Canon Upgrades Its Revolutionary EOS 5D Shooter

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Canon EOS 5D Mark iii

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The 22.3-megapixel Canon EOS 5D Mark III captured some of the cleanest images I’ve seen from a DSLR when shooting in low light at high ISOs. That’s no small feat. Cameras such as the 5D Mark III’s predecessor — the 5D Mark II — and the 16.2MP Nikon D4, are designed as low-light assassins, with large, full-frame sensors approximately the same size as a frame of 35-millimeter film.

That the Canon 5D Mark III does so well in so little light is all the more impressive because the pixels on its 36 x 24-millimeter CMOS sensor are smaller than those in the lower-resolution D4. Tinier pixels have less surface area for absorbing light and should, theoretically, stumble more easily in the dark. Not so with the 5D Mark III.

The camera’s ability to shoot crisp images in only available light — and intentionally murky light at that — allowed me to put away my external flash and keep my subject looking soft and natural.

Even at ISO 25,600, which makes the camera’s chip so sensitive to light it can almost “see” in the dark, my still-life test shots with the Mark III had few crunchy, digital artifacts — aka “noise” — in the shadow areas. The results carried over to real-world usage in an outdoor portrait session I shot with the 5D III.

The camera’s ability to shoot crisp images in only available light — and intentionally murky light at that — allowed me to put away my external flash and keep my subject looking soft and natural. It’s not that you can’t create a similar effect with a flash if you know what you’re doing, it’s just that with the 5D Mark III, it’s often unnecessary.

On the downside, when I zoomed in, I saw slightly less detail than competing cameras such as the Nikon D4. The 5D Mark III’s Digic 5 processing engine seemed to smooth out the rough edges of my shots. This was disappointing considering the 5D III’s 22.3 megapixels of resolution should have allowed me to make nearly billboard-sized prints from my photos without sacrificing image quality.

In decent natural light or in controlled studio lighting though, the 5D III’s photos were fabulous, with my portrait session producing creamy skin tones and attractive colors. If you photograph weddings, parties, or people in general, this is the camera for you. The 5D III’s 6-frames-per-second continuous shooting and improved durability with weather resistance are a step up from the previous model. I photographed a model moving through quick poses outdoors under threatening skies without worry.

The 5D III’s HD video skills have improved, too, with more frame speeds and compression options that allowed me to experiment with different looks and files sizes. While the previous 5D model was a truly groundbreaking videography tool upon arrival, there’s not as much of a revolutionary shift evident here. But I loved the high-quality HD movies I shot, which were crisp and nearly artifact-free, thanks to the better processing from the 5D III’s Digic 5+ chip.

WIRED In-camera HDR (High Dynamic Range) feature combines three shots into one image with better exposure. “Silent” shooting mode helps capture stealthy candid portraits. Rank photos in-camera with 1-5 stars, then carry those ratings over to Adobe Lightroom, Adobe Bridge and Apple Aperture. Same 61-point (41-cross-type-point) autofocus system as top-of-the-line Canon 1D X.

TIRED Only slightly more resolution than four-year-old previous model. Starting price nearly $1,000 higher than predecessor. Built-in mic only offers mono sound.

Photos courtesy of Canon, Inc.

Pint-Sized Picture Machines: 4 Compact System Cameras Tested

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ts_compactsystems5_f_0

That vacation to Yellowstone is too exciting and too beautiful to document with just a smartphone. This emerging category of hybrids delivers DSLR-grade images sans the DLSR-grade bulk.

The Basics

Are these DSLRs or point and shoots?

Neither. They eliminate the bulky mirrors and prisms that power a DSLR’s viewfinder, so these cameras are smaller, lighter, and cheaper. But their manual controls, interchangeable lenses, and big sensors (typically either APS-C or micro four-thirds, the same units found in consumer DSLRs) make them far more versatile than point and shoots.

I’m not ready for a step up in complexity.

These models have simple interfaces, so if you’re used to a point and shoot, the only step up you’ll take is to much better photos.

Are there any drawbacks?

These are bigger and heavier than point and shoots—no slipping them into your pants pocket. And because there’s no DSLR-style viewfinder, you have to compose with a tiny electronic viewfinder or back-panel LCD. The broad range of maximum-zoom apertures here (typically f3.5-f6.3) can make it difficult to get a shallow depth of field.

Buying Advice

All the cameras in our roundup take sharp, accurate shots that can be printed beautifully as large as 16 by 20 inches. The differences are in their interfaces: Some serve pros looking for a backup camera, while others are beginner-friendly. Here’s a quick test: Pick up a camera and try to adjust the ISO, video frame rate, and exposure settings in less than two minutes. If you fail, look for something simpler or prepare to spend some time learning.

