Let’s Get Personalized: Moving Beyond Recommendations

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Editor’s note: Hank Nothhaft is the co-founder and chief product officer of Trapit, a personalized content discovery platform currently in beta. Trapit was incubated at SRI and the CALO project.

eBay’s recent acquisition of the recommendation service Hunch was an important score for the online retailer, giving it a way to mine the ever-mounting mounds of structured and unstructured data for more relevant and accurate consumer recommendations.

Such recommendation engines are already (and have long been) a necessity, not only for retailers, but for the entire Web. Every major internet company, from media outlets to social networks to software applications, is having to meet an expectation of better understanding their customers as individuals, to provide them with information and suggestions that they themselves may not even have realized they want or need.

Integrating better recommendation algorithms and services was really just the first part of a larger, necessary movement to make the Web more personalized. As we watch the ongoing struggles of search engines to provide relevant yet deep-diving results, or Facebook’s fruitless attempts to better identify which content shared by your friends is most important for you to see, it’s clear that we need something smarter, something more sophisticated than mere recommendations and customization. Personalizing the Web is one of the most important and difficult engineering tasks we now face in the evolution of the Internet.

Recommendations Have Hit the Ceiling

Amazon and Netflix once stood as exemplars of recommendation, providing suggestions based on what other users with similar habits and product histories selected, with a touch of genetic genre data thrown in. Yet both have faltered in recommendation relevance as the crowd-sourced approach has become more of an echo chamber than a personalized filter. (And Amazon certainly does itself no favors with its barrage of “recommendations” for its own Kindle Fire).

These recommendation engines were once ground-breaking, but they have failed to evolve. And more importantly, our expectations as Web consumers have evolved beyond the simple concepts of “users who purchased item X also purchased item Y.” At best, services that claim personalization based upon these aggregate metrics attempt to triangulate an identity for us as individuals based upon the galaxy of other individuals. They try to pin us down into an archetype, into a box of likes and interests, without recognizing that as humans, what we desire, want and need is in constant flux and ever-evolving.

In all fairness, that’s an incredibly difficult awareness to achieve. But its disingenuous to attribute “personalization” to services that are really just crowd sourced general interest mapping. And those results are just insultingly banal!

Getting Closer, All the Time

The acquisition of Hunch will hopefully signal a shift from recommendations to actual personalization. This is not because Hunch is such a precise personalization tool, but rather because it is an excellent recommendation engine. As more relevant recommendations become ubiquitous as the standard across the Web, we can finally begin to aim to shoot beyond that baseline to realizing a personalized Web.

Over the next few years, technology that truly understands and recognizes us as dynamic and unique individuals rather than types will be the predominate trend. Siri’s adaptability and cognizance is the first major step in this direction, and we will begin to see that type of finely-tuned, perpetually trained artificial intelligence helping turn the Web and our technology more and more towards us as individuals.

It’s a movement from the Web mentality of searching, to one of delivery. It’s a shift from pull to push technology–and it’s happening because there is enormous upside for the first movers in the era of personalization.

The shift to a more personalized Web is all about revenue and customer/user experience.

Consider the shift that is still occurring with our televisions. Whereas we have long considered our television sets to be mere boxes for broadcasting pre determined content to us as passive consumers, we are increasingly taking control of that content. This extends beyond mere DVR capabilities, as Web-enabled televisions begin to offer a new layer of personalization.

Our televisions will eventually become truly our own, unique televisions. Better yet, we will have accounts that we can log into that will personalize any television set with programming specifically selected by and for us.

Groupon, no doubt, is itching to find ways to personalize each and every offer they have for each individual it is sent to. Groupon knows that targeting by regions increases conversion and sales, but imagine how much they could amplify that effect if they were targeting based on a rich and sophisticated understanding of the individual person that receives each offer?

We can imagine this type of personalization applied to all of our current technologies, but it first requires a fundamental, philosophical shift in how we think about and understand the notion of personalization. A big part of that means that recommendation technology needs to be properly understood as the tip of the iceberg — it’s table stakes and nothing more. The real game is played with true personalization and a sophisticated understanding of individuals and all of their unique, ever-shifting personas.

The Endless March of Personalization Progress

At this stage, personalization is best achieved as a mashup of our interest graph, social graph, individual input, and Pandora-eque qualifications of structured data. When maximized, this can work quite well, but we can’t stop there.

As the Web becomes our own personal web, the technology needs to register and understand our flux in personality. This means incorporating both more direct and more ambient information, such as awareness of time, location, my schedule, my habits and engagement with content. Furthermore, it means realizing that human identity is a constantly shifting target. The work of personalization is never done, even if it is done with less direct input and feedback from me personally.

Content creators, marketers, sales professionals and publishers crave that myth of stability in defining their users and audience. Yet as the Web has shifted to become dominated by the stream metaphor, that myth has been easily eroded.

This is not a bad thing, even if it makes understanding that customer baseline upon which we build businesses that much more difficult to determine. It was always a myth to begin with — we simply did not have the data or the tools to operate otherwise and recognize users as individuals, as the amalgam of ever-shifting interests and personalities that they truly are.

What replaces that baseline of stability, however, is the flux of new opportunities, of understanding our customers and audience in increasingly focused and nuanced terms. Likewise, we as Web consumers are starting to expect this understanding from the websites and businesses with which we choose to interact.

For companies, recommendation is the gateway into recognizing the value of a much more attuned personalization. And as recommendation layers become ubiquitous, we can now finally begin moving beyond it, to achieve personalization as the next great triumph of the Web.


10 Ways Your Startup Can Hook Into Facebook, Part I: On The Web

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This is a guest post by Ryan Spoon (@ryanspoon), a principal at Polaris Ventures. Read more about Ryan on his blog at ryanspoon.com.

