he works with a number of other entrepreneurs as well.

It isn’t clear yet what happens next for Chatroulette. Ternovskiy will either push on independently and try to grow and clean up the site on his own, or he’ll embrace the Silicon Valley ecosystem and get other people and investors involved.

It’s clear that people are fascinated by the concept of talking to strangers from the relative safety of their computer screens, and Chatroulette satisfies some basic human need to connect to others. But sadly it also satisfies the basic human need of some people to show the world their penis. And that parade of penises is driving everyone else away. Chatroulette needs to decide what it wants to be when it grows up, and it needs to decide soon. Otherwise it will be nothing more than the punchline of a joke, and even that will grow old quickly.

Watch our interview with Ternovskiy here.


Le Web 2010 Speakers Announced

Le Web, in Paris on December 8-9 2010, has announced their initial speaker list. It has clearly emerged as the largest and most important Internet and technology conference in Europe and is becoming a must attend event despite the miserable Paris weather in December. Co-organizers Geraldine and Loic Le Meur continue to ham it up with promotional videos for the event, and this one cracks me up. In the past we’ve partnered with Le Web to do startup launch events and I’ve had one or two controversial moments on stage. I’m looking forward to being there again this year.


Infinity Ventures Summit In Sapporo: 11 Demos From Japanese Startups (GeeksOnAPlane Final Stop)

Just a handful of the 30+ Geeks On A Plane (GOAP) who started their Asian field trip in Shanghai, and then moved on to Beijing, Seoul, and Singapore, made it to Japan, the final stop of the tour. The highlight of the Japan leg was the Infinity Ventures Summit (IVS) in Sapporo [this and many of the following links are in Japanese], a two-day, invitation-only event that takes place twice a year. Organized by VC firm Infinity Venture Partners, the IVS attracted over 400 people from the domestic web industry and a number of international attendees this time.

The agenda was filled with panel discussions and presentations on the hot topic in Japan’s web industry today, social gaming. The other current hot topic, the launch of the iPad in this country late last month, was reflected in the launchpad, which gave a total of 11 Japanese startups the chance to demo their products.

In the end, V-Sido For Smartphones, a piece of real-time control system software for humanoid robots, won the title of best demo.

But here are short profiles of all the 11 products that were shown on-stage. (Please note some of the companies have yet to launch homepages in English.)

The winner and runners-up of the IVS launchpad

V-Sido For Smartphones by Wataru Yoshizaki
Best of show went to robot fanatic Wataru Yoshizaki who already made it to second at the last IVS launchpad. V-Sido For Smartphones is a real-time control system for humanoids that turns smartphones into multi-touch remote controls for those robots. For example, if the user draws the shape of a star on the phone’s screen, the humanoid in question does the same in the real world (and in real-time). Move your fingers faster, and the robot will move its arms faster, too. Yamazaki said his future plans include developing a solution of life-sized robots and commercializing V-Sido by year-end.

Skip to 3.08 in this (Japanese) clip for a short demo:

AQUSH by Exchange Corporation (first runner-up)
Much like Zopa in the UK, AQUSH is a peer-to-peer lending service that connects people with extra money with those who want to borrow money. Launched in December last year, the site allows lenders to set their desired investment amount and interest rates from 4% to 15% for 5 classes of borrower credit risk, as denoted by AQUSH itself. Loan applicants are screened by AQUSH based on their credit histories, financial situation and FICO scores. AQUSH says borrowers borrow at 11.6% on average (6.5% cheaper than traditional lenders), while lenders can expect a return on investment of 7.8% on loans (compared to 3 year time deposits that pay 0.15%). The goal is to unlock some of the more than $7 trillion of retail cash and bank deposits by offering individual investors access to the $300 billion Japanese consumer loan market.

iogous by Fringe81 (second runner-up)
iogous is a patent-pending display ad optimization solution. The tool breaks down each display ad into six components: main visual (for example, a picture), catch phrase, logo, “action button” (for example, “Click here”), format, and background color. iougous can then create thousands of “optimized” banner ads by combining these elements (see some examples in the image below). Fringe81, the startup behind the service, claims customers can expect up to 80% increase in CTR when compared to using traditional, static banner ads (more info in English here).

PartyGames by KLab (third runner-up)
PartyGames is a series of multi-player games developed for the iPad and iPhone. The main idea is to use an iPad as the main screen and then have a group of players use their iPhones as individual game screens, for example to play poker in the real world (the devices are linked via Bluetooth). KLab has so far brought PartyPoker to the Japanese AppStore. “PartyCoupleMatching” (game for group dates) and others (PartyDarts, PartyBowling etc.) are on the way.