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Photo-Editing Apps the Experts Use

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Turn your smartphone into an imaging powerhouse with the right software. We talked to Instagrammers Cole Rise and Doctor Popular about the tools that have helped them attract huge followings.

Cole Rise

Cole Rise created the above picture in PhotoForge2 by layering an image of a glass of water over a landscape photo, then using the vignette and curves tools for the final look.

Rise is a professional photographer whose moody shots will look familiar to any regular Instagram user — he created the Hudson, Sierra, Sutro, and Rise filters for the app, and he has more than 160,000 followers. Here he discusses some of the apps he uses to create his atmospheric iPhone photos.

ts_apps_fPhotoForge2
I love this app. It’s got great curve controls for adjusting colors. You can also layer effects and add blurs — a lot of the stuff you’d do with Photoshop. So you can do most of your editing in-phone, no computer needed. Some Instagram filters started with stuff I was doing here. Pro Tip: I add a layer that’s just color and create a vignette on it, rather than directly on the image, so that your vignette is in color rather than just gray scale.

ts_apps_fAverage Camera Pro
I get images with this that I would have thought I could only get with my Canon 5D Mark II. The app lets you snap a ton of photos in a row, up to 128, then averages them together. If you’re shooting moving water, for example, it will get blurred while everything else stays steady. (You need to use a tripod.) Rivers end up looking like bands of fog. Pro Tip: You can use it to average out noise in low-light settings, like at sunset.

ts_apps_fPhotosynth
Spin in a circle and snap photos for a 360-degree panorama. But what’s smart about this app is how it uses the gyroscope and accelerometer. As you move, it looks at the previous image and tracks the scene, then snaps for you at just the right moment. Pro Tip: The stitching isn’t so accurate close up. If you experiment with this, you can create portraits that look like photo collages — turn flaws to your advantage.

ts_apps_fLensFlare
The iPhone is already pretty good at creating lens flare, but you don’t know what you’re missing until you try this app. You can choose from dozens of lens and flare types and customize them with rotation and scaling to get the right effect. It’s great for landscapes. Pro Tip: Use it sparingly; it can look overdone and cheesy. The effect works best when you can’t tell it’s there. Drag the flare off the image so just a bit of it is showing.

Read on for some advice from the Doctor…

Buying Guide: DLSR Cameras

The Basics

What makes a DSLR “professional”?

There aren’t hard and fast rules, but several features set these cameras apart, like beefy alloy bodies, rubberized handgrips, and dependable shutters that can be fired hundreds of thousands of times without a hiccup. They also combine zippy, multipoint autofocus systems with the ability to fire upwards of 10 frames per second, meaning they can track and capture action in ways not possible with consumer models.

Read our reviews:

Why is it always Canon versus Nikon?

There are other camera companies selling DSLRs—notably Sony, Pentax, and Olympus. But when it comes to professional, $2,000-plus cameras, Canon and Nikon control 97 percent of the market, due mostly to their early dominance in 35 mm, which locked most pros into their lenses. And it’s clear that they care only about each other: Though their previous-generation pro-level shooters were on the market for years, their four newest models, featured here, all have release dates within just months of one another.

How important are megapixels?

No number is more misunderstood or abused than pixel count. What matters more is pixel size, and that’s dependent on sensor size. In two cameras with the same megapixel count, the one with the bigger sensor should produce better photos. In models with equal sensor sizes, the one with fewer megapixels should perform better in low light or at high speeds, and the one with more will capture better detail—if the lighting is good.

Buying Advice

Think about how and where you’ll be shooting. The action and variable lighting of reporting and sports photography require the more expensive models with fast motors and fat pixels; the controlled environment of studio work is very friendly to higher-pixel-count models.

Field Assignment: Photo Gear to Pack With You

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Booq Python Sling Bag

The single-strap design of this plush, comfy camera bag lets you easily access its contents without taking it off. And the smart interior layout makes great use of the relatively streamlined dimensions. There’s room for two DSLR bodies, five lenses, and a MacBook Air—all cosseted by padded dividers—plus external straps for toting a tripod.

WIRED As spatially efficient as a perfect game of Tetris. Water-repellent nylon exterior and a hide-away rain cover.

TIRED Encourages you to lug more stuff than you should be carrying on one shoulder.

$230 | Booq Python Sling Bag

Rating: 7 out of 10

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Photos: Greg Broom

Bone Machines

AfterShokz give your tunes an expressway to your skull. Photo by Ariel Zambelich/Wired

Most headphones block out all exterior noise, allowing you to become fully immersed in your music. But AfterShokz aren’t like most headphones.

They use bone-conduction technology to transmit audio waves to the inner ear through the skull, bypassing the eardrum completely. You place them on your cheekbones, just in front of your ears. Your ear canals stay open, letting you retain full use of your ears and remain alert and aware of ambient sounds while you also enjoy your tunes.

