Coming Home (Sci-Fi, Fantasy)

Dramatic, powerful, synth-based composition which has a distinct “finale” feel to it, so would be particularly well-suited to an ending scene. Begins with a slightly oriental-sounding plucked-string/bell melody before being joined by an immense, booming, single-note bassline. Bass drops out for a serene middle-eight before returning in a massive, resonant crescendoing ending.

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The Day After (Chamber, Small Ensembles)

Melancholy acoustic guitar, piano and strings-based piece suitable for anything requiring a sad or reflective mood. It is a slow-tempo, 3/4 time composition which comprises three passes of a two-section theme: the first introduces piano, then guitar, then strings; the second is overlaid with a simple viola solo; the third has an ethereal, synthetic choir backing.

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