Having already covered how startups can use search and Twitter to find customers, here’s 10 steps for finding people on another key marketing platform: Facebook

Facebook has evolved from a social network into the fabric with which much of the web is constructed: identity, product, data, experience and so on. Even if you chose to no longer use it as a social destination, you would still find immense value in it through your every-day web usage: registration, personalization, sharing, interaction, etc.

This is of course a huge opportunity for consumer-focused startups. Facebook plays a core role in touching each step along the standard product / user funnel:

– Acquisition: virality, referrals, paid traffic
– Activation: conversion paths from new to active users
– Activity: user engagement and retention

Below is a slide presentation with five ways to think about leveraging Facebook to affect those three steps on your web experience. Tomorrow I will share five ways to find success on Facebook.com.


Motorola Droid Razr Maxx Review: 4G LTE With Solid Battery Life Just Got Real

Droid Razr Maxx

Short Version

The Droid Razr Maxx by Motorola is a very special phone. You see, I had a bit of a thing for the Droid Razr when it first came out, but it wasn’t quite perfect. It felt a bit light, and I had trouble holding it in my hand since it was so big and so thin at the same time. Plus, battery life was a bust. It wasn’t awful, but it only lasted about nine hours, meaning most people would need to bring a charger along every day.

The Droid Razr Maxx throws all those problems into the trash can, and only gains about 18g and 1.89mm in return.

Features:

  • 4.3-inch Super AMOLED Advanced qHD 960×450 display
  • Dual-core 1.2GHz processor
  • 8-megapixel rear camera with autofocus, flash, and 1080p video capture
  • 1.3-megapixel front-facing shooter
  • Android 2.3.5 Gingerbread
  • Verizon 4G LTE
  • MSRP: $299.99 on-contract

Pros:

  • Big battery life improvements (more on that later)
  • Bump in storage from 16GB to 32GB
  • Feels a bit more like a premium product with the added heft

Cons:

  • If you liked the size of the RAZR, the thickness might bother you
  • Poorly placed microUSB charging port
  • No removable back cover (which has its rough consequences, I recently learned)

Long Version:

If I had to choose between the Droid Razr and the Droid Razr Maxx, I’d go Maxx all the way. Battery life may not be the star spec when you’re reading your reviews, but we all sooner or later realize that it’s probably the most important spec of all. 4G LTE is amazing. If you haven’t tried it, you should (seriously) run down to a Verizon and do a Google search or load an app on to one of the store units. You won’t just notice the difference; you’ll pine for it. But don’t get ahead of yourself. Before the Razr Maxx, every phone with 4G LTE support couldn’t keep up after a few hours of use.

The Razr Maxx crushes that pretty huge problem and finally makes 4G LTE a viable option for the power user.

Battery Life:

I usually save this section for closer to the end, but I figured you guys are just going to scroll to this section anyway, so I might as well get it out of the way.

Yes, the Razr Maxx’s battery life is far better than that of the Razr. I actually still have my Razr from when I reviewed it, and was able to test both phones alongside each other. But before I get into the results, let me tell you about how we tested it. We have a battery test program here that continuously searches Google for images. Once one page loads, another pops up. I can close out of the browser at any time to load apps (which I did), make calls (did that, too), browse the web (yep, that too), and watch some videos.

But the most important thing to remember when I give you these numbers is that both phones, the Maxx and the original Razr, were in constant use from the beginning of the test until they died. No locked screen. No minute to catch their breath.

The Razr lasted for four and a half hours with constant (and varied) use. The Maxx, on the other hand, stuck with me for eight hours and fifteen minutes. For those of you following along at home, that’s almost double the battery life. If I use the phone like a normal human being (read: not Google Image searching random names constantly), it lasted a full day and on into the next day before it needed a charge around 11 am. This is with Wifi and 4G LTE in use.

Hardware:

The phone itself is beautiful. Many of you may be bothered by the fact that its 8.99mm thick compared to the Razr’s 7.1mm waist line, but I actually found the extra bulk to both feel more premium and look… well, better. Because the Razr is so very thin, the classic “Moto hump” on the back is much, much more pronounced than it is on any other Droid. On the Razr Maxx, the hump is actually quite subtle.

The phone is a tad heavier than its predecessor, which I think lends itself to that premium feel, as well. Though, size may still be an issue for me. As I said with the Razr, my hands are pretty big for a girl and I still have trouble performing one-handed actions on the Razr Maxx.

One thing I failed to mention in my Razr review that I’ve since realized annoys me quite a bit is the placement of the microUSB port. Both the microUSB port and HDMI out are placed square on the top of the phone. I’ve said it before and I’ll say it again: this makes it impossible to play a game or work in landscape while the phone is plugged in. Motorola (and others), please start putting your charging ports on the top side, if possible.

As far as the display goes, of course it’s beautiful. There’s very little differentiation between pixels and the size really lends itself to TV/movie viewing. Screens vary from phone to phone (even if they’re technically the “same screen”), and I did notice that the Razr Maxx has a more of a yellowy tint to it, whereas the Razr has more of a bluish tint. These are just my units, though, and if they weren’t side by side I might not have noticed at all.

I’m still a huge fan of the design, and think those boxy corners and that Kevlar fiber casing are a great direction for Moto to be headed in.

Performance::

Alright guys, after two whole sections of (mostly) praise I need to get out a big gripe. While I was testing the Razr Maxx, it froze twice. This isn’t that big of a deal. I’ve spent a good deal of time with the phone and really pushed it to the maxx (heh), and pretty much all phones freeze at some point or another. The problem, however, is that every time the Maxx froze, it stopped responding to touch.

You don’t necessarily need a removable back cover to help with battery life on this thing, but without it there’s no way to manually shut down the device. Each time I held the lock button to turn it off, I couldn’t tap the icon to shut it down. Plugging it in to a PC didn’t jolt it out of its freeze either. This left me waiting for the phone to either cool down and snap out of it, or run out of battery (which can be a helluva long wait with the Razr Maxx, especially when it’s basically sleeping). The Maxx overheats to an extent, just like the Razr, and I assume this was the culprit in my freeze issue.