The concept initially gained popularity among military personnel, who need to be able to monitor remote communications while also being fully cognizant of their surroundings. But it’s spilling over into civilian life — to runners, walkers, and bikers who need to hear the sound of passing cars and oncoming traffic while they’re out trying to get healthy.

Put the headphones on and stick your fingers in your ears. When you hear the music coming through clearly, you know your bones are rocking.

Bone-conduction technology is still fairly new in the consumer space. A few companies have tried their hands at the tech, but the results remain overpriced and less-than-ideal. The first viable contender comes from AfterShokz, which makes two varieties of wraparound-style bone-conduction headphones: the $70 Mobile and the $60 Sport.

How well do they work? The answer, at least for the AfterShokz Mobile set I tested, is surprisingly well.

I could hear music loud and clear when I placed the smooth, orange, rubber transducer pads (for lack of a better term) right in front of my ears. The tunes came through with much more volume than I expected, and the fidelity — while not nearly what you’d get from a high-end pair of noise-canceling cans — was quite good.

The headphones can handle just about all the volume your mobile can supply, and they provide ample treble and more bass than you would anticipate from something resting on your cheekbones. In fact, they get so loud that the transducer pads noticeably vibrate as they rest on your cheekbones — you can literally feel the bass. Some might find that distracting, but it didn’t bother me all that much. It will, however, give anyone in the immediate area a reason to dance, as they’ll be able hear your music pretty clearly.

Sound quality is good, and nearly great at times. But given that the main reason you’ll likely be spending dough on a pair of bone-conduction headphones is practicality and not great audio performance, I would have settled for sound quality measuring just above mediocre. And as far as what they’re meant to do — allow you to listen to music while also being able to hear everything around you — they perform great.

How do you know the AfterShokz Mobile are actually transmitting sound through your cheekbones, and you’re not just hearing the music blasting out of tiny speakers? Put the headphones on and stick your fingers in your ears. When you hear the music coming through clearly, you know your bones are rocking.

Those little orange pads are bone-shakers. Photo by Ariel Zambelich/Wired

The headphones require a power source: in this case, a small, rectangular battery box that clips to your shirt. The box itself isn’t heavy, and it also houses the power button and the talk button on the Mobile version. The Sport version also has a battery box, but it has volume buttons in addition to the power button. It’s slightly awkward — the clip on the back of the box seems misplaced, making it hard to clip to a high-necked t-shirt. It feels like it should be rotated ninety degrees or be on a swivel.

The sound quality isn’t as good as high-quality buds, but it’s good enough, and you get the increased safety of not having headphones in your ears.

The battery box also means you’ll need to charge the headphones from time to time. AfterShokz claims the headphones will give you up to 15 hours of playback on a full charge, but I actually found that estimate to be low. After using the AfterShokz Mobile regularly for a few days, I didn’t have to recharge them once. Charging, nonetheless, takes about three hours for a full charge and uses the provided 3.5-millimeter-to-USB connector.

The AfterShokz Mobile headphones also include an in-line microphone, a nice addition that worked perfectly with my iPhone 4S.

One inexplicable oddity is the lack of the volume controls on the $70 Mobile model, which the $60 Sport model has. The good news is that AfterShokz is already at work on some revisions, and the new models will have over twenty new or revamped features. The battery box has been retooled to be 30 percent smaller and lighter, and for those with extremely large heads, AfterShokz says its next version will have a slightly larger wraparound headband (the headband on my tester was rather small, but fit me fine). There’s also a Bluetooth version on the horizon for some time later this year.

So, despite a few downsides, the AfterShokz Mobile are easily worth their bargain price. As long as you don’t mind the design quirks, I can recommend them. Just be aware that improvements are likely on the way.

The sound quality isn’t as good as high-quality buds, but it’s good enough, and you get the increased safety of not having headphones in your ears. If you’re a runner, jogger, walker, hiker, biker, or anyone else who frequently needs to be aware of their surroundings, the AfterShokz will be a perfect fit.

WIRED Easily the best bone conduction headphones currently on the market. Sound quality is better than expected. Safer than traditional headphones. Comfortable for long periods of use. Sweat and water-resistant. Comes with a nice, soft carrying case. People who wear hearing aids don’t have to remove them for use.

TIRED You need to keep them charged. Battery box is awkward. Vibrations at high volumes might bother some users. Bass could be stronger. No adjustable headband for the large-domed. Volume buttons missing on the Mobile version.

Goodbye Photoshop, Hello Cloudinary

cloudinary logo - transparent (500px)

Manipulating images for your website is such a tedious chore. You need to open Photoshop, click your mouse about ten thousand times, then save the file and upload it. Then next month you redesign your site and suddenly need to re-size all your image elements again! Startup Cloudinary has a good alternative for you: use custom URLs to transform your images in the cloud! I was a bit skeptical when I first read about Cloudinary, but after five minutes of goofing around with it I’m sold.