Here’s a video showing how PartyPoker works (here‘s the PartyCoupleMatching video):

Lifelog system L+ by Ryo Koshino (fourth runner-up)
L+ is a lifelog tool for Android that makes use of four hardware elements: GPS, Bluetooth, accelerometer, and microphone. The tool aims at answering the question what you did at which location, at which time and possibly together with whom. L+ helps you to keep track of how many steps you took at a given day (via the accelerometer), how you moved around the city (via GPS and Wi-Fi), and whom of your friends you met or who’s around (via Bluetooth connection). Activity is recorded for future reference through Google Maps, calendars, and various stats L+ creates while in use.

The best of the rest of the IVS launchpad

Here’s a list of the six other products that didn’t make the cut:

  • Zeptopad Planner Note, a note and whiteboard app for the iPad that lets you easily create vector images and comes with a ton of features (iTunes)
  • Cerevo Cam Live!, a 9MP “social camera” that uploads pictures to the web (via Wi-Fi or 3G) and livestreams video over Ustream directly from the device
  • GQ iPad version, an app that focuses on monetization through digital ads from luxury brands and features in-app movie clips (for example, movie trailers)
  • Fastweet Live HD, a Twitter client for the iPad that helps users keep track of “hot” hash tags and displays relevant tweets in matrix format (not yet released/iPhone versions in iTunes)
  • Motion Dive .Cast, a feature-rich application that lets users remix and create videos with their iPad
  • TweetBubbles, an Adobe AIR Twitter app that allows participants of presentations to overlay comments or questions (as tweets) in bubbles on top of the presentation

Japanese tech blog Tech Wave offers video recordings of all 11 demos on its Ustream channel (all presentations were held in Japanese).

Information provided by CrunchBase


Quick Tip : Modelling and Rendering a Pillow in C4D

In this quick-tip tutorial we’ll be taking a look at the techniques required to model a basic pillow/cushion object in Cinema 4D. After applying a simple material, we’ll then investigate using Maxon’s “Advanced Render” system to add a depth of field (DOF) effect to our final render. For anyone doing arch-vis interiors in C4D this tutorial is a must see!

Step 1

Create a cube with 760cm x 280cm x 760cm sizes and 50 x 1 x 50 segments.


Step 2

After making your object editable (shortcut “C”) select the “loop selection” tool.


Step 3

Select all of the side faces on the cube object by clicking one of the side polygons.


Step 4

Add the “Cloth” tag to our cube by right-clicking it’s name in the “Objects” tab, and selecting the option shown.


Step 5

After selecting the “Cloth” tag, switch to the “Dresser” Tab and turn on “Dress Mode”. With that done, change the “Relax” and the “Dress-O-matic” step values to 35 and set the “Width” to 5 cm. Then press the “Set” button in the “Seam Polys” row.


Step 6

Now click the “Dress-O-matic” button to have C4D automatically create our basic pillow shape.


Step 7

We now need to go in and delete the “Cloth” tag that we previously added to our object, so select the “Cloth” tag itself and hit backspace on your keyboard.


Step 8

With our pillow selected, go to “Character > Cloth NURBS”. Drag the pillow object onto the “Cloth NURBS” object to create a parent-child relationship.


Step 9

Now create a new material, by going to “File > New Material” in the Materials tab.


Step 10

Click on the color swatch and select a color for your pillow. Click “Ok” to confirm.


Step 11

From the basic options, turn on the “Bump” channel checkbox.


Step 12

With the “Bump” channel options visible, click the “Texture” dropdown arrow, and go to “Surfaces > Simple Noise”.


Step 13

Click on the “Simple Noise” text to access the shader properties.


Step 14

Set the U and V Frequency values to “40″.


Step 15

Click the back button at the top of the material editor to return to our noise settings.


Step 16

Change the “Blur offset” to 1 %.


Step 17

Now drag and drop the new material from the material tab on to the pillow object in the viewport, which will add the tag shown.


Step 18

We now need to create an environment for our pillow, so first create a “Floor” object.


Step 19

Now create a “Sky” object.


Step 20

Open the “Render Settings” window.


Step 21

Click the “Effect” button and add “Global illumination” from the dropdown. Repeat this process to add “Depth of Field”.


Step 22

In the “Depth of Field” settings tab, change the “Blur Strength” to 15%. You can now close the “Render Settings” window.


Step 23

Now’s the time to create a slightly more interesting scene! So create several copies of the “Cloth NURBS” object and arrange them roughly like I have in the image below. You can also create different copies of the pillow material, allowing you to add different colors to each pillow object.


Step 24

Create a “Camera” object.


Step 25

Select the camera, and under the “Depth” tab enable “Front Blur” and “Rear Blur”.


Step 26

Switch to “Right view” (Press F3). We now need to set the focus point. This is done using the square in the centre of the camera cone. Click and drag the middle of the 3 centre points to set your focus point. You can also click and drag the other points to control the blurry areas in your final render.


Step 27

We now need to set our camera as the main scene camera, so go to “Cameras > Scene Cameras > Camera”.


Step 28

Now click the render button to see the final result.


Step 29

After rendering, I apply a basic S-curve to the final image using the curves tool in Photoshop.


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