Basic performance, on the other hand, was just fine. Switching between apps, surfing the web, and watching mobile video was all pleasant. I didn’t experience any serious hiccups (other than those freezes), but the usual Android lag still remains. Luckily, Moto chose to leave Blur out of the equation and laid a rather light, useful overlay onto both the Razr and the Maxx. I say keep ‘em coming like that, Moto.

As far as software goes, everything is the same on the Maxx as it is on the Razr, so I’m going to refer you to the Razr review.

Camera:

I kind of brushed over the camera performance in my Razr review, so I figured I’d show you guys what I’m talking about this time around. Still image quality is very good, especially in bright environments (see below). Even zoomed in, the camera still takes quality shots though it still won’t replace a nice point-and-shoot if you take pictures more than the average bear (that Yogi reference is weak, but I’ll still leave it.)

Low-light pictures aren’t as great, but it still gets the job done as far as stills are concerned (see below). Video capture in low-light environments doesn’t really cut it though. I tried to take a little video at my friend’s birthday party last night in a bar and had no luck. Just a lot of squiggly, blurry darkness.

If you know how to use the camera and focus before you hit the shutter button, the lag between tapping shutter and taking the picture isn’t that bad at all. If you try to focus and hit the shutter to early, you’ll be waiting a while.

Motorola packed all kinds of fun goodies into the camera application, which can be accessed by a rather slick drop down bar that sits right on top of the view finder. It offers up basic settings (like where to save the pic, geo-tagging, etc.), effects (like B&W, negative, and sepia), scenes (some of which help a bit with low-light shooting), modes (including panorama), exposure and flash.

All of this is majorly helpful, but I did have one small complaint with panorama. Unless you’re really steady, the shot can look a bit awkward. If you tilt a bit, for example, while moving from frame to frame, the shot can have bendy lines that should be straight and other strange qualities (in the image below, the train tracks dip a bit toward the right even though they are completely straight and level in real life).

Light:

Dark:

Panorama:

Conclusion:

At the end of the day, I’d say this is probably my favorite new 4G LTE phone, mostly because it actually makes LTE a viable option. Past that, it’s quite beautiful, reliable, and well-built. You won’t scratch the screen by dropping it a few feet (thanks to that Corning Gorilla glass) and the Kevlar fiber casing is not only durable but it adds a nice touch in the design department.

I’m a bit concerned about the overheating issue, but I’m also aware that I was using the phone in a way that most users won’t since I was testing. Still, if you’re a power user, I’d think twice about this and maybe see how others are faring as far as freezing is concerned.

Last, but certainly not least, I want to apologize on behalf of Motorola for screwing over Droid Razr owners. If you’re happy with your Razr and love how thin it is, than just ignore me. But for most of you, I assume that battery life is really bugging you on the original. It’s only been a couple of months since the Razr debuted, and that’s probably the biggest problem I have with this phone. I applaud Motorola for seeing an issue and nipping it in the bud, but you have to be careful that you don’t screw over your original customers in the process.













Steve Jobs, Superhero

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Editor’s note: Scott Weiss is a general partner at Andreessen Horowitz and the former co-founder and CEO of IronPort Systems, which was acquired by Cisco in 2007.

When I was a kid, I read tons of superhero comic books. I fantasized about superpowers, but the storylines about heroes with massive Achilles’ heels really held my attention the most. They saved the world but had screwed up personal lives, made lots of mistakes, and often acted like complete assholes. In retrospect, I related to their flaws. And, probably not coincidentally, my favorite characters exhibited core weaknesses I had experienced: Spider-Man (immaturity), Iron Man (overconfidence/hubris), and Wolverine (rage). Ironically, when the character’s weakness comingled with the superpower, it would often spur them to succeed against impossible odds.

It was in this context that I was riveted reading Steve Jobs’ biography by Walter Isaacson. Given the number of different interviews and unfettered access granted to Isaacson, it felt like an incredibly authentic account of Jobs’ life. His greatest accomplishments, mistakes, superpowers, and flaws were laid out about as raw as I’ve ever read. Steve’s superpowers were many: He was wickedly brilliant, could see around corners, and had unparalleled understanding of how people interact with technology, to name just a few.

Did Steve have an Achilles’ heel? From the book, one could conclude that he was an extremely demanding boss. Like a beacon, superstars from every function (e.g. engineering, design, marketing, etc.) were drawn to work for Steve. They described his aura as absolutely overwhelming. And Steve pushed these A+ players to extraordinary, impossible achievements. Steve’s drive for speed and perfection often resulted in harsh, public criticism — usually directed at his very best people. Steve would constantly look over their work and declare, “This is shit!” or “This really sucks!” On my Kindle, I searched the words “shit” and “sucks” and counted 24 instances where he used one of those phrases referring to someone’s work/product.

I’ve had a number of entrepreneurs suggest that this persona isn’t unique to Steve Jobs but a common trait among some of the most successful founder/CEOs in the world. Larry Ellison, Bill Gates, Larry Page, and Jeff Bezos have all been reported as similarly caustic at times. Is this something to be emulated?

As I was reading the book, something struck me like a hammer: Despite Steve Jobs’ choice of words, lack of empathy, and sometimes prickly demeanor, he spent a huge amount of time giving his most talented employees constant, hard, critical feedback.