Upload your images — either through the Cloudinary dashboard or from your own applications via their API — and then access those images using specially crafted URLs to apply a variety of transformations to your images. That’s the real magic: you don’t need to do anything other than request your image with the transformations you want. Your original photo is still available, if needed, and each new variant you request is cached and delivered through Amazon’s CDN.

You want that full-size image scaled to 100 pixels high? Here you go!

http://res.cloudinary.com/demo/image/upload/h_100,c_thumb/butterfly.jpg

Oh, you just want the woman’s face from that photo in a nice 90×90 thumbnail? Cloudinary provides face detection, so no problem.

http://res.cloudinary.com/demo/image/upload/w_90,h_90,c_thumb,g_face/butterfly.jpg

You need rounded corners?

http://res.cloudinary.com/demo/image/upload/w_90,h_90,c_thumb,g_face,r_20/butterfly.jpg

Or how about a circle?

http://res.cloudinary.com/demo/image/upload/w_90,h_90,c_thumb,g_face,r_max/butterfly.jpg

Users can create named transformations in their dashboard, which can then be used in the URLs for convenience and clarity. “round_thumbnail” makes a better URL component than “w_90,h_90,c_thumb,g_face,r_max”, wouldn’t you agree?

Cloudinary can also trivially grab profile photos from Facebook and Twitter:

http://res.cloudinary.com/demo/image/facebook/scottmerrill

http://res.cloudinary.com/demo/image/twitter_name/smerrill
And all the various transformations can be applied to these images, as well.

Cloudinary offers a robust and well-documented API. Pricing plans look reasonable, and they have a free tier for low-volume or proof-of-concept users. Now you can quit mucking around with Photoshop and get back to agonizing over which font to use for your blog about ancient Egyptian cat worship.


Kickstarter Responds To Hidden “Failed Project” Claims

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Yancey Strickler, co-founder of Kickstarter, dropped us a line about the systems in place to “hide” failed projects. He told us that Kickstarter does indeed hide many projects from search robots, but it’s for a good cause.

“The original poster was correct in noting that we don’t have a browse area for projects whose funding was unsuccessful,” he wrote. “This isn’t to ‘hide failure,’ as the original post said, it’s because it would be a poor user experience (there’s no action that anyone could take) and it would expose the creators of unsuccessfully funded projects to unnecessary criticism from the web (those projects would be prime for trolling).”

“Most unsuccessfully funded projects come up short because of a lack of interest in the project or because their creators didn’t promote it enough, not because of the Kickstarter page itself. Success on Kickstarter comes down to making a video, pricing things reasonably, and telling people about the project.”

In fact, project creators asked that Kickstarter projects be de-indexed for a reason: they ranked high in search results and, if Google crawled them, the resulting failures would percolate towards the top. “Because Kickstarter projects index very highly in search, creators were seeing their unsuccessfully funded projects ranking extremely high — in some cases as the #1 result — for their name. That obviously sucked, so we made the decision to de-index them.”

The company has added a FAQ to address the problem here.

As we said before, this isn’t a marketplace, it’s a dog show. You don’t want the ugly mutts hanging around when there are plenty of great specimens to peruse. This is crowdsourcing perfected, in a way, and if there’s one thing we know about crowds it’s that they’re easily swayed, fickle, and rarely kind.


Solar Mosaic Raises $2.5 Million Series A To Be The “Kickstarter For Solar”

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Solar Mosaic, an Oakland, California-based startup that is creating a crowdfunding platform specifically for solar energy projects, has taken on $2.5 million in Series A funding.

The round was led by Spring Ventures with the participation of Serious Change, Jim Sandler, Steve Wolf, Tom Chi, and a group of angels from the “Toniic” investor network. The round was first disclosed in an SEC filing that surfaced earlier this week which was reported on by GigaOM’s Earth2Tech blog. Today the company confirmed the funding and disclosed more details.

Solar Mosaic, which also goes by just Mosaic, says it wants to be the “Kickstarter for solar” — enabling people to invest their own money into solar energy projects large and small. To date, the company has facilitated the crowdfunding for five projects in its beta mode, in which more than 400 people invested more than $350,000 in five rooftop power plants in California and Arizona. The company says it will use the new funding to build out its platform for crowdfunding on a larger scale.

Now, the Kickstarter comparison may not be completely accurate: According to Solar Mosaic’s website, investors earn a return from each project’s eventual revenue — so it seems to be facilitating actual equity investing, not the donation model used by sites such as Kickstarter. Today, only accredited investors are legally allowed to invest money into private companies in exchange for equity — and to receive accreditation, individuals must meet certain criteria such as having a net worth in excess of $1 million. Existing crowdfunding public platforms like Kickstarter allow people to fund projects on a “donation” basis — they can’t receive a stake in the company in return.

However, the JOBS Act signed into law last month contains passages that remove that restriction, allowing virtually anyone to invest in private companies. Crowdfunding as it stands right now is already huge — more than $1.5 billion was raised with crowdfunding methods last year alone — and the recently-passed JOBS Act will soon opening up the floodgates even further for a brand new investor class to enter the scene. The crowdfunding aspect of the JOBS Act is still being reviewed by the SEC, so Mosaic may be teeing up its widescale public launch until it goes live.

Overall, I think Solar Mosaic seems like a smart idea that comes at a smart time.Thanks to debacles such as Solyndra’s, government bodies and traditional venture capital firms are now a bit skittish about investing in solar energy and green projects. Opening up the space to crowdfunding could give the industry the jolt it needs to keep innovating. Of course, people looking to donate money have to be very careful here — but that is always the case, isn’t it?


The Rumored iPhone 5?s Four Inch Front Panel Can Nearly Swallow An Old iPhone Whole

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Another day, another iPhone 5 leak. This time we’re looking at a four-inch long front panel of what appears to be a new iPhone. This panel suggests a longer, 16:9 style body and screen and lines up with previous news of a longer iPhone casing with a Micro USB port on the bottom.

I’m very skeptical in regards to these videos simply because rapid prototyping and sourcing is getting so simple these days anyone can carve out a convincing iPhone shell and take some good footage of it. Am I skeptical enough to dismiss this outright, however? No.

Japanese bloggers at Macotakara acquired the piece and compared it to the current iPhone. The clear portion is almost as big as the entire screen of the old iPhone, making this a fairly radical redesign. It’s not as slab-like as other phones out there but it gives you a bit more screen for media consumption.

Will we really see this at WWDC this year? Who knows. It’s always nice to dream.




Timing Is Everything: Indie Movie Discovery Platform Prescreen To Close Its Doors

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It was just last September that we covered the launch of Prescreen, the startup founded by former Groupon and Zoosk execs that aimed to help independent films find the publicity they nearly always lack. To do so, they built a curated, on-demand video platform that would give filmmakers and distributors an alternative to traditional ad and distribution channels, while giving users an easy way to discover low-budget films they wouldn’t otherwise.

In February, Prescreen redesigned and relaunched with Facebook Open Graph integration, and in March added Netflix founding exec Mitch Lowe to its advisory board. Things were looking good.

But, as it goes in Startup Land, sometimes even veteran advisors, seed capital, and a good idea aren’t enough to keep a business afloat. Yesterday, Prescreen notified its users that it will be suspending its beta until further notice. While this doesn’t exactly mean that the startup has hit the deadpool, for all intents and purposes for its users, Prescreen is no longer operational.

Prescreen co-founder Shawn Bercuson tells us that, while the site will be officially closing its doors tomorrow, it’s reimbursing its users who had paid for movies — as well as its filmmakers — and is making an effort to put users who want to continue finding indie movies in touch with their creators. The startup will officially remain in a kind of holding pattern while the founders and advisors consider their options, as Bercuson says that it’s had interest from other companies in terms of both acquisition and merger.

That being said, much of the team has found — or is beginning to find — work elsewhere. And with $1.4 million raised from from the likes of Former Facebook VP Chamath Palihapitiya, Ed Cluss, Auren Hoffman of Rapleaf, Saad Khan of CMEA Capital, and having featured 168 films, rented more than 10K movies and having attracted over 115K subscribers (10 percent of whom became paying customers), it’s a disappointing end for the team.

“We’re obviously disappointed,” said Bercuson, who was also a founding ThePoint/Groupon employee, “but we’re going back to the drawing board proud of what we’ve accomplished … we see this is a part of the game we chose to play and are excited to apply what we’ve learned to our next endeavors.”

The decision to move on is also likely a result of something many founders and entrepreneurs are familiar with: Timing. As Marc Andreessen says, for startups, “timing is everything, but it’s also the hardest thing to control … being too early is a bigger problem for entrepreneurs than not being correct. It’s very hard to sit and just wait for things to arrive. It almost never works. You burn through your capital…”

While Prescreen saw interest both from users and filmmakers (and the co-founder added that some of its investors were willing to re-up), timing is crucial. The space is hot, and Bercuson believes that it’s inevitable that a platform like Prescreen will be successful, but the startup just couldn’t continue to bet on third-parties — or play the waiting game.

In the startup ecosystem, one company doing well often leads to success for many, but in Hollywood, the CEO says, it’s an individual endeavor. At this point, studios and executives see online, on-demand platforms like Prescreen as competition, and the whole digital realm as a “zero sum game,” he says.

I would argue that this is a frustration cord-cutters and everyone who consumes movies and TV shows online is familiar with — don’t want to pay for a subscription to HBO, but you want to watch the new Game Of Thrones episode without breakin’ da law? Good luck.