Thinking about how most companies dole out feedback — if they do at all — it’s usually directed at the bottom quartile of performers versus the top. A typical manager at review time spends 80% of their time preparing detailed reviews on the bottom 25%. The top quartile gets lame, short reviews — the equivalent of “You’re doing great, keep up the good work!” So, a manager takes all that time and effort to get someone doing the work of half of a full-time employee (FTE) to do the work of .75 or 1 FTE. In contrast, Steve Jobs — with his feedback energy directed at the top — manages to motivate people already doing the work of 2 or 3 FTEs to do the work of 10, maybe 20 FTEs. Now that’s serious leverage! Could this be a superpower comingling with a weakness?

I’ve found that the A players are comparably lazy with regards to their potential. Without serious motivation, they will never reach it—or even try. Despite his delivery, I believe Steve’s critical energy was directionally correct.

Here are a few other suggestions for motivating top talent:

  • Flip the feedback equation to 80% of your energy spent on the top quartile. This is really hard in practice as the feedback is usually more nuanced. And the top performers are usually defensive.
  • Infuse some damn passion. The best people don’t just want money, they want to go on a crusade and make a difference. An entrepreneur needs to constantly re-enroll the troops with a compelling, authentic story of how and why we will do the impossible.
  • Set stretch goals and push like hell to meet them. It’s great if these goals have meaning as well — e.g. we need the software release out before a
    major industry conference.
  • Find a bogeyman competitor to hate. (Preferably a company bigger than yours — Microsoft!) At IronPort, we called out our competitors to the entire company and rallied the team to play catch-up. We also gave bonuses to the sales teams for rip-outs of a competitor’s appliance and then mounted them like trophies on the wall.
  • Work your ass off by example. A leader who is always present, ridiculously responsive and contributes real, hard work sets the right pace and tone.

A constant challenge for leaders is to find effective AND positive ways to motivate. The very best companies have inspirational founders who have found a way to coax the superpowers out of their top employees. When the top quartile contributes at 5x to 10x, it makes a serious difference.


(Founder Stories) SoftTech VC’s Clavier: How To Avoid The Series A Crunch

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At the top of this Founder Stories episode featuring SoftTech VC’s Jeff ClavierChris Dixon mentions much has been written about the “Series A Crunch.” It’s the occurrence of seed stage companies hitting the end of their initial funding cycle at roughly the same time and having to compete for big checks from a limited supply of VC. There’s just not enough money or VC interest to keep all entrepreneurs afloat for another round.

In an effort to prevent future founders from colliding into the Series A Crunch, Dixon advises startups set out to initially raise 18 months of funding, adding, “18 months effectively gives you let’s say 12 months of real operating, which gives you three iterations instead of one.” The more time to perfect the product the better.

Clavier agrees that the Crunch “is absolutely happening” and backs Dixon’s longer runway strategy.

Clavier also says consumer internet companies need to demonstrate more than ”just pure user traction” to whet a VC’s appetite. He tells Dixon SoftTech VC is moving towards backing “businesses” and trots out Fab as an example. “We’ve made money from Fab the day we launched the service, Why? Because it is transaction based.”

Make sure to watch the full interview for additional insights and make sure to watch episode I and episode II of this interview.

All Founder Stories videos including interviews with David Karp, Lauren Leto, Stephen Kaufer, Christopher Poole, Dennis Crowley and many other founders are here.


iNdustrial Revolutions

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To paraphrase Otto von Bismarck, “iPads are like sausages, it is better not to see them being made.” It’s an ugly story. Over a hundred employees “injured by n-hexane, a toxic chemical that can cause nerve damage and paralysis” because its use “meant workers could clean more screens each minute.” Other workers killed or injured by explosions. All so that iPads can be built as cheaply as possible, so that Apple can maintain its 44.7% gross margins. Isn’t that awful?

Yes, of course — but let’s try to maintain a nuanced perspective here. This is hardly a new story, and it’s hardly unique to the tech industry. Think of the exploitation of child labor to harvest Egyptian cotton and Cote d’Ivoire cocoa. Plus ça change; a decade ago it was Indonesian sweatshops and Indian fireworks exciting outrage. Think of the exploitation of Congolese workers to mine coltan, used in electronics everywhere. Show me a country with a large population of desperately poor people, and I’ll show you horrific exploitation of impoverished workers.

Please note, though, that the latter is an inevitable symptom of the former; and again, let’s please try to maintain a sense of perspective. It’s awful that a dozen Chinese workers were killed and hundreds injured building iPads–but at the same time, coal mining kills more than two thousand Chinese workers a year (down from almost 7000 ten years ago) and nobody’s suddenly outraged about them. We in the West don’t really seem to care that Chinese employees work under awful conditions and die in appalling numbers — unless they make shiny things that we use. We claim we don’t want people to suffer, but in fact we just don’t want our iProducts tainted by that suffering. Isn’t that more than a little hypocritical?

So what? you might say. It’s all horrible! Stop them all, or any of it that we can stop, right now! Right?

No. Not necessarily. This is a really complex and difficult issue, and there’s no obvious right answer. Over the last thirty years, trade and export-driven growth have been insanely great for China, and made life enormously better for the overwhelming majority of its billion-plus people. (My personal experience bears out all the data, for what it’s worth: in 1997 I spent a month roaming solo through central China, then came back nine years later. China 1997 and China 2006 were like two entirely different nations, and the latter was vastly better off.)

If Apple and other Western manufacturers were to pull production from China to other, better-paid, union-friendlier jurisdictions with stronger protections for worker rights, that would be disastrous for Apple’s profit margins and innovation speed — but it would also be disastrous for China’s people. On the whole, overall, despite the gruesome and heartrending disasters in the spotlight right now, both sides benefit greatly. That’s how and why free trade works.

At the same time, we can all agree that no businesses anywhere should be poisoning their workers and/or generally treating human lives like disposable Kleenex. This is especially true in a nation whose government only accepts trade unions which are powerless government puppets. But I would argue that it’s China’s steadily growing wealth — which comes from trade, and especially, manufacturing — that will ultimately transform it into a nation where real unions and real worker rights can and do exist.

It’s worth noting that Foxconn’s problems are China’s national problems writ small. Hexane pollution and aluminum dust are scale-model versions of the nationwide poisoned milk scandal, or the ongoing catastrophe of Beijing’s hyper-polluted air, or the major lakes entirely conquered by toxic cyanobacteria. Again, employee exploitation is a symptom, not a problem. The problem is ubiquitous grinding poverty – something that trade, investment, and economic growth slowly, over decades, alleviates, albeit at a terrifying cost to the environment.

Think of the West’s Industrial Revolution. That’s more or less the same revolution transforming China right now. Is it possible to have such a revolution without some concomitant Dickensian horrors? The available evidence sadly indicates “probably not.”

In the interim, what Apple (and the countless less-sexy enterprises whose products are manufactured in China under similar conditions) can do to improve the lot of those who craft its wares is this: increase their leverage over their suppliers, by making the threat of moving production elsewhere credible. Foxconn wants to keep Apple happy, obviously – but they’d be a lot more proactive about doing so if they genuinely thought they might lose massive amounts of Apple’s business to someone else.

A concrete example: Apple shouldn’t get Foxconn to manufacture iPads in Brazil: they should have another company entirely build iPads in Brazil. Right now Apple needs Foxconn almost as much as Foxconn needs Apple. Real competition among suppliers would mean that each of them will jump a lot higher and faster when Apple says “worker rights.”

But let’s not get myopic about Apple and iPads, when the landscape of globalization and its excesses is so much vaster and more diverse. Let’s not pretend that the dynamic is purely “rich Western tech companies exploiting poor nations.” And let’s remember that technology, and China’s growing wealth, will probably ultimately solve this problem. Remember that decade-old outrage about child labor in India’s fireworks industry? Well, it’s much diminished these days, thanks to automation and India’s much wealthier society. Similarly, China’s burgeoning online population has pressured its government to pay attention to air pollution… and Foxconn is already roboticizing its assembly lines.

Most of all, let’s not lose sight of the fact that the technology pioneered in large part by the very same cohort of Western companies who outsource production to China is, slowly but steadily, lifting China, India and sub-Saharan Africa out of poverty. That, not where your iPad came from, is the most important story in the world today.

Image: Smog over Tiananmen Square in 2006, by yours truly. By all accounts it’s gotten much worse since.


To Pivot or Not to Pivot

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Editor’s note: Contributor Ashkan Karbasfrooshan is the founder and CEO of WatchMojo.  Follow him @ashkan.

To pivot, or not to pivot, that is the question:
Whether ’tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles.
Hamlet, were it set in Silicon Valley, circa 2011.

Ah, the internet – how you hijack our vocabulary.  A few years ago, “embedded” had connotations of journalists following soldiers.  Today, it’s most associated with YouTube clips.  Similarly, a pivot was something that I vaguely recall my basketball coach talking about.  Today, it’s the repositioning of a company and without a doubt, 2011 was the year of the pivot.

Talk is Cheap

Let’s face it, despite the bravado and brashness, oftentimes Silicon Valley gets scared and zigs when it should zag.  Lean Startup author Eric Ries popularized the term “pivot” but the concept has existed for years.  Nokia used to produce rubber boots; today, well… that’s another story.

But the point is, while the concept of pivoting has become commonplace in startup lore, it’s good to separate the fad from the core concept to answer the question: “to pivot or not to pivot”?

Deconstructing Success

You may be driven by success, recognition, respect, money, power or fame.  Whatever the case, success is i) subjective, ii) relative and iii) fluid.  In other words, i) we define success based on what drives us, ii) but we tend to measure it relative to other people’s success and over time, iii) we convince ourselves to change its definition, revising upwards or downwards, depending on the conditions on the ground.

Don’t Believe the Hype

While Silicon Valley is entirely free and encouraged to have its own set of values, culture and objectives, the 24/7 media coverage startups and entrepreneurs are exposed to gives all entrepreneurs a sense that unless your idea and company blast off, you should pivot.  In that context, the mindset of “fail fast” is understandable given the herd mentality and impatient nature of VCs, but wrong when you consider that 1% of projects fit venture capital’s profile and 1% of those become moderately successful.

In other words, while money may accelerate a company’s ramp-up and growth, the reality is that teams needs to gel, products take time to develop and businesses have a natural life-cycle that can’t really be circumvented.

Exacerbating this, of course, is that technology companies tend to compete in a zero-sum environment where the #1 and #2 players create value for shareholders but all others are left standing when the game of musical chairs stops.  Meanwhile, content companies tend to be long term bets anyway: Machinima is one of the larger content providers on the leading video platform YouTube, but it launched in 2000 (12 years ago!).  Vice is now featured in the pages on Forbes but it’s been around since 1994 (it launched as a magazine).

Despite these realities, boards rush entrepreneurs to adapt or die without letting the child crawl, let alone walk or run.

Yes, Pivots May Work, Sometimes

To be clear, the extreme cases of Groupon and Fab are prime examples for why pivoting is sometimes the only solution to a stagnating or declining project, but those tend to be the exceptions and not the rule.

But Usually, You’ll Simply Just Kill a Good Idea Before Moving to a Fad

As such, before throwing out the baby with the bathwater, understand the following.

Rule #1: Pivoting is a Function of Your Employees

When you recruit engineers and programmers, you can point them in any direction and challenge them to solve a given problem.  If you are a content company, you hire writers or videographers and are, as such, limited to remaining in the content business unless you really choose to blow up the building and start from anew.

However, you can’t assume that a team that has built a search engine can build a better social network.  So don’t let the tech vs. content variable underestimate the inherent challenges with any pivot.

As much as I dread quoting Donald Rumsfeld, “you go to war with the military you have, not the one you might want or wish to have at a later time”.