Content should live anywhere that people want to consume it, and eventually that will be the case. But change has been slow, as those who control rights, networks, and the distribution of content continue to fight it, Aereo being a good example. That may be the case with Prescreen, or it could be a number of other factors. We’ll update as wel learn more.

But, startups are on a different timeline, the Prescreen CEO admitted, and at this point it just wasn’t worth it for them to wait it out. Without mind-melting traction and with many obstacles still ahead, the costs were too high.

For now, the founders are considering whether to sell off the technology and move on or opt for a merger, perhaps working within a bigger entity that has more developed inroads in the industry. They haven’t ruled out the idea of eventually re-launching the website as is, with a new approach, but for now, that’s up in the air.

For more on Prescreen, you can find it here before the doors close on Friday. The startup’s notice to users is below:

Notice below:

Prescreen Notice of Change of Service

Please be advised that on Thursday, May 31, 2012, Prescreen will be suspending our initial beta test until further notice. We very much appreciate your interest in our service and hope that you enjoyed your experience with Prescreen.

In early 2011, we started Prescreen because we believed the future of film discovery and distribution is digital. Last September, we launched the beta version of our site to test this premise. In just 8 months, we proved that this is likely to be the case. In total, Prescreen featured 168 films, rented more than 10,000 movies, and saw more than 115,000 subscribers opt in to receive Prescreen movies. That said, we’re perfectionists and we still don’t believe we’ve seized the opportunity. For now, we’re going back to the drawing board. When we come out on the other side, we’ll be sure to let you know.

Team Prescreen thanks you for your support from the bottom of our digital hearts

Best,
Team Prescreen

Ryan Lawler contributed to this story


Fly Or Die: HTC Evo 4G LTE [TCTV]

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I’m smack dab in the middle of my HTC Evo 4G LTE review (the full review will be up tomorrow), but as I judge, I felt the need to bring John Biggs into the mix for a little Fly or Die.

Now, John is notoriously hard on Android phones, namely because they’re all incredibly similar. The Evo 4G LTE is no different. I, on the other hand, think it brings some pretty strong design language to the table, which could be great for someone looking to stand out.

I’m impressed with how comfortable the 4.7-inch 720p display is on the phone — usually that’s much bigger than I like (perfect “that’s what she said” moment, since you can’t say it yourself). But despite the fact that I threw out 25GB of free Dropbox storage, Beats Audio, and HTC’s Sense overlay, John still could not be impressed.

And to be honest with you guys, neither could I. Evo is a huge name to Sprint customers, but the yellow carrier has beefed up its offerings to now include the Galaxy Nexus and the iPhone 4S. Those are major competitors, which should crowd the shelves that the Evo line once dominated.

Dies across the board.

Check out the rest of my HTC Evo 4G LTE review coverage here.


First Impressions On Fluent, The Startup Promising “The Future Of Email”

Fluent-logo

Y Combinator’s Paul Graham recently begged entrepreneurs to consider “frightening ambitious startup ideas,” like building a better search engine or replacing universities. “Any one of them could make you a billionaire,” said Graham. “That might sound like an attractive prospect, and yet when I describe these ideas you may notice you find yourself shrinking away from them,” he said. “Don’t worry, it’s not a sign of weakness. Arguably it’s a sign of sanity. The biggest startup ideas are terrifying.”

Among those terrifying ideas was rethinking the inbox, and in particular, the Gmail inbox. Although there has been much complaining about the sorry state of email, very few companies are addressing the situation. It’s just too hard. But there is an interesting startup to watch in this space, which happens to be thinking about the bigger picture. The somewhat stealthy Fluent is not shy about its vision either, offering a tagline that boldly proclaims it’s offering “the future of email.” But can it deliver?

For starters, if anyone can ever disrupt email, why not three ex-Googlers who spent years working on Google Wave, among other things? Jochen BekmannCameron Adams and Dhanji R. Prasanna have the technical expertise (seriously, check the bios), and unlike the shuttered Wave experiment, Fluent is an entirely more functional and more attractive product. While many scoffed at Wave’s confusing, engineer-driven design, Fluent is the opposite. It’s simple, streamlined, and easy to use.

Currently, if you had to compare Fluent to something, then “the future of email” looks a lot like a web-based version of Sparrow, an email client which has been achieved some popularity among the Mac/iOS crowd. But Fluent brings a lot of new ideas to the table. Plus, it’s dreaming a bit larger, too. By starting with a web app, the team is building a front-end email client which could address users on any platform, desktop or mobile. Mac, PC or Linux. Phone or tablet. Or refrigerator…or so jokes(?) the company via blog post.

“Email hasn’t been innovated in 20 years,” explains Adams. “But in the last decade, there’s been a lot of change in how people communicate.” Communication is now more informal, more social. But while social messaging – like Facebook messages or Twitter direct messages – is good for quick one-on-one conversations, when you want to talk about multiple things, it’s easy for streams to get cluttered. Gmail helped with this by introducing threaded messages, but as you read, write and reply to email, there’s still a lot of context switching involved.

Fluent operates differently. Composing, replying, reading, archiving, deleting, searching, starring and “to-do”ing email can all be done within the one stream-like interface, no switching needed.

The Mobile Experience

While not there yet in terms of implementation, the company has a decidedly mobile-first mindset when it comes to using Fluent on smaller screens, like smartphones and iPads. The concept video (below), makes using Fluent on mobile seem more akin to navigating through a fun Twitter app than parsing an inbox. Swipes, gestures and touches let you perform tasks quickly, with optimizations for the screen size in question.

But let’s not get ahead of ourselves with all the drooling.

It Is Not An Alternative To Gmail, Just A Better Front-end

Today, Fluent is not an alternative to Gmail – it’s a cloud-based email client. The platform supports Gmail and Google Apps, and more email services will be added in the future. The company doesn’t plan to hand out their own email addresses (which could be truly disruptive to Gmail), preferring to operate as a new front-end to whichever inbox you use. Eventually, it will support IMAP and Exchange, too.  There are no plans to innovate in terms of email protocols, however, as Graham suggested, despite the team’s Google Wave backgrounds.

That being said, Fluent still has major potential. Fluent’s interface is elegant, presenting conversations as threads which you can step through with clicks or the familiar Google shortcuts (j, k to move forward and backward, e.g.).

But unlike most email systems, which require you to click to open a message, type, then hit “reply,” you can reply from the main inbox view in Fluent. That makes reading through your emails in Fluent more like scrolling through your Facebook News Feed and leaving comments. Want to reply? Just type in the “reply” box beneath the email thread, then hit send. As with Gmail, you can also star items from the main inbox view.

What’s New: To-Do’s, Attachment View, Instant Search & More 

Also unlike Gmail, it only takes one click to turn an email into a to-do item. (In Gmail, you check the email, click “More,” then “Add to Tasks.” In Fluent, you click the check mark.) Starred emails, to-dos and your Gmail labels are all available from the left side of the screen (or at the bottom in the current mobile view) for easy access.

There’s also an attachment view which lets you visually search through emailed files, filtering for documents, images, zip files, audio, or video. These concepts are not new (remember Xoopit?), but they’re implemented in a way that makes you thump your head, wondering “why hasn’t someone done this before?” (For what it’s worth, Sparrow is also rethinking attachments in other ways that make sense.) Adams says that the attachment view, as it exists now, is only “a taste” of what’s to come.

“People use email as a de facto backup system, but accessing those files is quite hard,” he says. “We want to make it more like a file system.” In the future, Fluent will let you cluster files by version, organize them with labels, easily search them and let you filter them by time, person and filetype.

Even more impressive than all the above is Fluent’s instant search. This is potentially the service’s “killer” feature. When you start typing in Sparrow or Gmail’s search box, you’re given auto-complete suggestions in a drop-down beneath the search box. Although Sparrow’s are pretty smart, in Fluent you’ll see actual emails matching your keywords appear instantly. The drop-down box’s suggestions show matching contacts, allowing you to find either a contact or email from one search interface. Fluent’s search feature doesn’t wait until you’ve completed a word, it’s truly instantaneous. Fortunate enough to test the service myself, I can confirm that despite its early, wobbly, private beta: Fluent’s instant search is crazy, crazy fast. It’s like Google Instant for your inbox. Which, of course, then begs the question: why isn’t Google doing this? (Apparently, Google+ Circles integration was the priority there.)

Other features in the works include a better contacts management experience, showing a timeline, history, and pattern of your communications, an email summarization feature which will aggregate and summarize things like social media updates or mailing list threads, plus other more common additions, like support for email signatures. Eventually, an open API will be available, too.

Can Power Users Switch?

Could a Gmail power user switch to Fluent today, assuming stability? Of that, I’m not sure. Here’s why:

  • At present, it lacks a true “priority inbox” functionality which many power users have come to rely on, instead favoring the stream-like view.
  • There isn’t an easy way to see important mail (i.e., “important” as determined by Gmail’s filter) or just important + unread, for example, which are often critical tools for getting through a large number of messages. Right now, “priority” mail is tucked away under a label, for example.
  • It’s psychologically challenging to adjust from an inbox segmented into sections (important, unread, starred, etc.) to one where emails are simply listed chronologically, starred and non-starred all mixed together in one view. (Obviously, these concerns apply more to some Gmail users than others. It depends on how you prefer to view your inbox.) But the company plans to integrate priority mail deeper into the system, while also being more transparent about why things were marked priority, too. And a follower-like model for contacts will allow you to manage who gets flagged as “priority” in the future.
  • More critically, though, I’m concerned that the “compact” view in Gmail still achieves a better at-a-glance view of the inbox than Fluent’s compact view does, which is not nearly as compact and loads more emails dynamically as you scroll down. This seems to be thought of as a feature, but I’m not convinced. I’d like to see some 40 or 50 emails in one view before worrying about it “loading” more.