Time is crucial in any company and hiring a challenge.  If you have good people, it might be better to improve something than assume you need to nuke the joint.

Rule #2: Focus on A Different Target

While the concept of the pivot refers to a radical and transformative change in company direction, strategy, focus and product line, it’s important to note that to become successful sometimes what you need is to pivot what industry or clients you are going after, and not the whole company.  You may be developing a product and aiming for a B2B application, but perhaps by making it go free and targeting a B2C audience it might prevail.

Rule #3: Timing and Externalities Matter More Than You Think

After 9/11, a lot of companies repositioned themselves to serve the national security and defense industries.  They hit the jackpot.  This isn’t so much chasing a fad but realizing that the broader macro environment and trends will affect your industry and company more so than you think.

Rule #4: Success Comes From Incremental Gains, Not Hail Marries

Apple is the ultimate pivot.  Most of its revenues come from iPhone and iPad – products that didn’t exist five years ago!  But it was all born from the iPod.  So the best pivots are not overnight 180-degree turns but progressive shifts and extensions.  They are now charging into the post-PC era, but it was all an extension of their core.  Hulu, too, is pivoting before our eyes (as are YouTube and Netflix), moving from pure-play aggregators to creators of content.  After all, at that velocity even a seemingly small shift in strategy leads to a large change in overall trajectory.

While it’s difficult to define “pivot” and impossible to predict its outcome, you can drown out the noise and clearly ask yourself: “what do I define as success”.  Once you do that, the rest falls in place.

Photo credit: purplemattfish


Book Review: Distrust That Particular Flavor By William Gibson

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William Gibson is the defining author of our digital age. More than any social media pundit or Popcorn futurist, he has defined the dystopia we can expect once we escape the dystopia we’re in now. His fiction – a trilogy of trilogies that works backwards from the distant future to a world that is ours – is constantly approaching the present while exploring what it means to exist in a culture mediated by electronics. Although his early work owes more to Burroughs and Verne than anyone cares to admit, he was wildly prescient in his prediction that soon we would see the entire world – an entire world – through the lens of gadgetry. While the web isn’t cyberspace yet and the East Coast isn’t the Sprawl, we’re headed in that direction.

And that’s just his fiction.

Gibson’s non-fiction writing is a peanut in the bland Cracker Jack of the dead tree publications where they first appeared. He’s often graced the otherwise leaden pages of Wired with his unique style and many of the pieces in this book appeared elsewhere, whether in magazines or at public talks. His non-fiction is rare enough that we definitely want more, but do we want a whole book’s worth?

If you are a Gibson fan, then yes, this is definitely worth a read. There are a few great pieces in here, like his meditation on watches and eBay in “My Obsession” as well as an excellent look at the growth of a fiction writer in his essay “Since 1948,” a piece that shows us all stages of his growth – from child of a nervous mother to draft dodger to writer to genius. That both of these pieces are available online is a lucky coincidence, not a reason to avoid this book.

The rest of the non-fiction here will be a little less familiar and is, at times, uneven. Gibson’s writing style is as conversational and puffy here as it is flinty and clear-eyed in his fiction. A story by William Gibson about visiting Tokyo involves no super-charged street samurai. Instead it involves mediations on gomi, toys, and colonialism. We assume Gibson to be more plugged in than most of us but instead he seems to have a lot of good, cool friends who show him around. That’s one of the benefits of replacing Tom Swift as the go-to boyhood sci-fi of the tinkerer.

The other stories – the talks, the mediations on futurism and on the dystopian – are beautiful in their own way, well written and often full of telling detail. He notices the “demented, heartbreakingly lyrical, 3D collage of cargo containers, dumpsters, an Airstream trailer, a cabin cruiser, a school bus” on the set of Johnny Mnemonic. To the average sci-fi nut, a wall of junk as a set piece would be as commonplace as a laser gun or a Tribble – it’s the visual landscape we expect in what the set director will imagine as the “hinterlands” and nearly every movie has a compacted wall of junk that stands in for the place where the wild future people live. To Gibson, however, it’s seen with new eyes. Not naive eyes, really. Just new ones.

If you’re new to Gibson, don’t start here. Get the Sprawl trilogy first, then the Bridge trilogy, then, if you’re not done, the Present trilogy, a group of three books that are connected by the Dotcom boom and have a certain airport lounge, endless travel, Razorfish feel that the average start-up drone will love. Those books hae have no overarching geographical locus to hang on just as the late 1990s and the early aughts left us listless and disconnected, pining for a day when everyone – students, surf bums, and even a woman allergic to branding, could find a place in an economy that whirred like a shining VCR read/write head.

Each trilogy moves closer to “speculative fiction of the very recent past.” While you’re in there, hit The Difference Engine as a palate cleanser. Then you can begin to distrust this particular flavor.

I’m probably preaching to the choir, though. Gibson is a gem, our own Jules Verne who planted so many seeds in popular culture that it is difficult to look out across our roiling intellectual landscape and not see his ideas. He knew that the ability to render fluid 3D was coming, that Japan would rise as a major techno-center, that man-machine relations would become seamless. One could argue that cyberspace now exists in the wildly detailed games we play and that we’re a few steps away from really jacking in, as his characters did. He foresaw urbanity as cancer – in the Sprawl – and as Alternative Flea Market/Edgy Disneyland on the Bridge. He saw the world as a grey waiting room populated by the rich and their helpers in his post 9/11 novels, and saw fashion as an expression of commerce.

He does the same here, although on a much smaller scale. He’s talking about real life so there are fewer mirrorshades. Instead we visit with him as he lands in Singapore and makes a movie and walks by a window full of ephemera in lower New York where a jumble of missile identification models was dusted one September morning with “blasted dreams” as it sits in a closed antiques shop. He’s seen a lot, and wants to tell us about it.