In other words, despite its good looks, Fluent is still walking a fine line between favoring pretty over powerful. Your mileage, as they say, may vary. And all this is subject to change.

That said, the overall workflow, the ease of to-do’s, and the clever attachment view are all powerful enough features that Fluent could easily grab early adopters in search of alternative solutions. As the startup shakes out the kinks (and there are kinks – scaling, stability, syncing), it’s a given that it will at least attract a Sparrow-sized audience, if not larger.

WHEN CAN YOU HAVE IT?!!

The saddest thing about Fluent, the so-called “future of email?” It’s not ready for you to use yet! When asked when it would be available to a wider launch, co-founder Jochen Bekmann told me, “we hope to be able to open wider in a few months, mostly depending on whether we have funding to pay for servers and refined some of our features.”

Wait, “depending on whether we have funding to pay for servers?” Hurry up with that funding, investors. (Fluent says seed round talks are “pretty far along,” thank goodness, and should have some news on that front this summer). A staged rollout will soon follow.

Since I can’t show off my *actual* inbox, here are some sanitized screenshots. My iTunes folder:

Some attachments:

Compose screen (it pops up over current window, in this case, my empty to-do’s section):


Google Calls Its Smart Ad Relevance System “Smart Ass” (Yes, Seriously)

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What’s the best thing that I (and others) learned at D10 this year? (Other than the fact that Steve Jobs used to own a peacock, of course.)

Onstage at D10, Google SVP of Advertising Susan Wojcicki revealed, in answering Walt Mossberg’s question about the sad state of ad relevancy, that Google calls its machine learning smart ad targeting technology “Smart Ass” internally.

Aside from those self-driving cars, this is probably the coolest thing happening at Google at the moment.

Wojcicki then told Mossberg that a “huge amount” of Google engineers were working on improving “Smart Ass,” “There are all kinds of amazing things on the Web. Advertising is not one of them,” she said. “Display ads are very crude, there is a really high CPM price for the value being extracted.”

“I’m not against advertising, I just don’t understand why it’s not good.” Mossberg replied. “How come I’m not seeing the things that I might like to spend money on as I’m traveling around the web?”

Wojcicki agreed with him, hoping that one day Mossberg ideally would be served ads about new tech products and not a trip to Iraq when reading a news article about the Iraq War for example. “We’re getting better, we’re evolving from a user standpoint,” she said.

And I’m still picturing that “huge amount” of Google engineers chuckling every time they say smart ass instead of smart ads. Amazing.

Photo via: @karaswisher

@bhankes Might be the best single thing I learned at D10. #ATD10
Eric Savitz (@savitz) May 31, 2012


Chrome SVP Sundar Pichai Confirms Chrome Is (Mostly) Beating IE

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Remember this report about Google Chrome passing Microsoft’s Internet Explorer in browser market share? Well, at today’s D10 conference, Chrome SVP Sundar Pichai basically confirmed this is true, saying that Chrome is “#1 in most countries” and even noting that Chrome’s market share is over 50% in some regions.

One-third of people are using Chrome, said Pichai.

StatCounter’s report, to refresh your memory, found that Google’s Chrome web browser had overtaken Microsoft’s Internet Explorer for a period of time in May 2012. The firm compiled data for the week of May 14th through May 20th, showing that Chrome had a market share of 32.76%, compared with IE’s 31.94%. This isn’t the first time that Chrome had gotten ahead, however. And the race itself is close – perhaps too close to call.

Pichai didn’t reveal specific details regarding Google’s own internal data on web browser metrics, but said Google believes Chrome is in either first or second place in almost all countries worldwide, based on what it’s seeing:

Chrome grew roughly 300 percent last year — we have hundreds of millions of active users. We have many ways of looking at it. You can argue about the data, but in general I think we have gained substantial mindshare since we’ve launched the product. I think it’s fair to say that we are number one or number two in all countries in the world. It’s fair to say that roughly a third of people are using Chrome; I think it’s much more than a third in the consumer space.

In other words, Pichai confirmed everyone’s typical assessment of the situation: that most enterprise users are on Internet Explorer because it takes time to upgrade. But anyone who can log in and change their browser will be on Chrome – that’s why consumer usage is far higher than enterprise usage.

Emerging markets are especially fond of the browser because of its speed, Pichai added. And more Windows users than Mac users are also on Chrome, mainly because that’s where Chrome first launched.