My one peeve? Gibson adds these little asides at the end of each piece, explaining just how he failed and how this story “needed a haircut” or how he went off on an odd tangent. It’s like a magician doing a serviceable rendition of the disappearing elephant, and then explaining afterwards that his curtain work was a little sloppy and if you looked under the stage you could see the elephant.

In the end, this collection of essays is a minor addition to the Gibson canon. It’s a worthy one, though, and well worth a read. And while you wait for it to download onto your Fire or your iPad or your Sandbenders, give thanks to the seer of our age who didn’t expect things to turn out that rosy yet still understood the good in both us and, more important, our variegated and ever more cunning tools.

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Why Every Entrepreneur Should Self-Publish a Book

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I’ve published eight books in the past seven years, five with traditional publishers (Wiley, Penguin, HarperCollins), one comic book,  and the last two I’ve self-published. In this post I give the specific details of all of my sales numbers and advances with the traditional publishers. Although the jury is still out on my self-published books, “How to be the Luckiest Man Alive” and ”I Was Blind But Now I See”  I can tell you these two have already sold more than my five books with traditional publishers, combined.

If you, the entrepreneur, self-publish a book you will stand out, you will make more money, you will kick your competitors right in the XX, and you will look amazingly cool at cocktail parties. I know this because I am seldom cool but at cocktail parties, with my very own comic book, I can basically have sex with anyone in the room. But don’t believe me, it costs you nothing and almost no time to try it yourself.

The rest of this article is really three discussions: Why self-publish rather than use a traditional publisher, why entrepreneurs should self-publish, and finally, HOW does one go about self-publishing.

WHY: 

A) Advances are going to zero. Book publishers are getting more and more squeezed by declining booksellers so they, in turn, have to squeeze the writers. Because of so much free content on the Internet, the value per unit of content is going to zero unless you are already an established name-brand author.

B) Lag time. When you self-publish, you can have your book up and running on Amazon, paperback and kindle, within days. When you publish with a traditional publisher its a grueling process: book proposal, agents, lawyers, meetings, edits, packaging, catalogs, etc that ensures that your book doesn’t actually get published until a year later. Literally, as I write this a friend of mine just IMed me the details of his book deal he just got with a mainstream publisher. Publication date: 2014.

C) Marketing. Publishers claim they do a lot of marketing for you. That’s laughable. I’ll give you a very specific story. When I published with Penguin they then met with a friend of mine whose book they wanted to publish. They didn’t realize she was my friend. She asked them, “what marketing did you do for James Altucher’s book”. They said, “well, we got him a review in The Financial Times and we got a segment about his book on CNBC and an excerpt in thestreet.com”

Here’s what’s so funny. I had a weekly column in The Financial Times. I WROTE my own review. As a joke. For CNBC, I had a weekly segment on CNBC. So naturally I spoke about my book during my regular segment. And for thestreet.com excerpt, I had just sold my last company to thestreet.com. So instead of doing my usual article for them I did an excerpt. In other words, the publisher did NOTHING, but took credit for EVERYTHING. Ultimately, authors (unless you are Stephen King, etc) have to do their own marketing for books. The first question publishers ask, even, before they look at your proposal is, “How big is your platform?” They want to know how you can market the book and if they can make money on just your own marketing efforts.

D) Better royalties. i.e. when I self-publish I make about a 70% royalty instead of a 15% royalty with a traditional publisher. I also own 100% of the foreign rights instead of 50%. I hired someone to sell the foreign rights and they get 20% (and no upfront fee).

E) More control over content and design. Look at this cover for “SuperCash” designed by a traditional publisher for me (this was my third book). It’s hideous.

Now look at the cover for my last book (self-published), “I Was Blind But Now I See”. You may or may not like it but it’s exactly what I wanted. Publishers even include in the contract that they have final say over the cover and this is one detail they will not negotiate.

You also don’t have any teenage interns sending you editorial comments back that you completely disagree with. YOU control your own content.

Now,

WHY SHOULD ENTREPRENEURS SELF-PUBLISH

A) You have content. I have enough material in my blog right now (including my “Drafts” folder which has 75 unpublished posts in it) to publish five more books over the next year. And I’m sure that number will increase over the next year as I write more posts. You’re an entrepreneur because you feel you have a product or an idea or a vision that stands out among your competitors (if you don’t stand out, pack it in and come up with a new idea).

You know how to do something better than anyone else in the world. How do let the world know that you are better? A business card won’t cut it. People will throw it away. And everyone’s got a website with an “About” button.

Give away part (or all) of your ideas in a book. You’re a brand new social media agency? How should social media work? Write it down. You’re a new CRM software package? How should CRM be better? Tell me. How should online dating services work? Tell some stories. Heck, make them as sexy as possible.

Don’t have time to write it. Then tell it to a ghostwriter you outsource to for almost no money. You don’t need 60,000 words. Do it in 20,000 words. Throw some pictures in. Just do it. Then when you meet someone and they ask for your business card, how cool will it be when you can say, “here, take my book instead.”

B) You have more to say. More and more companies have blogs. Many of the posts on the blog are “evergreen”. i.e. they last forever and are not time specific. If you just take the posts (mentioned in the point above) and publish them people will say, “he’s just publishing a collection of posts”. A couple of comments on that.

1. So what? It’s ok if you are curating what you feel your best posts are. And for a small price people can get that curation and read it in a different format.There’s value there.

2. Don’t just take a collection of your posts.  A blog post is typically 500-2000 words. Usually closer to 500. Do a bit more research for each post. Do intros and outros for each post. Make the chapters 3000-4000 words. Make a bigger arc to the book by using original material to explain WHY this book, with these chapters, presented in this manner is a different read than the blog. Have a chapter specifically explaining how the book is different from the blog.

With my last book, “I Was Blind But Now I See” I had original material in each chapter and several chapters that were completely original. Instead of it being a collection of posts, the overall book was about how we have been brainwashed in society, and how uncovering the brainwashing and using the techniques I describe can bring happiness. This was covered in a much more detailed fashion than the blog ever could even though the material was inspired by several of my posts.

 C) Amazon is an extra platform for you to market your blog. Or vice versa. You won’t make a million dollars on your book (well, maybe you will – never say never) but just being able to say, “I’m a published author” extends your credibility as a writer/speaker/enterpreneur when you go out there now to sell your book, syndicate your blog elsewhere or to get speaking engagements, etc. And when you do a speaking engagement, you can now hand something out – your book! So Amazon and publishing become a powerful marketing platform for your overall writing/speaking/consulting career.

D) Nobody cares. Some people want the credibility of saying “Penguin published me”. I can tell you from experience – nobody ever asked me who was my publisher when Penguin was my publisher. And, by the way, Penguin was the worst publisher I ever had.

E) How will I get in bookstores? I don’t know. How will you? Traditional publishers can’t get you there either. Often bookstores will look at what’s hot on Amazon and then order the books wholesale from the publishers. In many cases, tradtional publishers will take their most-known writers (so if you are in that category, congrats!) and pay to have them featured at a bookstore. As for my experience, my traditional publishers would get a few copies of my books in the bookstores of major cities (i.e. NYC and that’s it) but nothing more.

OK, I’M CONVINCED. HOW DO I SELF-PUBLISH

There’s lots of ways to do it but I’ll tell you my experience.

A) First write the book. For my last two self-published books, as mentioned above, I took some blog posts, rewrote parts of them, added original material, added new chapters, and provided an overall arc as to what the BOOK was about as opposed to it just being a random collection of posts. But, that said, you probably already have the basic material already.

B) Createspace.com. I used createspace because they are owned by Amazon and have excellent customer service. They let you pick the size of your book and then have Microsoft Word templates that you download to format your book within. For my first book I did this by myself, for my second book, for a small fee, I hired Alexanderbecker.net to format the book, create the book design, and create the final PDF that I uploaded. He also checked grammar, made proactive suggestions on font (sans serif instead of serif) and was extremely helpful.

C) Upload the PDF. Createspace approves it, picks an ISBN number, sends you a proof, and then you approve the proof.

D) Within days its available on Amazon. It’s print-on-demand as a paperback. And by the way, your total costs at this point: $0. Or whatever you used to design your cover.

E) Kindle. All of the above (from Createspace) was free. If I didn’t hire Alex to make the cover I could’ve used over 1mm of Createspace’s possible covers (I did that for my first book) and the entire publishing in paperback would be free. But with Kindle, Createspace charges $70 and they take care of everything until it’s uploaded to the Kindle store. Now you are available in paperback and kindle.

F) Marketing.

1. Readers of my blog who asked for it got the first 20 copies or so for free from me. Many of them then posted good reviews on Amazon to get the ball rolling.

2. I’ve been handing out the books at speaking engagements. Altogether, I’ll do around 10 speaking engagements handing my latest book out.

3. I write a blog post about how the bo0k is different from the blog and why I chose to go this route.

4. Writing guests posts for blogs like Techcrunch helps and I’m very grateful.

5. Twitter, Facebook, Linkedin, Google+ are also very helpful.

G) Promotions. You’re in charge of your own promotions (as opposed to a book publisher.). For instance, in a recent blog post I discussed the differences between my latest book and my blog and I also offered a promotion on how to get my next self-published book (“Bad Behavior”, expected in Q1 2012) for free.

Entrepreneurs are always looking for ways to stand out, promote their service, and get validation for their offerings. Writing a book makes you an expert in the field. At the very least, when you hand someone a book you wrote, it’s more impressive than handing a business card. It shows that you have enough expertise to write the book. It also shows you value the relationship with the potential customer enough that you are willing to give him something of value. Something you created.

And you can’t say the excuse “I don’t have time, I’m running a business.” Entrepreneurs make time. And they have the ideas so, again, at the very least you can use elance.com to hire a ghostwriter.

Over the next year I have five different books planned. All on different topics. I’m super-excited about them because I’m allowed to push the barrier in every area I’m interested in and there’s nobody to stop me. There’s nobody I need validation from. I get to pick myself.

You can do this also. And now, you should do it. There’s no more excuses in this environment. Good luck and feel free to write me with any questions.

Follow me on Twitter

Also, see 33 Unusual Ways to Become a Great Writer


Need Android App

Need an android app created that will allow the user to enter a password to enable to application, once enable the application runs in the background and if the icon is launch only the correct password can launch application.

When the application is launched, the user can set the audio detection level, when enabled and the phone detects audio or motion via the camera the app will call a prespecified phone number and the user receiving the call can listen to what the phone hears. The app will …

Restaurant App

For iPhone and Android

The app is for restaurant and should have the following features

Ability to send Push Notifications about latest offers, sports on a weekly basis
Condensed versions of ‘Menus’, ‘Events’, ‘Offers’, ‘Weekly Poll’, ‘Contact’ from the website
Contact tab to facilitate one-click calling to store

I am open to you ideas ..

Drupal Installation

Hello coders,

I have a very simple assignement today as i need one good qualified coder to install 3 templates i bought from template monster.

These are 3 different drupal themes which should be installed on 3 different domains. All domains are located on the same server , i have a reseller package so i dont think it should be much of an issue to have them all running smoothly.

Allthough this is a simple project , i do prefer coders with previous drupal experience as this might be an o…

Drupal Installation

Hello coders,

I have a very simple assignement today as i need one good qualified coder to install 3 templates i bought from template monster.

These are 3 different drupal themes which should be installed on 3 different domains. All domains are located on the same server , i have a reseller package so i dont think it should be much of an issue to have them all running smoothly.

Allthough this is a simple project , i do prefer coders with previous drupal experience as this might be an o…